The Seductive Pull Of An Obsolete Home Movie Format

It’s dangerous for a hardware hacker to go into a second-hand store. I was looking for a bed frame for my new apartment, but of course I spent an age browsing all the other rubbish treasures on offer. I have a rough rule of thumb: if it’s not under a tenner and fits in one hand, then it has to be exceptional for me to buy it, so I passed up on a nice Grundig reel-to-reel from the 1960s and instead came away with a folding Palm Pilot keyboard and a Fuji 8mm home movie camera after I’d arranged delivery for the bed. On those two I’d spent little more than a fiver, so I’m good. The keyboard is a serial device that’s a project for a rainy day, but the camera is something else. I’ve been keeping an eye out for one to use for a Raspberry Pi camera conversion, and this one seemed ideal. But once I examined it more closely, I was drawn into an unexpected train of research that shed some light on what must of been real objects of desire for my parents generation.

A Thrift Store Find Opens A Whole New Field

One f the surprises comes in just how small this thing is.
One of the surprises comes in just how small this thing is.

The Fuji P300 from 1972 is typical among consumer movie cameras of the day. It takes the form of a film magazine with a zoom lens assembly on its front, a reflex viewfinder on its side, and a handle with a shutter trigger button on it protruding vertically below the magazine and also housing the batteries.

Surprisingly it still has a mercury cell that would have powered its light meter; a minor annoyance to dispose of this correctly. Sometimes these devices had clockwork motors, but this one has an electric motor. It also has a light sensor that is coupled to some kind of electromechanical aperture. It would have been an expensive camera when it was new, probably as much of a purchase as an SLR or a decent mirrorless camera here in 2021.

The surprise came when I opened it up, for it looked like no other 8mm camera I had seen. I’m familiar wit the two reels of a Standard 8 or the boxy cassette of Super 8, but this one used something different. That film magazine is made to fit a compact twin-reel cartridge whose film fits in a metal film gate. This is a Single 8 camera, Fuji’s entry in the all-in-one 8 mm film market, and a format I never knew existed. To explain my unexpected discovery it was necessary to delve into the world of home movie formats in the decade before videotape arrived and drove them out. Continue reading “The Seductive Pull Of An Obsolete Home Movie Format”

Adding Optical Audio To The Raspberry Pi With One Chip

In the home theater space most people would tell you the age of optical audio, known officially as TOSLINK, is over. While at one time they were the standard for surround sound systems, the fiber cables with their glowing red tips have now been largely supplanted by the all-in-one capabilities of HDMI on new TVs and audio receivers. But of course, that doesn’t mean all that TOSLINK-compatible hardware that’s in the field simply disappears.

If you’re looking to connect a Raspberry Pi to the optical port of your AV system, [Nick Sayer] has you covered. His “TOSLINK Transceiver Hat” utilizes a WM8804 chip from Cirrus Logic to go from the Pi’s I2S audio output to S/PDIF. From there the signal goes directly into the TOSLINK input and output modules, which have the appropriate fiber optic hardware and drivers built-in. All you have to do from a software standpoint is enable a boot overlay intended for a digital-to-analog converter (DAC) from HiFiBerry.

Continue reading “Adding Optical Audio To The Raspberry Pi With One Chip”

Minty Tunes Is Wireless Audio In An Altoids Tin

These days, a lot of phones don’t have audio jacks anymore. It can make it hard to listen to music if your favorite headphones aren’t already wireless-enabled. Minty Tunes solves that problem, combined with a little Altoids tin flair.

Yes, the long and the short of it is that this is a Bluetooth audio receiver built into a tin of mints. The build is relatively simple, hooking up a cheap Bluetooth audio decoder module to a lithium-polymer battery. This is paired with a TP4056 battery charger IC to allow the battery to be topped off easily. It’s all then wired up and stuck in everyone’s favorite hacker electronics enclosure.

For those who aren’t fans of wireless earbuds like AirPods and the like, it’s a useful solution for listening to music from a smartphone. As the builder notes, it’s also a great way to play music over a hi-fi or car stereo with an aux port. Alternatively, you could always build your own pocket MP3 player from scratch. Video after the break.

Continue reading “Minty Tunes Is Wireless Audio In An Altoids Tin”

Know Audio: Get Into The Groove

The legendary Technics SL1200 direct-drive turntable, as used by countless DJs. Dydric [CC BY-SA 2.5)], via Wikimedia Commons.
The legendary Technics SL1200 direct-drive turntable, as used by countless DJs. Photo by Dydric CC-BY-SA 2.5
For me, the vinyl record player is the spiritual home of my audio listening experience, probably because I’m of the last generation to grow up when vinyl was king. The 12″ album, with its full-size sleeve and copious sleeve notes, used to be an integral part of musical enjoyment that hasn’t been adequately replicated in the age of streaming.

