A slide carousel with a DSLR attached to its lens output

Digitize Your Slide Deck With This Arduino-Powered Slide Carousel

November 15, 2022 by Robin Kearey 27 Comments

If you’re above a certain age, you probably remember the atmosphere of a pre-Powerpoint 35 mm slide show. The wobbly screen being unrolled, the darkened room, the soft hum of the projector’s fan, the slightly grainy picture on the screen and that unmistakable click-whoosh-clack sound as the projector loaded the next slide. Nowadays you’ll be hard pressed to find anyone willing to set up a screen and darken the room just to watch a few photos, so if you still have any slides lying around you’ll probably want to digitize them. If you’ve also kept your projector then this doesn’t even have to be that difficult, as [Scott Lawrence] shows in his latest project.

[Scott] made a setup to directly connect a DLSR, in this case a Nikon D70, to a Kodak 760 slide carousel. The attachment is made through a 3D-printed adapter that fits onto the Nikon’s macro lens on one side and slides snugly into the carousel’s lens slot on the other. The adapter also holds an IR transmitter which is aimed at the camera’s receiver, in order to trigger its remote shutter release function.

The carousel’s original light source was replaced with a compact LED studio light, which allows for precise brightness control and of course remains nice and cool compared to the original incandescent bulb. The light, camera and carousel motor are all controlled through a central user interface driven by an Arduino Leonardo which can automatically advance the carousel and instruct the camera to take a picture, thereby taking the hard work out of digitizing huge stacks of slides.

[Scott] plans to make the software and STL files available on GitHub soon, so anyone can go ahead and turn their projector into a digitizer. If you’ve misplaced your projector however, a simple 3D-printed slide adapter for your camera also works for small slide decks.

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Automatic Lens Cover Helps Cameras Cover Space Launches

November 14, 2022 by Lewin Day 14 Comments

Shooting space launches often requires the use of remote cameras for safety reasons. However, that means there’s no photographer on hand to wipe lenses down if they happen to get condensation from the prevailing weather conditions. [Michael Baylor] was having issues with atmospheric moisture interfering with his launch shots, so built a custom automatic lens cap to help solve the issue.

The design is simple, consisting of a large shutter that pivots to cover the camera lens when photos aren’t being taken, controlled by an impressively-beefy servo. Not only does the automatic cap protect the lens from condensation prior to the moment of launch, it also closes to cover the lens as the rocket leaves the frame. This protects the lens from all the dust and debris flying its way, kicked up by the rocket exhaust on takeoff.

[Michael] found that the lens cap easily outperformed his usual anti-condensation solution. While his camera with the auto-cap shot mostly-clean pics, another camera fitted with 18-hour handwarmers suffered significantly from condensation. The plan is to add just a little heat to the auto-cap setup to stave off condensation for good, even when shooting at pads like Vandenburg, California.

Details on the build are slim, but the basic concept is all there. Throw together a servo with some 3D-printed components and a microcontroller and you can build a setup custom-tailored to your own rig and use case. If you find yourself needing a capable long-range camera remote, too, we’ve seen those before as well! Video after the break.

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Pieca Is A Pi Camera With Some Very Nice Lenses

November 5, 2022 by Jenny List 24 Comments

The advent of the high-quality version of the Raspberry Pi camera has given experimenters a good-enough quality camera system that they can use it to create better devices than mere snapshot cameras. It’s been used by experimenters for some exciting projects, but so far, very few of them have broken away from the Pi camera’s C-mount lens system. [Tom Schucker]’s Pieca is an interesting departure then, because it takes the Pi HQ camera into new territory by using Leica rangefinder lenses.

There are enough Pi camera projects that by now the process of setting one up should be pretty well known. This one is a bit different in its use of a focal length reducer, mounted inside a 3D-printed Leica lens mounting plate. The result is that the Leica lens is better matched to the much smaller size of the Pi camera sensor compared to a 35mm frame.

The camera’s aesthetic design is on the chunky side, probably because of the choice of a Pi 4 rather than a Pi Zero. It remains very usable though, and produces photographs with a distinctive feel. You can see more in the video below the break. Meanwhile if you aren’t lucky enough to own a stable of Leica lenses, perhaps you could think about adapting more common optics? We’ve seen it before with the original Pi camera.

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Trinocular Lens Makes Digital Wigglegrams Easier To Take

October 30, 2022 by Dan Maloney 13 Comments

Everyone likes a good animated GIF, except for some Hackaday commenters who apparently prefer to live a joyless existence. And we can’t think of a better way to celebrate moving pictures than with a 3D printed trinocular camera that makes digital Wigglegrams a snap to create.

What’s a Wigglegram, you say? We’ve seen them before, but the basic idea is to take three separate photographs through three different lenses at the same time, so that the parallax error from each lens results in three slightly different perspectives. Stringing the three frames together as a GIF later results in an interesting illusion of depth and motion. According to [scealux], the inspiration for building this camera came from photographer [Kirby Gladstein]’s work, which we have to admit is pretty cool.

While [Kirby] uses a special lenticular film camera for her images, [scealux] decided to start his build with a Sony a6300 mirrorless digital camera. A 3D printed lens body with a focusing mechanism holds three small lenses which were harvested from disposable 35 mm film cameras — are those still a thing? Each lens sits in front of a set of baffles to control the light and ensure each of the three images falls on a distinct part of the camera’s image sensor.

