Cerebral Palsy Tool Assistant

We all deserve to create. Some people seem to have the muses hidden in their pocket, but everyone benefits when they express themselves in their chose art form. Each of us has tools, from Dremels to paintbrushes, and many folks here build their own implements. Even if we don’t have our macro-enabled mechanical keyboard or a dual-extrusion printer, we can make due. But what if you couldn’t operate your drill, or mouse, or even a pencil? To us, that would be excruciating and is the reality for some. [Laura Roth] and [Christopher Sweeney] are art teachers designing a tool holder for their students with cerebral palsy so that they can express themselves independently.

On either side of this banner image, you can see pencil drawings from [Sara], who has spastic cerebral palsy. She made these drawings while wearing the tool holder modeled after her hand. Now, that design serves other students and is part of the 2020 Hackaday Prize. The tool holder wraps around the wrist like a wide bracelet. Ribbing keeps its shape, and a tube accepts cylindrical objects, like pencils, styluses, and paintbrushes.The result is that the tip of the pencil is not far from where it would have been if held in the hand, but this sidesteps issues with grip and fine control in hands and fingers.

The print is available as an STL and should be printed with flexible filament to ensure it’s comfortable to wear. Be mindful of digital styluses which may need something conductive between the barrel and user.

Hackers are familiar with the challenges of cerebral palsy, and we’ve enjoyed seeing a variety of solutions over the years like door openers, camera gimbals, and just being altogether supportive.

Art Piece Builds Up Images With Dots On Thread

Hackers being as a rule practical people, we sometimes get a little guff when we run a story on an art installation, on the grounds of not being sufficiently hacky. We understand that, but sometimes the way an artist weaves technology into their pieces is just too cool to pass us, as with this thread-printing art piece entitled On Framing Textile Ambiguities.

We’ll leave criticism of the artistic statement that [Nathalie Gebert]’s installation makes to others more qualified, and instead concentrate on its technical aspects. The piece has four frames made mainly from brass rods. Three of the frames have vertical rods that are connected to stepper motors and around which is wrapped a single thread. The thread weaves back and forth over the rods on one frame, forming a flat surface that constantly changes as the rods rotate, before heading off to do the same on the others. The fourth frame has a platen that the thread passes over with a pen positioned right above it. As the thread pauses in its endless loop, the pen clicks down onto it, making a dot of color. The dots then wend their way through the frame, occasionally making patterns that are just shy of recognizable before morphing into something new. The video below shows it better than it can be easily described.

Love it or hate it, you’ve got to admit that it has some interesting potential as a display. And it sort of reminds us of this thread-art polar robot, although this one has the advantage of being far simpler.

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Playing The Pixelflut

Every hacker gathering needs as many pixels as its hackers can get their hands on. Get a group together and you’ll be blinded by the amount of light on display. (We propose “a blinkenlights” as the taxonomic name for such a group.) At a large gathering, what better way to show of your elite hacking ability than a “competition” over who can paint an LED canvas the best? Enter Pixelflut, the multiplayer drawing canvas.

Pixelflut has been around since at least 2012, but it came to this author’s attention after editor [Jenny List] noted it in her review of SHA 2017. What was that beguiling display behind the central bar? It turns out it was a display driven by a server running Pixelflut. A Pixelflut server exposes a display which can be drawn on by sending commands over the network in an extremely simple protocol. There are just four ASCII commands supported by every server — essentially get pixel, set pixel, screen size, and help — so implementing either a client or server is a snap, and that’s sort of the point.

While the original implementations appear to be written by [defnull] at the link at the top, in some sense Pixelflut is more of a common protocol than an implementation. In a sense, one “plays” one of a variety of Pixelflut minigames. When there is a display in a shared space the game is who can control the most area by drawing the fastest, either by being clever or by consuming as much bandwidth as possible.

Then there is the game of who can write the fastest more battle-hardened server possible in order to handle all that traffic without collapsing. To give a sense of scale, one installation at 36c3 reported that a truly gargantuan 0.5 petabytes of data were spent at a peak of rate of more than 30 gigabits/second, just painting pixels! That’s bound to bog down all but the most lithe server implementation. (“Flut” is “flood” in German.)

