An orange and green stained glass robot arm sits on a table with a yellow lace tablecloth. It suspends a teabag over a brown teacup. You can see green leaves outside the window behind the bot.

Glass Robot From A Solarpunk Future

You may have heard of a heart of glass or have a glass jaw, but have you ever seen a glass robot?

[Simone Giertz], has taken two of her favorite things, stained glass and robotics, and fused them into a single project. Using an existing metal robot arm as a template, she cut and soldered her stained glass panels before reassembling the robot with its new solarpunk limbs. During testing though, one of the glass panels repeatedly failed at a solder joint.

Undaunted, [Giertz] replaced the faulty piece with an original metal component allowing this “grandma cyberpunk-core” bot to prepare tea as intended. We really love when makers bring us through the whole process, mishaps and all, and [Giertz] never disappoints in this respect. We do wonder a bit about the long-term health impacts of making tea with a robot containing leaded solder though.

If you’re interested in more robots made from unusual materials, checkout this gripper made from a dead spider or this work on phase changing robots.

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Oscillon by Ben F. Laposky

Early Computer Art From The 1950s And 1960s

Modern day computer artist, [Amy Goodchild] surveys a history of Early Computer Art from the 1950s and 1960s. With so much attention presently focused on AI-generated artwork, we should remember that computers have been used to created art for many decades.

Our story begins in 1950 when Ben Laposky started using long exposure photography of cathode ray oscilloscopes to record moving signals generated by electronic circuits. In 1953, Gordon Pask developed the electromechanical MusiColor system. MusiColor empowered musicians to control visual elements including lights, patterns, and motorized color wheels using sound from their instruments. The musicians could interact with the system in real-time, audio-visual jam sessions.

In the early 1960s, BEFLIX (derived form Bell Flix) was developed by Ken Knowlton at Bell Labs as a programming language for generating video animations. The Graphic 1 computer featuring a light pen input device was also developed at Bell Labs. Around the same timeframe, IBM introduced novel visualization technology in the IBM 2250 graphics display for its System/360 computer. The 1967 IBM promotional film Frontiers in Computer Graphics demonstrates the capabilities of the system.

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Mythic I: An Exploration Of Artisanal Computing

While computers have become ever faster and more capable over the years, it’s hard to say they’ve become any more exciting. In fact, they’ve become downright boring. Desktop, laptop, or mobile, they’re all more or less featureless slabs of various dimensions. There’s not even much in the way of color variation — the classic beige box is now available with white, black, or metallic finishes.

Believing that such a pedestrian appearance isn’t befitting a device that puts the world’s collected knowledge at our fingertips, [Keegan McNamara] started exploring a more luxurious approach to computing. Gone is the mass produced injection molded plastic, in its place is hand-carved maple and Tuscan leather. Common computing form factors are eschewed entirely for a swooping console inspired by fine furniture and classic sports cars. The final result, called the Mythic I, is equal parts art and science. Not just a bold reimaging of what a computer can be, but an object to be displayed and discussed. Continue reading “Mythic I: An Exploration Of Artisanal Computing”

Op-Amp Challenge: Interactive Analog LED Wave Array

A while back, [Chris Lu] was studying how analog circuits, specifically op-amps can be used to perform mathematical operations and wondered if they could be persuaded to solve differential equations, such as the wave equation. After sitting on the idea for a few years, it was time to make it a reality, and the result is an entry into the Op-Amp Challenge.

Unlike many similar interactive LED matrix displays that are digital in nature (because it’s a lot easier), this design is pure analog, using many, many op-amps. A custom PCB houses a 4×4 array of compute units, each with a blue and white LED indicating the sign and magnitude of the local signal.

The local input signal is provided by an IR photodiode, AC coupled to only respond to change, with every other circuit sharing a sensor to keep it simple. Each circuit is connected to its immediate neighbors on the PCB, and off the PCB via board-to-board connectors. This simple scheme makes this easily scalable if desired in the future.

