oscilloscope

277 Articles

How An Oscilloscope Probe Works, And Other Stories

March 15, 2017 by 29 Comments

The oscilloscope is probably the most versatile piece of test equipment you can have on your electronics bench, offering a multitude of possibilities for measuring timing, frequency and voltage as well as subtleties in your circuits revealed by the shape of the waveforms they produce.

On the front of a modern ‘scope is a BNC socket, into which you can feed your signal to be investigated. If however you simply hook up a co-axial BNC lead between source and ‘scope, you’ll immediately notice some problems. Your waveforms will be distorted. In the simplest terms your square waves will no longer be square.

Why is this? Crucial to the operation of an oscilloscope is a very high input impedance, to minimise current draw on the circuit it is investigating. Thus the first thing that you will find behind that BNC socket is a 1 megohm resistor to ground, or at least if not a physical resistor then other circuitry that presents its equivalent. This high resistance does its job of presenting a high impedance to the outside world, but comes with a penalty. Because of its high value, the effects of even a small external capacitance can be enough to create a surprisingly effective low or high pass filter, which in turn can distort the waveform you expect on the screen.

The answer to this problem is to be found in your oscilloscope probe. It might seem that the probe is simply a plug with a bit of wire to a rigid point with an earth clip, but in reality it contains a simple yet clever mitigation of the capacitance problem.

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WTF Are Ground Loops?

March 9, 2017 by 103 Comments

These magical creatures crop up out of nowhere and fry your electronics or annoy your ear holes. Understanding them will doubtless save you money and hassle. The ground loop in a nutshell is what happens when two separate devices (A and B) are connected to ground separately, and then also connected to each other through some kind of communication cable with a ground, creating a loop. This provides two separate paths to ground (B can go through its own connection to ground or it can go through the ground of the cable to A and then to A’s ground), and means that current may start flowing in unanticipated ways. This is particularly noticeable in analog AV setups, where the result is audio hum or visible bars in a picture, but is also sometimes the cause of unexplained equipment failures. Continue reading “WTF Are Ground Loops?” →

Decimal Oscilloclock Harks Back To 1927 Movie

February 21, 2017 by 25 Comments

Metropolis is a classic, silent film produced in 1927 and was one of the very first full length feature films of the science fiction genre, and very influential. (C-3PO was inspired by Maria, the “Machine human” in Metropolis.) Within the first couple of minutes in the film, we get to see two clocks — one with a 24-hour dial and another larger one with a 10-hour dial. The human overlords of Metropolis lived a utopian 24 hour day, while the worker scum who were forced to live and work underground, were subjected to work in two ten-hour shifts during the same period.

[Aaron]’s client was setting up a Metropolis themed man-cave and commissioned him to build a Metropolis Oscilloclock which would not only show the 24 hour and 10 hour clocks from the film, but also accurately reproduce the clock movements and its fonts. [Aaron]’s Oscilloclock is his latest project in the series of bespoke CRT clocks which he has been building since he was a teen.

The clock is built around a Toshiba ST-1248D vintage oscilloscope that has been beautifully restored. There are some modern additions – such as LED glow indicators for the various valves and an external X-Y input to allow rendering Lissajous figures on the CRT. He’s also added some animations derived from the original poster of the film. Doing a project of this magnitude is not trivial and its taken him almost eight months to bring it from concept to reality. We recommend looking through some of his other blog posts too, where he describes how oscilloclocks work, how he builds the HV power supplies needed to drive the CRT’s, and how he ensures vibration and noise damping for the cooling fans used for the HV power supplies. It’s this attention to detail which results in such well-built clocks. Check out some of [Aaron]’s other awesome Oscilloclock builds that we have featured over the years.

The film itself has undergone several restoration attempts, with most of it being recovered from prints which were discovered in old archives. If you wish to go down that rabbit hole, check out Wikipedia for more details and then head over to YouTube where several versions appear to be hosted.

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Taking Apart A Vintage Oscilloscope

February 15, 2017 by 27 Comments

After getting a power supply and a multimeter, the next piece of gear a hacker would want to add to their bench is the oscilloscope. Nowadays, even the cheapest ones cost a few hundred dollars yet pack in the features. At the other end of the scale, if you can pony up close to a  million dollars, you can help yourself to an oscilloscope capable of 100 GHz bandwidth and 240 GS/s sampling rate. With that perspective, it becomes interesting to take a look at this video (embedded below), where [Jack Ganssle] shows us the Philco 7019 Junior Scope which was introduced way back in 1946. It seems the Philco 7019 model was an identical re-badged version of the Waterman Model S-10-A PocketScope.

