close-up image of a philodendron houseplant with electrodes attached, connected to a robot arm holding a machete

(Mostly) Harmless Houseplant Wields Machete

In a straight fight between a houseplant and a human, you might expect the plant to be at a significant disadvantage. So [David Bowen] has decided to even the odds a little by arming this philodendron with a robot arm and a machete.

The build is a little short on details but, from the video, it appears that adhesive electrodes have been attached to the leaves of the recently-empowered plant and connected directly to analog inputs of an Arduino Uno.  From there, the text tells us that the signals are mapped to movements of the industrial robot arm that holds the blade.

It’s not clear if the choice of plant is significant, but an unarmed philodendron appears to be otherwise largely innocuous, unless you happen to be a hungry rodent. We hope that there is also a means of disconnecting the power remotely, else this art installation could defend itself indefinitely! (or until it gets thirsty, at least.) We at Hackaday welcome our new leafy overlords.

We have covered the capabilities of plants before, and they can represent a rich seam of research for the home hacker.  They can tell you when they’re thirsty, but can they bend light to their will?  We even held a Plant Communication Hack Chat in 2021.

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In A Way, 3D Scanning Is Over A Century Old

In France during the mid-to-late 1800s, one could go into François Willème’s studio, sit for a photo session consisting of 24 cameras arranged in a circle around the subject, and in a matter of days obtain a photosculpture. A photosculpture was essentially a sculpture representing, with a high degree of exactitude, the photographed subject. The kicker was that it was both much faster and far cheaper than traditional sculpting, and the process was remarkably similar in principle to 3D scanning. Not bad for well over a century ago.

This article takes a look at François’ method for using the technology and materials of the time to create 3D reproductions of photographed subjects. The article draws a connection between photosculpture and 3D printing, but we think the commonality with 3D scanning is much clearer.

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Rib Cage Lamp Kicks It Up A Notch With Party Mode

We think [Michelle]’s sound-reactive rib cage lamp turned out great, and the photos and details around how it was made are equally fantastic. The lamp is made of carved and waxed wood, and inside is a bundle of LED lighting capable of a variety of different color palettes and patterns, including the ability to react to sound. Every rib cage should have a party mode, after all.

The LED strip is fashioned into an atom-like structure.

Turns out that designing good rib cage pieces is a bigger challenge than one might think. [Michelle]’s method was to use an anatomical 3D model as reference, tracing each piece so that it could be cut from a flat sheet of wood.

The resulting flat pieces then get assembled into a stack, with each rib pointed downward at a roughly 20 degree angle. This process is a neat hack in itself: instead of drilling holes all at exactly the same angle, [Michelle] simply made the holes twice the diameter of the steel rod they stack on. The result? The pieces angle downward on their own.

The LED lighting is itself a nice piece of work. The basic structure comes from soldered solid-core wire. The RGB LED strip gets wound around that, then reinforced with garden wire. The result is an atomic-looking structure that sits inside the rib cage. An ESP32 development board drives everything with the FastLED library.

Code for everything, including the sound-reactive worky bits, which rely on an INMP441 I2C microphone module is all available on GitHub. And if you want to make your own sound-reactive art, make sure to check out these arms as well.

Want to see the rib cage in action? A short demo video is embedded below that demonstrates the sound reactivity. Equally applicable to either party or relaxation modes, we think.

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AI Dreaming Of Time Travel

We love the intersection between art and technology, and a video made by an AI (Stable Diffusion) imagining a journey through time (Nitter) is a lovely example. The project is relatively straightforward, but as with most art projects, there were endless hours of [Xander Steenbrugge] tweaking and playing with different parts of the process until it was just how he liked it. He mentions trying thousands of different prompts and seeds — an example of one of the prompts is “a small tribal village with huts.” In the video, each prompt got 72 frames, slowly increasing in strength and then decreasing as the following prompt came along.

