Look! It’s A Knob! It’s A Jack! It’s Euroknob!

Are your Eurorack modules too crowded? Sick of your patch cables making it hard to twiddle your knobs? Then you might be very interested in the new Euroknob, the knob that sports a hidden patch cable jack.

Honestly, when we first saw the Euroknob demo board, we thought [Mitxela] had gone a little off the rails. It looks like nothing more than a PCB-mount potentiometer or perhaps an encoder with a knob attached. Twist the knob and a row of LEDs on the board light up in sequence. Nice, but not exactly what we’re used to seeing from him. But then he popped the knob off the board, revealing that what we thought was the pot body is actually a 3.5-mm audio jack, and that the knob was attached to a mating plug that acts as an axle.

The kicker is that underneath the audio jack is an AS5600 magnetic encoder, and hidden in a slot milled in the tip of the audio jack is a tiny magnet. Pop the knob into the jack, give it a twist, and you’ve got manual control of your module. Take the knob out, plug in a patch cable, and you can let a control voltage from another module do the job. Genius!

To make it all work mechanically, [Mitxela] had to sandwich a spacer board on top of the main PCB. The spacer has a large cutout to make room for the sensor chip so the magnet can rotate without hitting anything. He also added a CH32V003 to run the encoder and drive the LEDs to provide feedback for the knob-jack. The video below has a brief demo.

This is just a proof of concept, to be sure, but it’s still pretty slick. Almost as slick as [Mitxela]’s recent fluid-motion simulation pendant, or his dual-wielding soldering irons.

Continue reading “Look! It’s A Knob! It’s A Jack! It’s Euroknob!”

Educational Breadboard Synth Module

Synth designers [Erica Synths] have devised a very cool, approachable way to get started with DIY synth hacking. Designed around a breadboard, the EDU DIY LABOR is a synth module with everything you need to get started. The Basic version comes with potentiometers, switches, and jack sockets, and is aimed more at those who likely already have a decent supply of parts on hand for experimentation. The Full kit comes with all that, plus a supply of resistors, capacitors, ICs and transistors so you can get up to speed, even as a beginner.

The device is supplied as a semi-DIY kit, with some soldering and assembly required. The kit was designed in collaboration with Dr. Shalom D. Ruben, a teaching professor of engineering at the University of Colorado. So it should be approachable for those with some soldering experience under their belt. Labor includes a multi-voltage power supply which supplies all Eurorack voltages, an oscillator section for both audible ranges and LFO, a full envelope control section, an output amplifier and more! Once assembled you can quickly start making bloops, beeps, and bzzts. You can easily design filters, oscillators, amplifiers, sequencers, and whatever else you can dream up!

However, the kit is designed to be more than just a synth playground – the idea was also to create an environment where you could learn the basics of electronics at the same time, in an approachable, fun way. This is reflected in the excellent user manual, which goes beyond just assembling the device and gives some example circuits, complete with wave diagrams and detailed working explanations. Great for beginners and experienced hackers who want to learn more about fundamentals and audio synthesis!

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An Open Hardware Eurorack Compatible Audio FPGA Front End

[Sebastian Holzapfel] has designed an audio frontend (eurorack-pmod) for FPGA-based audio applications, which is designed to fit into a standard Eurorack enclosure. The project, released under CERN Open-Hardware License V2, is designed in KiCAD using the AK4619VN four-channel audio codec by Asahi Kasei microdevices. (And guess what folks, there’s plenty of those in stock!) Continue reading “An Open Hardware Eurorack Compatible Audio FPGA Front End”

Mechanical Relay Percussion In A Eurorack Format

There are plenty of analog and digital synthesis modules available in Eurorack format. But how about one that actually does physical percussion while capturing the output at the same time? The VU Perc Relay module does just that.

The concept is simple. Eurorack control voltages are fed to a VU meter, which swings about and makes noise when the needle hits a copper strip. This strip is connected to a piezo element which captures the sound. There’s also a relay that gets triggered under such conditions, with that sound also captured by a piezo element. Thus, the input control voltages create real percussion noises with the VU meter and relay, and then capture them for output to the rest of the rack.

Having actual physical sound devices in a compact Eurorack module is neat. The fact that it’s transparent is even cooler, as it lets you see the percussion in action. Notably, the physical nature of this module means you’ll want to place some bubble wrap or other isolating material under your rack when performing on stage with a PA. Otherwise, you risk getting feedback through the piezos.

We see plenty of good Eurorack gear around these parts, like this useful wireless MIDI connection. Video after the break.

