[Blair Neal] has been working on an information database for artists and hackers – a collection of non-conventional display technologies available to us. We’ve covered this repository before, six years ago – since then, it’s moved to a more suitable platform, almost doubled in size, and currently covers over 40+ display technology types and related tricks. This database is something you should check out even if you’re not looking for a new way to display things right now, however, for its sheer educational and entertainment value alone.
[Blair] doesn’t just provide a list of links, like the “awesome-X” directories we see a lot of. Each entry is a small story that goes into detail on what makes the technology tick, its benefits and fundamental limitations, linking to illustrative videos where appropriate. It’s as if this guide is meant to give you an extensive learning course on all the ways you can visualize things on your creative journey. All of these categories have quite a few examples to draw from, highlighting individual artworks that have made use of any technology or trick in a particular way.
If you’re ever wondered about the current state of technology when it comes to flexible or transparent displays, or looked for good examples of volumetric projection done in a variety of ways, this is the place to go. It also talks about interesting experimental technologies, like drone displays, plasma combustion or scanning fiber optics. Overall, if you’re looking to spend about half an hour learning about all the ways there are to visualize something, this database is worth a read. And, if there’s a display technology the author might’ve missed and you know something about, contributions are welcome!
Someone setting out to compile information about an extensive topic is always appreciated, and helps many hackers on their path. We’ve seen that done with 3D printer resin settings and SMD part codes, to name just a few. What’s your favourite hacker-maintained database?








But ironically, this homage features a critical piece that’s actually not made of wood. The 77’s pickup pattern was cardioid, making for a directional mic that picked up sound best from the front, thanks to an acoustic labyrinth that increased the path length for incoming sound waves. [Frank]’s labyrinth was made from epoxy resin poured into a mold made from heavy paper, creating a cylinder with multiple parallel tunnels. The tops and bottoms of adjacent tunnels were connected together, creating an acoustic path over a meter long. The ribbon motor, as close to a duplicate of the original as possible using wood, sits atop the labyrinth block’s output underneath a wood veneer shell that does its best to imitate the classic pill-shaped windscreen of the original. The video below, which of course was narrated using the mic, shows its construction in detail.