Hackaday Links: March 3, 2024

March 3, 2024 by Dan Maloney 26 Comments

Who’d have thought that $30 doorbell cameras would end up being security liabilities? That’s the somewhat obvious conclusion reached by Consumer Reports after looking at some entry-level doorbell cameras available through the usual outfits and finding glaring security gaps which are totally not intentional in any way.

All these cameras appear to be the same basic hardware inside different enclosures, most supporting the same mobile app. Our favorite “exploit” for these cameras is the ability to put them into a pairing mode with the app, sometimes by pressing a public-facing button. Slightly more technically challenging would be accessing images from the app using the camera’s serial number, or finding file names being passed in plain text while sniffing network traffic. And that’s just the problems CR identified; who knows what else lurks under the covers? Some retailers have stopped offering these things, others have yet to, so buyer beware.

Speaking of our techno-dystopian surveillance state, if you’ve had it with the frustrations and expense of printers, has Hewlett-Packard got a deal for you. They want you to never own a printer again, preferring that you rent it from them instead. Their “All-In Plan” launched this week, which for $6.99 a month will set up up with an HP Envy inkjet printer, ink deliveries, and 24/7 tech support. It doesn’t appear that paper is included in the deal, so you’re on your own for that, but fear not — you won’t go through much since the entry-level plan only allows 20 prints per month. Plans scale up to 700 prints per month from an OfficeJet Pro for the low, low price of $36. The kicker, of course, is that ~~your~~ their printer has to be connected to the Internet, and HP can pretty much brick the thing anytime they want to. The terms of service also explicitly state that they’ll be sending your information to advertising partners, so that’ll be fun. This scheme hearkens back to the old pre-breakup days of AT&T, where you rented your phone from the phone company. That model made a lot more sense when the phone (probably) wasn’t listening in on everything you do. This just seems like asking for trouble.

“Enhance, enhance…” Credit: NASA/JPL-Caltech/LANL/CNES/IRAP/Simeon Schmauß

It’s been a while since Ingenuity‘s final rough landing on Mars permanently grounded the overachieving helicopter, long enough that it’s time for the post-mortem analyses to begin. The first photographic evidence we had was a shadowgram from one of the helicopter’s navigational cameras, showing damage to at least one of the rotor tips, presumably from contact with the ground. Then we were treated to a long-distance shot from Ingenuity‘s rover buddy Perseverance, which trained its MASTCAM instruments on the crash zone and gave us a wide view of its lonely resting place.

Now, geovisual design student [Simeon Schmauβ] has taken long shots made with the rover’s SuperCam instrument and processed them into amazingly detailed closeups, which show just how extensive the damage really is. One rotor blade sheared clean off on contact, flying 15 meters before gouging a hole in the regolith. Another blade looks to be about half gone, while the remaining two blades show the damaged tips we’ve already seen. That the helicopter is still on its feet given the obvious violence of the crash is amazing, as well as an incredible piece of luck, since it means the craft’s solar panel is pointing in roughly the right direction to keep it powered up.

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Hackaday Links: February 25, 2024

February 25, 2024 by Dan Maloney 15 Comments

When all else fails, blame it on the cloud? It seems like that’s the script for just about every outage that makes the news lately, like the Wyze camera outage this week that kept people from seeing feeds from their cameras for several hours. The outage went so far that some users’ cameras weren’t even showing up in the Wyze app, and there were even reports that some people were seeing thumbnails for cameras they don’t own. That’s troubling, of course, and Wyze seems to have taken action on that quickly by disabling a tab on the app that would potentially have let people tap into camera feeds they had no business seeing. Still, it looks like curiosity got the better of some users, with 1,500 tapping through when notified of motion events and seeing other people walking around inside unknown houses. The problem was resolved quickly, with blame laid on an “AWS partner” even though there were no known AWS issues at the time of the outage. We’ve said it before and we’ll say it again: security cameras, especially mission-critical ones, have no business being connected with anything but Ethernet or coax, and exposing them to the cloud is a really, really bad idea.

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All-Sky Camera Checks For Aurora

February 16, 2024 by Bryan Cockfield 4 Comments

The aurora borealis (and its southern equivalent, the aurora australis) is a fleeting and somewhat rare phenomenon that produces vivid curtains of color in the sky at extreme latitudes. It’s a common tourist activity to travel to areas where the aurora is more prevalent in order to catch a glimpse of it. The best opportunities are in the winter though, and since most people don’t want to spend hours outside on a cold night night in high latitudes, an all-sky camera like this one from [Frank] can help notify its users when an aurora is happening.

Because of the extreme temperatures involved, this is a little more involved than simply pointing a camera at the sky and hoping for the best. The enclosure and all electronics need to be able to withstand -50°C and operate at at least -30. For the enclosure, [Frank] is going with PVC tubing with a clear dome glued into a top fits to the end of the pipe, providing a water-resistant enclosure. A Raspberry Pi with a wide-angle lens camera sits on a 3D printed carriage so it can easily slide inside. The electronics use power-over-ethernet (PoE) rather than a battery due to the temperature extremes, which conveniently provides networking capabilities for viewing the images.

This is only part one of this build — in part two [Frank] is planning to build a system which can use this camera assembly to detect the aurora automatically and send out notifications when it sees it. Watching the night sky from the comfort of a warm house or sauna isn’t the only reason for putting an all-sky camera to use, either. They can also be used to observe meteors as they fall and then triangulate the position of the meteorites on the ground.

Street Photography, With RADAR!