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A Simple RP2040-Based Audio DSP Board

If you’re one of those people who got into building electronics for the purpose of making music, then this Raspberry Pi RP2040-based audio DSP project by [DatanoiseTV] might be of interest. Provided is a FreeRTOS template application for creating Eurorack compatible synthesizers, effects processors, and similar DSP-based audio widgets.

The hardware platform has the usual Eurorack connectivity, including MIDI in, Control Voltages (CV) and the usual 5V-compatible triggers. An audio output is provided to send the audio out to the system mixer or any other analog modules. Additionally, connections are provided for a rotary encoder, a few push buttons, and an OLED display to allow construction of a rudimentary user interface on the module, if that is required.

The application template is generic enough, however the project is intended to be used with the Vult DSP transcompiler. Vult is a high-level programming language designed to enable easy creation of audio synthesizers and similar, producing C++ code as an output of the compilation process. This is then wrapped up with the RTOS goodies (although you don’t actually need them) to drop onto the RP2040 in the usual way, via the handy USB-C port. So, if you’re looking to get into DSP-based Eurorack modules for your homebrew synth rack, this might be a good place to start.

Just like the RP2040 isn’t the most obvious choice for a DSP application, neither is the ESP32 for that matter, but who cares? many modern micros are more than capable of audio DSP these days, with or without the dedicated functionality.

The eurorack rail piece, just printed in white plastic, not yet folded, with a folded example in the upper right corner

Bend Your Prints To Eliminate Supports

When designing even a reasonably simple 3D-printable part, you need to account for all the supports it will require to print well. Strategic offsetting, chamfering, and filleting are firmly in our toolkits. Over time we’ve learned to dial our settings in so that, hopefully, we don’t have to fumble around with a xacto knife after the bed has cooled down. On Twitter, Chris shows off his foldable 3D print experiments (nitter) that work around the support problem by printing the part as a single piece able to fold into a block as soon as you pop it off the bed.

The main components of this trick seem to be the shape of the place where the print will fold, and the alignment of bottom layer lines perpendicular to the direction of the fold lines. [Chris] shows a cross-section of his FreeCad design, sharing the dimensions he has found to work best.

Of course, this is Twitter, so other hackers are making suggestions to improve the design — like this sketch of a captive wedge likely to improve alignment. As for layer line direction alignment, [Chris] admits to winging it by rotating the part in the slicer until the layer lines are oriented just right. People have been experimenting with this for some time now, and tricks like these are always a welcome addition to our toolkits. You might be wondering – what kinds of projects are such hinges useful for?

The example Chris provides is a Eurorack rail segment — due to the kind of overhangs required, you’d be inclined to print it vertically, taking a hit to the print time and introducing structural weaknesses. With this trick, you absolutely don’t have to! You can also go way further and 3D print a single-piece foldable Raspberry Pi Zero case, available on Printables, with only two extra endcaps somewhat required to hold it together.

Foldable 3D prints aren’t new, though we typically see them done with print-in-place hinges that are technically separate pieces. This trick is a radical solution to avoiding supports and any piece separation altogether. In laser cutting, we’ve known about similar techniques for a while, called a “living hinge”, but we generally haven’t extended this technique into 3D printing, save for a few manufacturing-grade techniques. Hinges like these aren’t generally meant to bend many times before they break. It’s possible to work around that, too — last time we talked about this, it was an extensive journey that combined plastic and fabric to produce incredibly small 3D printed robots!

We thank [Chaos] for sharing this with us!

Virtual Eurorack Based CPU Computes To The Beat Of A Different Drum Module

In Arthur C. Clarke’s 1972 story “Dial F for Frankenstein”, the worlds first global network of phone exchanges was created by satellite link, and events happened that caused the characters in the story to wonder if the interconnected mesh of machinery had somehow become sentient. And that’s what we wondered when we saw this latest virtual CPU construction built by GitHub user [katef] and made from a virtual analog synthesizer software called VCV Rack.

Analogous to a Redstone computer in Minecraft, there’s no physical hardware involved. But instead of making crazy synth sounds for a music project, [katef] has built a functioning CPU complete with an Arithmetic Logic Unit, an adder, and other various things you’ll find in a real CPU such as registers and a clock.

While no mention is made of whether the construct is sentient, [katef] fully documented the build on their GitHub page, and so go check that out for animated pictures, links to more information, and more. It’s quite impressive, if not just a little bonkers. But most good hacks are, right?

We love unique CPU builds, and you might get a kick out of this one made from- that’s right- 555 timers. Thanks to [Myself] on the Hackaday Discord server for the tip, and be sure to send in your favorite outrageous projects to the Hackaday tip line!