Add A Little Quindar To Your Comms For That Apollo-Era Sound

If there’s one thing that ties together all the media coming out of the Apollo era, it’s probably the iconic Quindar tones. These quarter-second beeps served as control tones for the globe-spanning communications network needed to talk to the Apollo astronauts, and any attempt to recreate the Apollo-era sound would be glaringly wrong without them. And that’s why [CuriousMarc] whipped up this Quindar tone system.

The video below starts with a detailed treatment of what Quindar tones are and why they were used, a topic we’ve covered ourselves in the past. To recap, Quindar tones are a form of in-band signaling, with a 2,525-Hz pure sine wave intro tone that signaled the transmitters connected to Mission Control in Houston over leased telephone lines to key up. The 2,475-Hz outro tone turned off the transmitters and connected the line to the receivers.

To recreate the sound quality of the original circuitry, and to keep in the retro vibe, [Marc]’s Quindar homage avoided digital circuitry as much as possible, opting instead to generate the two tones with an XR-2206 function generator chip. The chip can rapidly switch back and forth between two frequencies, making it perfect for FSK applications or, in this case, reproducing the two slightly different tones. [Marc] added a dual mono-stable multi-vibrator to pulse the tone, giving the 250-ms pulse, and an audio gate, which uses a MOSFET to switch the tone into an audio stream. All this got soldered up to a piece of perf board and stuffed in the base of a cheap intercom microphone, which while not period accurate still has a cool retro look — and now, a retro sound, too.

Hats off to [CuriousMarc] and his merry band for probing the mysteries of Apollo-era comms and keeping the accomplishments of all those engineers alive. The methods they used are still relevant after all these years, and there seems to be no end to what we can learn from them.

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Nuke Your Own Uranium Glass Castings In The Microwave

Fair warning: if you’re going to try to mold uranium glass in a microwave kiln, you might want to not later use the oven for preparing food. Just a thought.

A little spicy…

Granted, uranium glass isn’t as dangerous as it might sound. Especially considering its creepy green glow, which almost seems to be somehow self-powered. The uranium glass used by [gigabecquerel] for this project is only about 1% U3O8, and isn’t really that radioactive. But radioactive or not, melting glass inside a microwave can be problematic, and appropriate precautions should be taken. This would include making the raw material for the project, called frit, which was accomplished by smacking a few bits of uranium glass with a hammer. We’d recommend a respirator and some good ventilation for this step.

The powdered uranium glass then goes into a graphite-coated plaster mold, which was made from a silicone mold, which in turn came from a 3D print. The charged mold then goes into a microwave kiln, which is essentially an insulating chamber that contains a silicon carbide crucible inside a standard microwave oven. Although it seems like [gigabecquerel] used a commercially available kiln, we recently saw a DIY metal-melting microwave forge that would probably do the trick.

The actual casting process is pretty simple — it’s really just ten minutes in the microwave on high until the frit gets hot enough to liquefy and flow into the mold. The results were pretty good; the glass medallion picked up the detail in the mold, but also the crack that developed in the plaster. [gigabecquerel] thinks that a mold milled from solid graphite would work better, but he doesn’t have the facilities for that. If anyone tries this out, we’d love to hear about it.

Op Amp Contest: A Slice Of The ’70s

The 1970s was a great time to be an electronics hobbyist, as a whole new world of analogue integrated circuits was coming down in price while new devices would appear to tempt the would-be constructor. Magazines and project books were full of simple circuits to do all manner of fun things, including many synthesizers and sound generators.

We’re reminded of those days by [Burkhard Kainka]’s triggered sound generator, which couples an op-amp timer to another op-amp phase shift oscillator to produce a sound described as “the unwilling meowing of a cat, which does not want to be disturbed“. Yes, we did make things like this back in the day.

The timer is triggered by a few millivolts on its input, which can come from a bit of mains hum or a flash of light to an LED operating as a photodiode. This provides enough DC voltage to the input of the phase shift oscillator to start oscillation, and in turn the oscillator drives a piezo speaker. It’s a fun little project, it shows that a microcontroller isn’t always needed to make something work, and maybe those of you without the experience of a 1970s childhood can learn a little bit of analogue magic from it. Need to know op-amps better? Read our primer!