January 20, 2024 by Jenny List 8 Comments

As the art of film photography has gained once more in popularity, some of the accessories from a previous age have been reinvented, as is the case with [tdsepsilon]’s radar rangefinder. Photographers who specialized in up-close-and-personal street photography in the mid-20th century faced the problem of how to focus their cameras. The first single-lens reflex cameras (SLRs) were rare and expensive beasts, so for most this meant a mechanical rangefinder either clipped to the accessory shoe, or if you were lucky, built into the camera.

The modern equivalent uses an inexpensive 24 GHz radar module coupled to an ESP32 board with an OLED display, and fits in a rather neat 3D printed enclosure that sits again in the accessory shoe. It has a 3 meter range perfect for the street photographer, and the distance can easily be read out and dialed in on the lens barrel.

Whenever the revival of film photography is discussed, it’s inevitable that someone will ask why, and point to the futility of using silver halides in a digital age. It’s projects like this one which answer that question, with second-hand SLRs being cheap and plentiful you might ask why use a manual rangefinder over one of them, but the answer lies in the fun of using one to get the perfect shot. Try it, you’ll enjoy it!

Some of us have been known to dabble in film photography, too.

Thanks [Joyce] for the tip.

Honey, I Ate The Camera

December 2, 2023 by Jenny List 17 Comments

We like cameras here at Hackaday. We like them a lot. But until now that liking has never extended to liking their taste. A build from [Dmitri Tcherbadji] could change all that though, and he’s created a working Fuji Instax Square camera made from gingerbread.

To look at, it’s a straightforward box camera, albeit one made from sheets of gingerbread stuck together with what looks like icing. The film rests in an off-the-shelf development unit but the rest is edible, including unexpectedly the lens which is made of sugar glass. The photos it returns are definitely somewhat cloudy, but that it works at all is a significant feat.

While it’s an unconventional choice it’s clear that gingerbread, or at least a baked material similar to it, could become a useful tool in a maker’s arsenal. In this case it’s light-proof, but were instantly curious about how well a moulded piece of dough might hold its shape when baked. He reports the gingerbread expanding in the oven, however we’re guessing that tuning the quantity of raising agent could help.

Home-made cameras have featured here many times, but Instax seems to pop up most often as a hacked in replacement for obsolete Polaroid packs.

The Minimum Required For A Film Camera

November 30, 2023 by Jenny List 13 Comments

Film cameras can be complex and exquisitely-crafted masterpieces of analogue technology. But at their very simplest they need be little more than a light-proof box with a piece of film at the back of it, and some kind of lens or pinhole with a shutter. [ChickenCrimpy] adds the most basic of 35 mm cartridge to create what he calls the Minimum Viable Camera. It’s a half-frame 35 mm pinhole film camera with the simplest possible construction.

It can be built from almost any flat light-proof 3 mm thick stock, though something that you can run through a laser cutter is probably ideal. Once snapped together to make to box-like structure, tape is added along the joins for light-proofing. The film is reeled from a full 35 mm cartridge to an empty one, and cranked back frame-by-frame by means of a wooden key that engages with the spindle.

There’s no lens, instead this is a pinhole camera, and the shutter is a piece of the stock held on the front of the camera with bolts and butterfly nuts. Taking a photo is as simple as pointing the device at the subject and lifting the shutter away for a few seconds. There’s a video overview for the project which we’ve placed below the break.

It’s true that this camera needs a moment in the darkroom to load, but we like its extreme simplicity and the ethereal and grainy pictures it produces. If you fancy an introduction to 35 mm photography you could definitely do worse.

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Retrotechtacular: Studio Camera Operation, The BBC Way

November 26, 2023 by Dan Maloney 11 Comments

If you ever thought that being a television camera operator was a simple job, this BBC training film on studio camera operations will quickly disabuse you of that notion.

The first thing that strikes you upon watching this 1982 gem is just how physical a job it is to stand behind a studio camera. Part of the physicality came from the sheer size of the gear being used. Not only were cameras of that vintage still largely tube-based and therefore huge — the EMI-2001 shown has four plumbicon image tubes along with tube amplifiers and weighed in at over 100 kg — but the pedestal upon which it sat was a beast as well. All told, a camera rig like that could come in at over 300 kg, and dragging something like that around a studio floor all day under hot lights had to be hard. It was a full-body workout, too; one needed a lot of upper-body strength to move the camera up and down against the hydropneumatic pedestal cylinder, and every day was leg day when you had to overcome all that inertia and get the camera moving to your next mark.

Operating a beast like this was not just about the bull work, though. There was a lot of fine motor control needed too, especially with focus pulling. The video goes into a lot of detail on maintaining a smooth focus while zooming or dollying, and shows just how bad it can look when the operator is inexperienced or not paying attention. Luckily, our hero Allan is killing it, and the results will look familiar to anyone who’s ever seen any BBC from the era, from Dr. Who to I, Claudius. Shows like these all had a distinctive “Beeb-ish” look to them, due in large part to the training their camera operators received with productions like this.

There’s a lot on offer here aside from the mechanical skills of camera operation, of course. Framing and composing shots are emphasized, as are the tricks to making it all look smooth and professional. There are a lot of technical details buried in the video too, particularly about the pedestal and how it works. There are also two follow-up training videos, one that focuses on the camera skills needed to shoot an interview program, and one that adds in the complications that arise when the on-air talent is actually moving. Watch all three and you’ll be well on your way to running a camera for the BBC — at least in 1982.

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