MIDI Association Releases Spec For TRS Jacks

August 23, 2018 by Brian Benchoff 27 Comments

The MIDI spec was released in 1983, and for more than thirty years every synthesizer, drum machine, and piece of computer hardware with MIDI has sported an enormous DIN-5 jack on the back. Why did they choose such a large connector? Well, MiniDIN connectors hadn’t even been invented yet, and today even MiniDIN connectors are rarely-seen, obsolete connectors.

In the last decade, MIDI has found its way into some very small machines. Those Pocket Operators have MIDI sync, you can control a Game Boy with MIDI using the right hardware, and the cute little Korg synths also have MIDI tucked away in there somewhere. You can’t put a DIN-5 jack on those things, leading to some weird implementations of MIDI over non-standard connectors.

Now the MIDI Association has weighed in on the situation. There’s now a spec for MIDI over 2.5mm and 3.5mm TRS jacks. In just a few short decades, you’ll be able to connect MIDI gear with an audio aux cable.

Although there are five connectors in a DIN-5 jack, most implementations use only two connectors to send and receive data. Synth manufacturers have capitalized on this fact and cheap TRS connectors to build their own implementation of MIDI using smaller connectors, sometimes with incompatable pinouts.

Now, though, there’s a standard. For TRS connectors, the tip is pin 5 on the DIN-5, the ring is pin 4, and the sleeve is pin 2. It sends and receives data to synths and drum machines from 1983, and it doesn’t use gigantic connectors.

The only caveats to the new MIDI standard is that 2.5mm TRS connectors are recommended, and that protection circuitry is strongly recommended in the case a headphone driver is inevitably connected to a MIDI device. Other than that, everything’s coming up roses, and this opens up the door to MIDI jacks that are much, much easier to source.

Ask Hackaday Answered: The Tale Of The Top-Octave Generator

August 22, 2018 by Elliot Williams 57 Comments

We got a question from [DC Darsen], who apparently has a broken electronic organ from the mid-70s that needs a new top-octave generator. A top-octave generator is essentially an IC with twelve or thirteen logic counters or dividers on-board that produces an octave’s worth of notes for the cheesy organ in question, and then a string of divide-by-two logic counters divide these down to cover the rest of the keyboard. With the sound board making every pitch all the time, the keyboard is just a simple set of switches that let the sound through or not. Easy-peasy, as long as you have a working TOG.

I bravely, and/or naïvely, said that I could whip one up on an AVR-based Arduino, tried, and failed. The timing requirements were just too tight for the obvious approach, so I turned it over to the Hackaday community because I had this nagging feeling that surely someone could rise to the challenge.

The community delivered! Or, particularly, [Ag Primatic]. With a clever approach to the problem, some assembly language programming, and an optional Arduino crystalectomy, [AP]’s solution is rock-solid and glitch-free, and you could build one right now if you wanted to. We expect a proliferation of cheesy synth sounds will result. This is some tight code. Hat tip!

Squeezing Cycles Out of a Microcontroller

Let’s take a look at [AP]’s code. The approach that [AP] used is tremendously useful whenever you have a microcontroller that has to do many things at once, on a rigid schedule, and there’s not enough CPU time between the smallest time increments to do much. Maybe you’d like to control twelve servo motors with no glitching? Or drive many LEDs with binary code modulation instead of primitive pulse-width modulation? Then you’re going to want to read on.

There are two additional tricks that [AP] uses: one to fake cycles with a non-integer number of counts, and one to make the AVR’s ISR timing absolutely jitter-free. Finally, [Ag] ended up writing everything in AVR assembly language to make the timing work out, but was nice enough to also include a C listing. So if you’d like to get your feet wet with assembly, this is a good start.

In short, if you’re doing anything with hard timing requirements on limited microcontroller resources, especially an AVR, read on!

Continue reading “Ask Hackaday Answered: The Tale Of The Top-Octave Generator” →

Don’t Forget Your Mints When Using This Synthesizer

August 15, 2018 by Bryan Cockfield 11 Comments

While synthesizers in the music world are incredibly common, they’re not all keyboard-based instruments as you might be imagining. Especially if you’re trying to get a specific feel or sound from a synthesizer in order to mimic a real instrument, there might be a better style synth that you can use. One of these types is the breath controller, a synthesizer specifically built to mimic the sound of wind instruments using the actual breath from a physical person. Available breath controllers can be pricey, though, so [Andrey] built his own.

To build the synthesizer, [Andrey] used a melodica hose and mouthpiece connected to a pressure sensor. He then built a condenser circuit on a custom Arduino shield and plugged it all into an Arduino Mega (although he notes that this is a bit of overkill). From there, the Arduino needed to be programmed to act as a MIDI device and to interact with the pressure sensor, and he was well on his way to a wind instrument synthesizer.

The beauty of synthesizers is not just in their ability to match the look and sound of existing instruments but to do things beyond the realm of traditional instruments as well, sometimes for a greatly reduced price point.