There are other AI videos on YouTube, often putting the lyrics of a song into AI-generated form. But if you’ve worked with AI systems, you’ll notice that the background stays remarkably stable in [Xander]’s video as it goes through dozens of feedback loops. This is difficult to do as you want to change the image’s content without changing the look. So he had to write a decent amount of code to try and maintain visual temporal cohesion over time. Hopefully, we’ll see an open-source version of some of his improvements, as he mentioned on Twitter.

In the meantime, we get to sit back and enjoy something beautiful. If you still aren’t convinced that Stable Diffusion isn’t a big deal, perhaps we can do a little more to persuade your viewpoint.

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laser cut acrylic coaster with rgb leds inside

Your Mug Will Like This Glowy Coaster

[Charlyn] wanted to highlight their friends beautiful mug collection, so the Glowy Coaster was born.

The coaster is made up of six layers of laser cut acrylic. The top and bottom layer are cut out of clear acrylic, providing a flat surface for the coaster. A top pattern layer made of pearl acrylic has a thin piece of vellum put underneath it to provide diffusion for the LED strip sandwiched inside. The middle layers are made of peach acrylic and have their centers hollowed out to provide room for the electronics inside. The top pearl acrylic layer gives the coaster, as [Charlyn] writes, a “subtle touch of elegance”. The coaster itself is screwed together by an M3 screw at each point of the hexagon that feed through to heat-set inserts.

inside of glowy coaster with electronics exposed

The electronics consist of a short NeoPixel strip, cut to include 12 LEDs pointed in towards the center of the coaster. The LEDs are driven by a Trinket M0 microcontroller with a LiPo “backpack” to provide power, attachment points for the exposed power switch and recharging capability to the 110 mAh 3.7 V battery. The code is a slightly modified NeoPixel “rainbow” wheel loop (source available as a gist). The design files are available through Thingiverse.

Creations like these highlight how much care and work goes into a project with minimal beauty, where decisions, like the opacity and thickness of the acrylic or countersinking the M3 screws, can have huge consequences for the overall aesthetic. [Charlyn] has an attention to detail that brings an extra touch of professionalism and polish to the project.

Coasters are a favorite for laser cutting and we’ve covered many different types, including
coaster bots, coaster engravers and even a color changing, drink sensing coasters.

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3D-Printable Sculpture Shows Off Unpredictable Order Of Chains

[davemoneysign] designed this fascinating roller chain kinetic sculpture, which creates tumbling and unpredictable patterns and shapes as long as the handle is turned; a surprisingly organic behavior considering the simplicity and rigidity of the parts.

3D-printed, with a satisfying assembly process.

The inspiration for this came from [Arthur Ganson]’s Machine With Roller Chain sculpture (video, embeded below). The original uses a metal chain and is motor-driven, but [davemoneysign] was inspired to create a desktop and hand-cranked manual version. This new version is entirely 3D-printed, and each of the pieces prints without supports.

According to [davemoneysign], the model works well with a chain of 36 links, but one could easily experiment with more or fewer and see how that changes the results. Perhaps with the addition of a motor this design could be adapted into something like this chains-and-sprockets clock?

You can see [Arthur Ganson]’s original in action in the video embedded below. It demonstrates very well the piece’s chaotic and unpredictable — yet oddly orderly — movement and shapes. Small wonder [davemoneysign] found inspiration in it.

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CMOS Oscillator Circuit Gets An Eatable Input

In interaction designer [Leonardo Amico]’s work Processing Decay, lettuce is used as an input to produce sound as an element within a CMOS circuit. 

We’ve all seen lemons and potatoes doubling in science-fairs as edible batteries, but lettuce is something else.  [Leandro]’s circuit uses alligator clips to insert lettuce into oscillators in this audio generating circuit — we think they’re behaving like resistors. Without refrigeration, the resistance of the lettuce changes, and so does the oscillation in the circuit. In a matter of hours, days, and weeks the cells degrades slowly, modulating the system and its sonic output. What a way to make music!

This hack isn’t the freshest — the video dates from nine years ago — but this is the first lettuce circuit we’ve seen. Of course, we love other food hacks like these multi-wavelength lasers used to cook 3D-printed chicken, or maybe the circuit can make use of this neural net detecting fruit ripeness.