Half Crystal Radio, Half Regenerative Radio

A rite of passage in decades past for the electronics experimenter was the crystal radio. Using very few components and a long wire antenna, such a radio could pick up AM stations with no batteries needed, something important in the days when a zinc-carbon cell cost a lot of pocket money. The days of AM broadcasting may be on the wane, but it’s still possible to make a crystal set that will resolve stations on the FM band. [Andrea Console] has done just that, with a VHF crystal set that whose circuit also doubles as a regenerative receiver when power is applied.

The key to a VHF crystal set lies in the highest quality tuned circuit components to achieve that elusive “Q” factor. In this radio that is coupled to a small-signal zero voltage threshold FET that acts as a detector when no power is applied, and the active component in a regenerative radio when it has power. The regenerative radio increases sensitivity and selectivity by operating at almost the point of oscillation, resulting in a surprisingly good receiver for so few parts. Everyone should make a regenerative radio receiver once in their life!

A High Precision ADC That You Can Understand!

In a world where an analogue to digital converter is all too often an integrated peripheral buried inside a microcontroller, it’s easy to forget how simple these devices can be when built from first principles. An entry in our Op-Amp Challenge from [NNNI] demonstrates this perfectly, it’s a high resolution multi-slope ADC for instrumentation purposes, constructed using a mixture of op-amps, logic chips, and a Raspberry Pi Pico. Best of all, it’s easy to understand, so there’s little of that analogue mystique to worry about.

This type of ADC measures an analogue value by counting how long it takes to charge a capacitor to that voltage. A simple version that measures charge time has a few drawbacks, so this project goes from single slope to multi slope by measuring both charge and discharge times compared to the voltage. Pay attention to component matching and reference stability, and such a design can offer a very high resolution measurement.

The value in this project lies not only in the design itself, but also in the extremely comprehensive description of its operation, which should teach most readers a thing or two. That curvy-line PCB is rather nice, too. We used single slope ADCs to read analogue joysticks back in the day, but we certainly learned something here. Want to see another? This isn’t the first dual slope ADC we’ve seen.

Raspberry Pi Camera Conversion Leads To Philosophical Question

The Raspberry Pi HQ camera module may not quite reach the giddy heights of a DSLR, but it has given experimenters access to a camera system which can equal the output of some surprisingly high-quality manufactured cameras. As an example we have a video from [Malcolm-Jay] showing his Raspberry Pi conversion of a Yashica film camera.

Coming from the viewpoint of a photographer rather than a hardware person, the video is particularly valuable for his discussion of the many lens options beyond a Chinese CCTV lens which can be used with the platform. It uses only the body from the Yashica, but makes a really cool camera that we’d love to own ourselves. If you’re interested in the Pi HQ camera give it a watch below the break, and try to follow some of his lens suggestions.

The broken camera he converted is slightly interesting, and raises an important philosophical question for retro technology geeks. It’s a Yashica Electro 35, a mid-1960s rangefinder camera for 35 mm film whose claim to fame at the time was its electronically controlled shutter timing depending on its built-in light meter. The philosophical question is this: desecration of a characterful classic camera which might have been repaired, or awesome resto-mod? In that sense it’s not just about this project, but a question with application across many other retro tech fields.

A working Electro 35 is a fun toy for an enthusiast wanting to dabble in rangefinder photography, but it’s hardly a valuable artifact and when broken is little more than scrap.  One day we’d love to see a Pi conversion with a built-in focal length converter allowing the use of the original rangefinder mechanism, but we’ll take this one any day!

How about you? Would you have converted this Yashica, repaired it somehow, or just hung onto it because you might get round to fixing it one day? Tell us in the comments!

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The Eyes Have It With This Solid State Magic Eye

The classic “Magic Eye” tuning indicator was a fantastic piece of vacuum tube technology that graced all kinds of electronic gear for a fair fraction of the 20th century. But despite its prevalence, finding a new-old-stock Magic Eye tube is a tall order these days, especially for the rare versions like the 6T5. No worries, though, since direct plug-in solid-state replacements for the 6T5 are now a thing, thanks to [Gord Rabjohn]. Continue reading “The Eyes Have It With This Solid State Magic Eye”