And like anyone who became an adult while CD players were still expensive luxury items, I started my journey into Hi-Fi with a turntable set-up that sounded pretty good. Since a new generation have in recent years rediscovered vinyl, it’s once again something that should be part of any review of audio technology.

I would have started this piece with a full run-down of the constituent parts of a good turntable, but since that’s a piece that I wrote back in 2017, it’s time to investigate some of the audiophile claims about vinyl recordings. It’s fair to say that this is an area where a lot of complete rubbish is spouted by people who should know better, and that’s something I find immensely entertaining to poke fun at. Buckle up. Continue reading “Know Audio: Get Into The Groove”

Bring That Old Hi-Fi Into The 2020s

It’s a distressing moment for some of us, when a formerly prized piece of electronic equipment reaches a point of obsolescence that we consider jettisoning it. [Jon Robinson] ran into this dilemma by finding the Kenwood Hi-Fi amplifier his 17-year-old self had spent his savings on. It was a very good amp back in the day, but over two decades later, it’s no longer an object of desire in a world of soundbars and streaming music boxes. After a earlier upgrade involving an Arduino to auto-power it he’s now given it an ESP32 and an i2S codec which performs the task of digital audio streaming as well as a better job than the Arduino of controlling the power.

Inside the case is a piece of stripboard with the ESP and codec modules, but there was still the problem of seamlessly integrating it with the amp’s distinctly analogue-era controls. The output from the codec is wired into an audio input – quaintly labelled for a DAT player – and a simple cam on the input selector switch operates a microswitch to select the ESP32.

If you’re dipping your toe in decent audio then an old amp from decades past can make an excellent purchase, but you might wish to educate yourself through our Know Audio series.

Vizio In Hot Water Over Smart TV GPL Violations

As most anyone in this community knows, there’s an excellent chance that any consumer product on the market that’s advertised as “smart” these days probably has some form of Linux running under the hood. We’re also keenly aware that getting companies to hold up their end of the bargain when it comes to using Linux and other GPL licensed software in their products, namely releasing their modified source, isn’t always as cut and dried as it should be.

Occasionally these non-compliant companies will get somebody so aggravated that they actually try to do something about it, which is where smart TV manufacturer Vizio currently finds itself. The Software Freedom Conservancy (SFC) recently announced they’re taking the Irvine, California based company to court over their repeated failures to meet the requirements of the GPL while developing their Linux-powered SmartCast TV firmware. In addition to the Linux kernel, the SFC also claims Vizio is using modified versions of various other GPL and LGPL protected works, such as U-Boot, bash, gawk, tar, glibc, and ffmpeg.

According to the SFC press release, the group isn’t looking for any monetary damages. They simply want Vizio to do what’s required of them as per the GPL and release the SmartCast source code, which they hope will allow for the development of an OpenWrt-like replacement firmware for older Vizio smart TVs. This is particularly important as older models will often stop receiving updates, and in many cases, will no longer be able to access all of the services they were advertised as being able to support. Clearly the SFC wants this case to be looked at as part of the larger Right to Repair debate, and given the terrible firmware we’ve seen some of these smart TVs ship with, we’re inclined to agree.

Now of course, we’ve seen cases like this pop up in the past. But what makes this one unique is that the SFC isn’t representing one of the developers who’s software has been found to be part of Vizio’s SmartCast, they’re actually the plaintiff. By taking the position of a consumer who has purchased a Vizio product that included GPL software, the SFC is considered a third-party beneficiary, and they are merely asking the court to be given what’s due to them under the terms of the license.

As firm believers in the open source movement, we have zero tolerance for license violators. Vizio isn’t some wide-eyed teen, randomly copying code they found from GitHub without understanding the implications. This is a multi-billion dollar company that absolutely should know better, and we’ll be happy to see them twist in the wind a bit before they’re ultimately forced to play by the rules.

Drive High-Impedance Headphones With This Stylish USB DAC

For anyone with an interest in building audio projects, it’s likely that an early project will be a headphone amplifier. They’re relatively easy to build from transistors, ICs, or tubes, and it’s possible to build one to a decent quality without being an electronic engineering genius. It’s not often though that we see one as miniaturized as [daumemo]’s USB-C DAC and headphone amplifier combo, that fits within a slightly elongated 3.5 mm jack cover as part of a small USB-to-headphone cable.

The DAC is an off-the-shelf board featuring an ALC4042 IC, it has a line-level output and a handy place to tap off a 5 volt line for the amplifier. This final part is a tiny PCB with two chips, a TPS65135 that produces clean +5 and -5 volt rails, and an INA1620 which is a high-quality audio amplifier set up for 2x gain. All this has been designed onto a very small PCB, which sits inside a 3D-printed housing along with the 3.5 mm earphone socket. The result is a very neat unit far better able do drive high-impedance headphones than the output from an unmodified DAC, but still looking as svelte as any commercial product. We like it.

This may be one of the most compact USB-to-headphone amplifiers we’ve seen, but it’s by no means the first.