The resulting trio of images shows significant vignetting, but that only adds to the charm of the finished GIF, which is created in Photoshop. That’s a manual and somewhat tedious process, but [scealux] says he has some macros to speed things up. Grainy though they may be, we like these Wigglegrams; we don’t even hate the vertical format. What we’d really like to see, though, is to see everything done in-camera. We’ve seen a GIF camera before, and while automating the post-processing would be a challenge, it seems feasible.

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Custom Sony Camera Remote Built With ESP32

October 21, 2022 by Lewin Day 10 Comments

Whether you’re shooting video or photos, having a camera remote can really improve your productivity. No longer do you have to run back to the camera to press its tiny buttons! [Frank Zhao] is a Sony user, so decided to whip up a custom remote using the ESP32 for his Alpha camera, adding special features along the way.

The build communicates with the camera over WiFi, but can fall back to Infrared if there’s an issue with the radio link. It’s built around the M5StickC, which is a pre-built device featuring an ESP32 and a small display in a handheld form factor. It let him build the remote in half the size of the official Sony device. With limited buttons on board, though, he relies on the IMU to control many advanced features with motion gestures.

The remote enables a bunch of functionality that Sony didn’t bake into its cameras from the factory. There’s a sound-activated shutter release, dual shutter mode, and several timer-based tools including astrophotography modes. There’s also a big knob you can add for focus pulls, and a mode to reset the auto-focus when you’re frustrated that it isn’t working properly. Some of the features work better than others, as sometimes, the camera doesn’t respond to commands quickly enough. Regardless, it’s pretty neat that [Frank] has unlocked so much extra functionality with his custom $20 remote.

We’ve seen other homebrewed tools open up new creative possibilities for cameras before, too. If you’ve got your own nifty camera hacks, let us know on the tipsline!

ERRF 22: Building A Library Of Filament Colors

October 20, 2022 by Tom Nardi 10 Comments

If you’ve ever paged through the color samples at the hardware store trying to match a particular color, you know how hard it can be. Not only are there nearly limitless color variations, but each manufacturer has their own formulas and tints. Often times, the only way to get the exact color you need is to get it custom mixed.

Unfortunately, that’s not really an option when it comes to filament for your 3D printer. Will that roll of orange from Hatchbox actually match the orange from Overture? That’s where the Filament Librarian comes in. Created by [Joe Kaufeld], the project aims to catalog and photograph as many 3D printer filaments as possible so you can see exactly what you’re getting.

Now of course, if it was as easy as looking at pictures of filament swatches on your computer, you wouldn’t need this service to begin with. So what’s the trick? A custom automated camera rig, powered by the Raspberry Pi, is used to position, light, and photograph each filament sample in the library. So while [Joe] can’t promise your monitor is showing a perfect representation of each filament’s color, you can at least be sure they will all look correct in relation to each other. So for example, the site can help you figure out if the local Microcenter stocks anything that comes close to matching Prusament’s Galaxy Silver PLA.

[Joe] brought a collection of his samples along with his slick camera setup to the 2022 East Coast RepRap Festival so attendees could see first-hand how he adds a new filament to the database. With an easy-to-use touch-screen interface, it takes just seconds to get the camera ready for the next shot.

Now that he’s got the hardware and the procedure down, [Joe] is asking the community to help out by providing him with filament samples to process. It doesn’t take much: all he asks is you snip him off a couple meters of filament, write down what it is and who makes it on a pre-made form, and drop it in the mail. If you’re in the US, you can send it directly to his address in Indiana, and for those on the other side of the globe, he’s got a drop point in the Netherlands you can use.

We love a good passion project here at Hackaday, so here’s hoping that the Filament Librarian receives plenty of new filament samples from all over the planet to feed into that fancy camera setup of his.

The Coolest 1990s Film Scanner To Work With Windows 11

September 6, 2022 by Jenny List 47 Comments

Unless you happen to be a retro enthusiast, it’s fair to say that any photography you do (whether on your phone or a dedicated camera) is going to be digital. The world of photography has all but completely moved away from film, but the transition was not instantaneous. Instead there was a period of about ten years from the mid-90s when film and digital existed side-by-side in some form. A profitable sideline for photography shops was providing scans of film, and there were a series of high-end scanners aimed at that market.

[Kai Kaufman] shares the experience of making one of these work with a modern Windows version, and it’s interesting both because of the scanner itself and the epic tale of software detective work required to bring it up to date. The scanner in question is a Pakon F135, the product of a Kodak acquisition, and an all-in-one device that simply spools in a roll of film and does all the hard work of identifying the frames, cropping the images, and reading any other data from the film.

You may never have seen one of these machines, but if you ever had your photos on a CD as well as printed back in the day you’ve probably had its output. The problem in 2022 is that these machines have drivers which only work with relatively ancient 32-bit Windows versions, so most of the write-up involves some significant detective work into the drivers.

Not every reader will be an expert on Windows driver de-compilation, but perhaps the most interesting pieces of the puzzle come from his detective work in finding the origin of some components. Example code from Microsoft and from a chip design company both make the job much easier, and the final result is a fully functioning 64-bit driver for the device. Not many people will have a Pakon film scanner, but for those who do it seems life may just have become a bit easier.

Thanks [adilosa] for the tip!