[Jack] is familiar to all of us as an embedded systems engineer, but in this video he does a teardown of this vintage analog model. He starts off by walking us through the various controls, of which there are not a lot, in this “portable” instrument. At around the 3:40 mark in the video, he’ll make you wince as he uses a screwdriver and hammer combo to smash another ’40’s vintage CRT just so he can show us it’s innards — the electron beam source and the horizontal and vertical deflection plates. The circuit is about as bare-bones as it can get. Besides the CRT, there are just three vacuum tubes. One is the rectifier for the power supply, a second one is used for the vertical amplifier while the third one is the free running horizontal sweep oscillator. There is no triggering option — you just adjust the sweep frequency via a potentiometer as best you can. It does have internal, external and line frequency function selection, but it still requires manual adjustment of the sweep oscillator. There’s no blanking signal either, so the return sweep is always clearly visible. This is evident from the horizontal burn mark on the phosphor of the CRT after decades of use. It’s amusing to see that the vertical position could be adjusted by moving a magnet attached to the side cover.

The Oscilloscope Museum website hosts the Instruction Manual for this model, as well as a sales brochure which makes for very interesting reading after viewing [Jack]’s video.

Thanks, [Itay], for the tip.

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Op Amps Combine Into Virtual Ball In A Box

January 28, 2017 by 14 Comments

What happens when you throw a ball into a box? In the real world, the answer is simple – the ball bounces between the walls and the floor until it eventually loses energy and comes to rest. What happens when you throw a virtual ball into a virtual box? Sounds like something you might need a program running on a digital computer to answer. But an analog computer built with a handful of op amps can model a ball in a box pretty handily too.

OK, it takes quite a large handful of op amps and considerable cleverness to model everything in this simple system, as [Glen Kleinschmidt] discovered when he undertook to recreate a four-decade-old demonstration project from AEG-Telefunken. Plotting the position of an object bouncing around inside the virtual box is the job of two separate circuits, one to determine the Y-coordinate and bouncing off the floor, and one to calculate the X-coordinate relative to the walls. Those circuits are superimposed by a high-frequency sine-cosine pair generator that creates the ball, and everything is mixed together into separate outputs for an X-Y oscilloscope to display. The resulting simulation is pretty convincing, with the added bonus of the slowly decaying clicks of the relay used to change the X direction each time a wall is hit.

There’s not much practical use, but it’s instructional for sure, and an impressive display of what’s possible with op amps. For more on using op amps as analog computers, check out [Bil Herd]’s “Computing with Analog” article.

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Review: Digilent Analog Discovery 2

December 28, 2016 by 57 Comments

I recently opened the mailbox to find a little device about the size of White Castle burger. It was an “Analog Discovery 2” from Digilent. It is hard to categorize exactly what it is. On the face of it, it is a USB scope and logic analyzer. But it is also a waveform generator, a DC power supply, a pattern generator, and a network analyzer.

I’ve looked at devices like this before. Some are better than others, but usually all the pieces don’t work well at the same time. That is, you can use the scope or you can use the signal generator. The ones based on microcontrollers often get worse as you add channels even. The Analog Discovery 2 is built around an FPGA which, if done right, should get around many of the problems associated with other small instrumentation devices.

I’d read good things about the Discovery 2, so I was anxious to put it through its paces. I will say it is an impressive piece of gear. There are a few things that I was less happy with, though, and I’ll try to give you a fair read on what I found both good and bad.

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Salvaged Scope Lets You Watch The Music

December 1, 2016 by 17 Comments

Everyone likes a good light show, but probably the children of the 60s and 70s appreciate them a bit more. That’s the era when some stereos came with built-in audio oscilloscopes, the search for which led [Tech Moan] to restore an audio monitor oscilloscope and use it to display oscilloscope music.

If the topic of oscilloscope music seems familiar, it may be because we covered [Jerobeam Fenderson]’s scope-driving compositions a while back. The technique will work on any oscilloscope that can handle X- and Y-axis inputs, but analog scopes make for the best display. The Tektronix 760A that [Tech Moan] scrounged off eBay is even better in that it was purpose-built to live in an audio engineer’s console for visualizing stereo audio signals. The vintage of the discontinued instrument isn’t clear, but from the DIPs and discrete components inside, we’ll hazard a guess of early to mid-1980s.  The eBay score was a bargain, but only because it was in less that perfect condition, and [Tech Moan] wisely purchased another burned out Tek scope with the same chassis to use for spares.

The restored 760A does a great job playing [Jerobeam]’s simultaneously haunting and annoying compositions; it’s hard to watch animated images playing across the scope’s screen and not marvel at the work put into composing the right signals to make it all happen. Hats off to [Tech Moan] for bringing the instrument back to life, and to [Jerobeam] for music fit for a scope.

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