LEDs display different pitches in a sunburst pattern

Spiral Music Visualization

Displaying notes live as they are being played can be a really powerful learning tool, but it’s usually used to learn how to play a specific instrument. This take on the topic is actually a neat way to learn more about music theory — how pitches work together to build the sounds that we hear. The visual tack chosen arranges each of 12 notes into a spiral. As you continue to go up the scale through more octaves, pitches that share the same name line up into a line like a ray projecting out from the sun. So there are 12 rays for the notes in the scale: C, C#/D♭, D, D#/E♭,F, etc.

[mechatronicsguy] built it a few years back but just now got around to documenting it, and we’re sure glad he did. The layout of notes at first looks just like a colorful visualization. But as he mentions in his description, this assigns a shape to each different type of cord. A major cord will have the same shape whether it is played with C, G#, B♭, or any other note as the root. The shape simply rotates around the axis based on that root note. Higher octaves will be shown further out on the radius, but the chord shape will still be the same. Minor, augmented, even modal chords and those with added pitches all have their own unique shape on the display.

You get the best understanding of the visualization by looking at the Python-rendered version in the video below. It’s a nice touch that notes turn grey and fade away after being released so you kind of see where the current chord came from. This isn’t strictly a perk of pre-recordings. While you can feed it MIDI files, you can also play a MIDI instrument and display the visuals live on the hardware version that uses a Teensy with an audio shield.

If you’re looking for examples on how music visualizers are used to teach the instrument, look no further than this Wurlitzer note visualizer replica. Also for those who don’t know, the song being played in the hardware demo (second video below) is Beethoven’s 7th Symphony. Well worth a full listen, it’ll change your life.

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Ken Shirriff Breaks Open The Yamaha DX7

For better or worse, this synthesizer was king in the 1980s music scene. Sure, there had been synthesizers before, but none acheived the sudden popularity of Yamaha’s DX7. “Take on Me?” “Highway to the Dangerzone”?  That harmonica solo in “What’s Love Got to Do With It?”  All DX7. This synth was everywhere in pop music at the time, and now we can all get some insight from taking a look at this de-capped chip from [Ken Shirriff].

To be clear, by “look” that’s exactly what we mean in this case, as [Ken] is reverse-engineering the YM21280 — the waveform generator of the DX7 — from photos. He took around 100 photos of the de-capped chip with a microscope, composited them, and then analyzed them painstakingly. The detail in his report is remarkable as he is able to show individual logic gates thanks to his powerful microscope. From there he can show exactly how the chip works down to each individual adder and array of memory.

[Ken]’s hope is that this work improves the understanding of the Yamaha DX7 chips enough to build more accurate emulators. Yamaha stopped producing the synthesizer in 1989 but its ubiquity makes it a popular, if niche, platform for music even today. Of course you don’t need a synthesizer to make excellent music. The next pop culture trend, grunge, essentially was a rebellion to the 80s explosion of synths and neon colors and we’ve seen some unique ways of exploring this era of music as well.

Thanks to [Folkert] for the tip!

A portable Bluetooth turntable.

Bluetooth Record Player Puts A New Spin On Vinyl

You know, we were just discussing weird and/or obsolete audio formats in the writers’ dungeon the other day. (By the way, have you ever bought anything on DAT or MiniDisc?) While vinyl is hardly weird or (nowadays) obsolete, the fact that this Bluetooth record player by [JGJMatt] is so modern makes it all the more fantastic.

Not since the Audio-Technica Sound Burger, or Crosley’s semi-recent imitation, have we seen such a portable unit. But that’s not even the most notable part — this thing runs inversely to normal record players. Translation: the record stands still while the the player spins, and it sends the audio over Bluetooth to headphones or a speaker.

Inside this portable player is an Arduino Nano driving a 5 VDC motor with a worm gear box. There really isn’t too much more to this build — mostly power, a needle cartridge, and a Bluetooth audio transmitter. There’s a TTP223 touch module on the lid that allows [JGJMatt] to turn it off with the wave of a hand.

[JGJMatt] says this is a prototype/work-in-progress, and welcomes input from the community. Right now the drive system is good and the Bluetooth is stable and able, but the tone arm has some room for improvement — in tests, it only played a small section of the record and skidded and skittered across the innermost and outermost parts. Now, [JGJMatt] is trying two-part arm approach where the first bit extends and locks into position, and then a second arm extending from there and moves around freely.

Commercial record players can do more than just play records. If you’ve got an old one that isn’t even good enough for a thrift store copy of a Starship record, you could turn it into a pottery wheel or a guitar tremolo.

Live Jam Kit Helps Electronic Musicians Stay In Sync

Jamming live with synths and drum machines can be fun, but for [Christian], there was a little something missing. He was looking for a way to keep everyone in the group on the beat and rocking out, and decided to build something to help.