Continue reading “Don’t Forget Your Mints When Using This Synthesizer” →

OTTO: A Pi Based Open Source Music Production Box

August 10, 2018 by Adam Fabio 10 Comments

Want an open source portable synth workstation that won’t break the bank? Check out OTTO. [Topisani] started OTTO as a clone of the well-known Teenage Engineering OP-1. However, soon [Topisani] decided to branch away from simply cloning the OP-1 — instead, they’re taking a lot of inspiration from it in terms of form factor, but the UI will eventually be quite different.

On the hardware side, the heart of the OTTO is a Raspberry Pi 3. The all-important audio interface is a Fe-Pi Audio Z V2, though a USB interface can be used. The 48 switches and four rotary encoders are wrangled by a pair of Arduino pro micros which pass the data on to the Pi. Data is related to the user through a 320×200 LCD.

The software is being written from scratch in C++17. If you’re not a hardcore C++ developer, don’t worry. The synth engines, audio effects, and other DSP software is written in Faust, which is a bit easier to learn.

OTTO is actively being developed, with synth engines already running, a prototype in progress, and fleshed out guidelines for programming the UI. If you’re into creating music, this one is worth checking out, as is Zynthian, another Raspberry Pi based synth.

The Precise Science Of Whacking A Wine Glass

July 31, 2018 by Ben James 12 Comments

It’s common knowledge that tapping a wine glass produces a pitch which can be altered by adjusting the level of the tipple of choice inside. By filling twelve glasses with different amounts of liquid and tuning them to the twelve notes of the scale, it’s possible to make a one-octave instrument – though the speed and polyphony are bottle-necked by the human operator. If you think it sounds like a ripe project for automation, you’re correct: [Bitluni’s lab] has done what needed to be done, and created a MIDI instrument which plays the glasses using mallets.

Electronically it’s a simple build – some 12 V solenoids driven by MOSFETs, with an Arduino in charge. For the mechanical build, a 3D printer proved very useful, as each mallet could be made identical, ensuring a consistent tone across all glasses. Rubber covers printed in flexible filament were fitted to reduce the overtones and produce a clearer sound. [Bitluni] also utilised different types of glasses for the low and high pitches, which also helped to improve the clarity of the tone.

MIDI is of course the perfect protocol for this application; simple, lightweight and incredibly widely used, it’s the hacker’s delight for projects like this. The instrument can perform pre-programmed sequences, or be played live with a MIDI controller. Both of these are shown in the video after the break – stick around for a unique rendition of Flight Of The Bumblebee. For a more compact wine glass based music creation solution, we recommend this nifty project, which alters pitch using a water balloon raised and lowered into the glass by a servo. Continue reading “The Precise Science Of Whacking A Wine Glass” →

Turn A Cheap Bluetooth Speaker Into An Audio Receiver

July 23, 2018 by Sven Gregori 16 Comments

Cheap Bluetooth speakers come in all different kinds of shapes and colors, and they let you conveniently stream music, for example from your mobile phone. For [mcmchris], they had one significant shortcoming though: while most of them come with some auxiliary input port as alternative audio source, they usually lack an audio output port that would let him route the audio to his more enjoyable big-speaker sound setup. Lucky for him, it’s a problem that can be fixed with a wire cutter and soldering iron, and so he simply turned his cheap speaker into a Bluetooth audio receiver.

After opening the speaker, [mcmchris] discovered a regular F-6188 Bluetooth audio module built around the BK8000L chip, with the audio jack connected to the chip’s aux input pins. Taking a close look at the PCB, the solution seemed obvious: cut the connection to the chip’s aux input pins, and connect the audio jack parallel to the audio signal itself. After some trial and error, the output pins of the on-board op amplifier seemed to provide the best audio signal for his shiny new output jack. You can see more details about the speaker’s inner life and a demonstration in the video after the break — in Spanish.

If the concept looks familiar to you, we’ve indeed seen a very similar approach to equip a Google Home Mini with an audio output jack before. The alternative is of course to just build a decent sized Bluetooth speaker yourself.

Continue reading “Turn A Cheap Bluetooth Speaker Into An Audio Receiver” →

OpenDeck Makes Spinning Your Own MIDI Controller Easy

July 2, 2018 by Lewin Day 31 Comments

These days, MIDI controllers are just plain cool. There are a million of them out there, and they’re all dressed to the nines in flashing LEDs and sporting swag like USB MIDI interfaces and sliders that just feel right. With our italics budget running out, I should get to the point – you can make your own, and the OpenDeck platform makes it easy.

The OpenDeck board. Readily apparent is the fact that it has tons of IO.

In its most refined form, the OpenDeck is a board covered in pin headers. To these, you may connect an absolute truckload of buttons, encoders, sliders, and LEDs. The OpenDeck handles all of the inputs and outputs, while you get to have fun attaching your various gizmos to the control surface/keytar/birthday cake you happen to be building. It saves you reinventing the wheel as far as reading switches and potentiometers goes, allowing you to focus on the creative side of your project. All configuration is handled through a simple web interface.

Boards are available on Tindie, but it’s also possible to take the code and run it on various Arduinos and the like, as it’s wonderfully opensource. This gives you the power to take things to a higher level once you’re good and ready.

We’ve seen a rather cool OpenDeck build already, and if you’ve got more, you know where to reach us.