[Chris] does a great job of breaking down the math involved, which makes this project a neat illustration of how op-amp circuits can implement complex mathematical problems in an easy-to-understand process. Even more op-amps are pressed into service for generating the split-rail voltage reference and for amplifying the weak photodiode signals, but the computation circuit is the star of the show.

We like analog computing a fair bit around these parts. Here’s a little something we were previously drooling over.

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Making Music By Probing Magnetite Crystals

Well, noises anyway. [Dmitry Morozov] and [Alexandra Gavrilova] present an interesting electronics-based art installation, which probes a large chunk of crystalline magnetite, using a pair of servo-mounted probes, ‘measuring’ the surface conductivity and generating some sound and visuals.

It appears to have only one degree of freedom per probe, so we’re not so sure all that much of the surface gets probed per run, but however it works it produces some interesting, almost random results. The premise is that the point-to-point surface resistivity is unpredictable due to the chaotically formed crystals all jumbled up, but somehow uses these measured data to generate some waveshapes vaguely reminiscent of the resistivity profile of the sample, the output of which is then fed into a sound synthesis application and pumped out of a speaker. It certainly looks fun.

From a constructional perspective, hardware is based around a LattePanda fed samples by an ADS1115 ADC, which presumably is also responsible for driving the LCD monitor and the sound system. An Arduino is also wedged in there perhaps for servo-driving duty, maybe also as part of the signal chain from the probes, but that is just a guess on our part. The software uses the VVVV (Visual Live-programming suite) and the Pure Data environment.

We haven’t seen magnetite used for this type of application before, we tend to see it as a source of Iron for DIY knifemaking, as a medium to help separate DNA or just to make nanoparticles, for erm, reasons.

Barcodes Enter The Matrix In 2027

Beep. We’ve come a long way since June 26, 1974 when the first bar code was scanned at a grocery store in Troy, Ohio. That legendary pack of Juicy Fruit proved that even the smallest of items could now carry numbers associated with inventory and price.

By now, we’re all too familiar with this sound as self-checkouts have become the norm. Whereas you yourself could at one time literally check out during the transaction, you must now be on your toes and play find the bar code on every item.

What does the consumer gain from the bar code today? Practically nothing, except the chance to purchase, and potentially return, the item without too much hassle. Well, the non-profit outfit that runs the bar code world — GS1 US — wants to change all that. By 2027, they are confident that all 1D bar codes will be replaced with 2D bar codes similar to QR codes. Why?

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Building A WiFi Picture Frame With An EInk Display

LCD photo frames never really caught on — by emitting light, they didn’t seamlessly blend in with a home’s decor in the way printed photos do. [Sprite_tm] decided to see if a color e-Ink screen could do any better, and whipped up a WiFi-enabled photo frame using a Waveshare display.

The part in question is a 5.65-inch display with 640 x 448 resolution, and is capable of displaying seven colors. It’s not designed to display photorealistic images, so much as display simple graphics with block colors. However, with some dithering, [Sprite_tm] suspected it might do an okay job. An algorithm that uses Floyd-Steinberg diffusion and the CIEDE2000 color space takes regular RGB images and breaks them down into dithered images that are displayed using the screen’s 7 available colors.

The build relies on an ESP32-C3, which drives the display and fetches new images daily over WiFi. Thanks to the e-Ink screen, which uses zero power when not updating, the whole setup runs off two AA batteries and a Natlinear LN2266 boost converter.

There are some limitations; the screen’s color space is altogether quite limited, and images don’t look very high-fidelity in such low resolution. However, it does an able job of displaying photos for a device that was never designed to do so. It looks rather handsome all wrapped up as a 3D printed picture frame, and [Sprite_tm]’s monkey test photos are very cute.

Files are on GitHub for those that wish to roll their own. We’ve seen similar works before, like this e-Ink wall-hanging newspaper display that keeps up with the times. If you’ve got your own neat e-ink build, hit us up on the tipsline!