The ethos of the build was to put one person ultimately in charge of the mix using Ableton. This stops the volume race, as each musician turns their own volume up and the jam devolves into a noisy mess. Each musician also gets a sync button they can hit if their instrument has drifted out of time. Everyone in the jam also gets their own monitor signal in their headphones, as well as a looper as well.

Individual players in the electronic jam can whip up a cool little loop, and spit it out to the main controller running Ableton using the looper. Then, they can mix up something else in their headphones without disrupting the main mix, before spitting it out as a loop again.

[Christian]’s demo video does a great job of showing how it all works. We particularly like the sync button, which gets rid of the usual frustrations when a sequencer in the jam trips over the tempo signal.

It’s all built with a Teensy, and seems like a great way to organize a jam with a bunch of different synths and drum machines. We’d certainly love to join in the fun.

We’ve seen other fun jam kits too, like this neat networked solution. Video after the break.

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Arduino Plays The Glasses

Have you ever been on a city street and seen a busker playing music on glasses? Each glass has a different amount of water and produces a different note when tapped. [Cyberlab] must have seen them and created an Arduino robot to play tunes on glasses. You can see the result in the video below.

If we had done this, we might have had a solenoid per glass or used some linear component like a 3D printer axis to pick different glasses. [Cyberlab] did something smarter. The glasses go in a circle and a stepper motor points at the correct glass and activates a solenoid. The result is pretty good and it is a lot simpler than any of our ideas.

If you aren’t musically inclined, you might wonder how you’d program the songs. There’s an example of taking a music box score from a website — apparently, there are lots of these — and removing any polyphony from it. The site mentioned even has an editor where you can import MIDI files and work with them to produce a music box strip that you could then convert. Then you encode each note as a number from 0 to 6.

Of course, you also have to fill your glasses with the right amount of water. A piano tuning phone app should be useful. We’ve seen this done in a linear fashion before. You can even use a single glass for many notes with a little ingenuity.

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Wooden sticks sound good if you clamp them down at one end.

Popsicle-Stick Piano Sounds Sweet

Technically, this is a kalimbaphone, and not a piano or even a chordophone since there are no strings. But this handcrafted instrument doesn’t just sound sweet, it’s also mellow, and it’s much nicer than you’re probably imagining. Go check out the short build video, which starts with a demo.

[Mash] started by drilling a bunch of holes into a rectangular piece of wood, and then twisted in wood screws far enough to stay in. Then [Mash] laid Popsicle sticks between each set of screws and tuned them one at a time, starting with middle C. The Popsicle stick version didn’t sound so great, so [Mash] upgraded to tongue depressors and moved the black keys up to their own layer. Unfortunately, the owner has turned off embeds for the video, so you’ll have to watch it on YouTube.

We’d love to see [Mash] figure out a way to make the sticks resonate. In the meantime, check out this 3D-printed grand piano mechanism. And if this build has you in the mood to listen to Popcorn on a homemade instrument, well, we’ve got you covered there.

Thanks to [Keith] for the tip!

3D Printed Marble Music Machine Looking Good Already

Inspired by the enormous marble music machines from the staggeringly talented [Wintergatan] and the marble run builds by [Daniel de Bruin], [Ivan Miranda] has been busy again building a largely 3D printed contraption to test his ideas around building his own marble music machine from scratch. (Video, embedded below.)

Leveraging his recent experiences with resin printing and his own giant 3D printer, he had no difficulty in producing everything he needed from his workshop, even if the design work apparently took ages.

The build shows how early in development this project is, as there are clearly quite a few issues to be dealt with, but progress looks encouraging so far. To be clear, plans are to ‘go big’ and this little eight-channel testbed is just to explore this issues around ball guiding, transport and ball release onto the first audio test device, a Korg Nano Pad 2.

Some significant teething problems were identified, such as when [Ivan] designed the ball lifter, he intended the balls to load from the rear, but then needed to switch it to load from the front. No big deal, simply reverse the motor direction to load balls on the opposite side of the mechanism. Sadly, that also meant the directly coupled note drum was now also rotating the wrong way to release the balls. Oops. A quick hack later and [Ivan] was back in business. Various parts needed shimming up with plates, but with 3D printers on the bench, knocking those out took little time or effort. This just shows how darn useful 3D printers can be, allowing you to iterate in a short time and feed your hacks back into the final version.

[Ivan] is clearly going to have a lot of ‘fun’ with this one, as [Wintergatan] will surely testify, these big musical marble machine builds are quite some undertaking. We shall definitely be tuning in later on to see where this one goes!

While we’re on the subject of the [Wintergatan] marble machines, here’s a mini homage to the latest Marble Machine X, and if you’re in the need for a 3D printed marble clock, then try this one for starters.

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