While most photographers have moved on to digital cameras with their numerous benefits, there are a few artists out there still taking pictures with film. While film is among the more well-known analog photographic methods available, there are chemically simpler ways of taking pictures available for those willing to experiment a little bit. Cyanotype photography is one of these methods, and as [JGJMatt] shows, it only takes a few commonly available chemicals, some paper, and a slightly modified box camera to get started.
Cyanotype photography works by adding UV-reactive chemicals to paper and exposing the paper similarly to how film would be exposed. The photographs come out blue wherever the paper wasn’t exposed and white where it was. Before mixing up chemicals and taking photos, though, [JGJMatt] needed to restore an old Kodak Brownie camera, designed to use a now expensive type of film. Once the camera is cleaned up, only a few modifications are needed to adapt it to the cyanotype method, one of which involves placing a magnet on the shutter to keep it open for the longer exposure times needed for this type of photography. There is some development to do on these pictures, but it’s relatively simple to do in comparison to more traditional chemical film development.
For anyone looking for a different way of taking photographs, or even those looking for a method of taking analog pictures without the hassle of developing film or creating a darkroom, cyanotype offers a much easier entry point and plenty of artists creating images with this method don’t use a camera at all. There are plenty of other photographic chemistries to explore as well; one of our favorites uses platinum to create striking black-and-white photos.
Taking a high-resolution photo of the moon is a surprisingly difficult task. Not only is a long enough lens required, but the camera typically needs to be mounted on a tracking system of some kind, as the moon moves too fast for the long exposure times needed. That’s why plenty were skeptical of Samsung’s claims that their latest smart phone cameras could actually photograph this celestial body with any degree of detail. It turns out that this skepticism might be warranted.
Samsung’s marketing department is claiming that this phone is using artificial intelligence to improve photos, which should quickly raise a red flag for anyone technically minded. [ibreakphotos] wanted to put this to the test rather than speculate, so a high-resolution image of the moon was modified in such a way that most of the fine detail of the image was lost. Displaying this image on a monitor, standing across the room, and using the smartphone in question reveals details in the image that can’t possibly be there.
The image that accompanies this post shows the two images side-by-side for those skeptical of these claims, but from what we can tell it looks like this is essentially an AI system copy-pasting the moon into images it thinks are of the moon itself. The AI also seems to need something more moon-like than a ping pong ball to trigger the detail overlay too, as other tests appear to debunk a more simplified overlay theory. It seems like using this system, though, is doing about the same thing that this AI camera does to take pictures of various common objects.
The first photograph was taken sometime in the early 1800s, and through almost two centuries of development we’ve advanced through black-and-white, the video camera, and even high-speed cameras that can take thousands of frames per second. [Mathieu Stern] took a step back from all of the technological progress of the past two hundred years, though, and found a lens for his camera hidden in the glacial ice of Iceland.
Ice in this part of the world has been purified over the course of 10,000 years, and [Mathieu] realized that with this purity the ice could be formed into a workable camera lens. The first step was to get something that could actually form the ice into the proper shape, and for that he used a modified ice ball maker that was shaped to make a lens rather than a sphere. Next, he needed an enclosure to hold the lens and attach it to his camera, which he made using a 3D printer.
For this build, the hardest part probably wasn’t making the actual equipment, but rather getting to the right place in Iceland and actually making the lenses. At room temperature the lenses could be made in around five minutes, but in Iceland it took almost 45 minutes and the first four attempts broke. The fifth one was a charm though, so after over five hours on the beach he was finally able to make some striking images with the 10,000-year-old ice lens which melted after only a minute of use. If that seems like too much work, though, you can always outfit your camera with no lens at all.
Thanks to [baldpower] for the tip!
Continue reading “10,000-Year-Old Camera Lens Takes Striking Pictures”
Taking a picture is as simple as tapping a screen. Drawing a memorable scene, even when it’s directly in front of you, is a different skill entirely. So trace it! Well, that’s kind of hard to do without appropriate preparation.
[bobsteaman]’s method is to first whip up a pantograph — it tested well with a felt marker on the end. Next, he built a camera obscura into a small wood box with a matte plexiglass top, which didn’t work quite so well. A magnifying glass above the camera’s pinhole aperture helped, but arduous testing was needed to ensure it was set at perfect position for a clear image. The matte plexiglass was also thrown out and, after some experimentation, replaced with a sheet of semi-transparent baking paper sandwiched between two pieces of clear plexiglass. The result is hard to argue with.
Continue reading “Tracing A Scene An Old-Fashioned Way”
A few gadgets around the house make for excellent display and conversation pieces, but when an artifact from the wizarding world finds its way into a muggle household? Well, you frame it.
Okay so in reality this is really an animated picture frame with a Harry Potter theme — specifically the fabulous newspaper, The Daily Prophet, from the series of novels and movies. Conceived by [Piet Rullins Jr.] after a trip to ‘The Wizarding World of Harry Potter’ attraction at Orlando Studios, he wanted an inventive way to showcase the videos of his vacation.
The seven inch display is secured inside a poster frame, surrounded by a customized front page of the wizard paper — weaving the tale of his trip — and controlled by a Raspberry Pi 3. When someone approaches, an Adafruit infrared sensor detects the movement and activates the display, shutting it off after five minutes in order to preserve the screen and save power. A USB power cable hidden inside the cabinet it’s mounted on adds to the effect of a magical periodical. What, did you think it was powered by magic too?
Continue reading “Daily Prophet Is A Magic Newspaper! (Kinda)”
Rendering something in slow-motion is an often-used technique that attempts to add some ‘wow’ or ‘cool’ factor. Seeing something out in the world move in slow motion is marginally rarer — rarer still if it’s in your own home. But do it right and that kind of novelty turns a lot of heads. Enough to go 8x on a Kickstarter goal.
Slow Dance, a picture frame ringed with strobe lights, generates the surreal effect of turning small, everyday objects into languid kinetic sculptures. It’s an intriguing example of kinetic art done in a novel way.
[Jeff Lieberman], a veteran of high-speed photography, takes advantage of ‘persistence of vision’ by synchronizing the vibrations of an object — say, a feather — with a strobe light blinking 80 times per second. An electromagnet inside the frame is used to vibrate the objects, while the strobe lights are housed inside the thick frame.
Continue reading “Slow Dance Appears To Make Time Run In Slow Motion”
The world of 3D printing is growing rapidly. Some might say it’s growing layer by layer. But there was one aspect that [Ken] wanted to improve upon, and that was in the area of 3D photos. Specifically, printing a 3D pop-up-style photograph that collapses to save space so you can easily carry it around.
It’s been possible to take 3D scans of objects and render a 3D print for a while now, but [Ken] wanted something a little more portable. His 3D pop-up photographs are similar to pop-up books for children, in that when the page is unfolded a three-dimensional shape distances itself from the background.
The process works by taking a normal 3D photo. With the help of some software, sets of points that are equidistant from the camera are grouped into layers. From there, they can be printed in the old 2-dimensional fashion and then connected to achieve the 3D effect. Using a Kinect or similar device would allow for any number of layers and ways of using this method. So we’re throwing down the gauntlet — we want to see an arms-race of pop-up photographs. Who will be the one to have the most layers, and who will find a photograph subject that makes the most sense in this medium? Remember how cool those vector-cut topographical maps were? There must be a similarly impressive application for this!
[Ken] isn’t a stranger around these parts. He was previously featured for his unique weather display and his semi-real-life Mario Kart, so be sure to check those out as well.