While hacker camps may be on pause for the foreseeable future, writing a performant Pixelflut client or server seems like an excellent way to sharpen one’s skills while we wait for their return. For a video example check out the embed after the break. Have a favorite implementation? Tell us about it in the comments!

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How Many Of You Are There, Really?

We’re now accustomed to hearing, “We’re all special in our own unique ways.” But what if we weren’t really aren’t all that unique? Many people think there are no more than two political opinions, maybe a handful of religious beliefs, and certainly no more than one way to characterize a hack. But despite this controversy in other aspects as life, at least we can all rely on the uniqueness of our individual names. Or can you?

You ever thought there were too many people named [insert name here]? Well, [Nicole] thought there were too many people who shared her name in her home country of Belgium and decided to make an art piece out of it.

She was able to find data on the first names of people in Belgium and wrote a Python script…er…used Excel to find the number of Nicoles in each zip code. She then created a 3D map of Belgium divided into each province with the height of each province proportional to the number of Nicoles in that area. A pretty simple print job that any standard 3D printer can probably do these days.

Not much of a “do something” hack, but could make for a cool demotivational ornament that will constantly remind us just how unique we really are.

Happy hacking!

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Art Generated From The Dubious Comments Section

[8BitsAndAByte] are back, and this time they’re taking on the comments section with art. They wondered whether or not they can take something as dubious as the comments section and redeem it into something more appealing like art.

They started by using remo.tv, a tool they’ve used in other projects, to read comments from their video live feeds and extract random phrases. The phrases are then analyzed by text to speech, and a publicly available artificial intelligence algorithm that generates an image from a text description. They can then specify art styles like modern, abstract, cubism, etc to give their image a unique appeal. They then send the image back to the original commenter, crediting them for their comment, ensuring some level of transparency.

We were a bit surprised that the phrase dog with a funny hat generated an image of a cat, so I think it’s fair to say that their AI engine could use a bit of work. But really, we could probably say that about AI as a whole.

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Argos Book Of Horrors

If you live outside the UK you may not be familiar with Argos, but it’s basically what Americans would have if Sears hadn’t become a complete disaster after the Internet became popular. While they operate many brick-and-mortar stores and are a formidable online retailer, they still have a large physical catalog that is surprisingly popular. It’s so large, in fact, that interesting (and creepy) things can be done with it using machine learning.

This project from [Chris Johnson] is called the Book of Horrors and was made by feeding all 16,000 pages of the Argos catalog into a machine learning algorithm. The computer takes all of the pages and generates a model which ties the pages together into a series of animations that blends the whole catalog into one flowing, ever-changing catalog. It borders on creepy, both in visuals and in the fact that we can’t know exactly what computers are “thinking” when they generate these kinds of images.

The more steps the model was trained on the creepier the images became, too. To see more of the project you can follow it on Twitter where new images are released from time to time. It also reminds us a little of some other machine learning projects that have been used recently to create short films with equally mesmerizing imagery. Continue reading “Argos Book Of Horrors”

Interactive CNC Foam Cutter Churns Out Abstract Art

Foam is certainly an indispensable raw material for various craft and construction projects. Any serious sculptor however, inevitably grows tired of grinding through a foam block using a simple preheated utensil. The next step up, is to assemble a simple but thoroughly effective hot wire cutting contraption, formed out of a thin guitar wire held taut on a “C” shaped mounting frame. Finally, the addition of some electronics to regulate the power delivery makes this simple tool useful for most settings.

[Freddie] has taken this basic idea a step further, by building a complete multi-axis CNC foam cutter intended as an interactive exhibit on computational art. The CNC has the traditional three Cartesian axes but the platform hosting the foam piece can also rotate, introducing an additional degree of freedom. As this is indented to be controlled by attendees, there is no G-code in the mix, rather the inputs of an Xbox controller are applied directly to the work piece.

What is very interesting is how the resulting tool path is visualised and displayed. [Freddie] explains that while the user input tool path could be generated and displayed as equivalent G-code, it does not capture and convey the inherent organic nature of the finished pieces. The solution [Freddie] came up with is to display the toolpath much like a series of musical notes!

We would have loved to have a go at this machine in person, but seeing that isn’t possible in the current circumstances, you can either build a simpler machine we featured earlier or [Freddie] could perhaps fire up a camera and let us control it via the interweb, with a live video feed ofcourse!

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