Hackaday Links: December 27th, 2015

December 27, 2015 by Brian Benchoff 20 Comments

PCBs can be art – we’ve known this for a while, but we’re still constantly impressed with what people can do with layers of copper, fiberglass, soldermask, and silkscreen. [Sandy Noble] is taking this idea one step further. He took C64, Spectrum, and Sinclair PCBs and turned them into art. The results are incredible. These PCBs were reverse engineered, traced, and eventually turned into massive screen prints. They look awesome, and they’re available on Etsy.

$100k to bring down drones. That’s the tagline of the MITRE Challenge, although it’s really being sold as, “safe interdiction of small UAS that pose a safety or security threat in urban areas”. You can buy a slingshot for $20…

[styropyro] mas made a name for himself on Youtube for playing with very dangerous lasers and not burning his parent’s house down. Star Wars is out, and that means it’s time to build a handheld 7W laser. It’s powered by two 18650 cells, and is responsible for more than a few scorch marks on the walls of [styropyro]’s garage.

Everybody is trying to figure out how to put Ethernet and a USB hub on the Pi Zero. This means a lot of people will be launching crowdfunding campaigns for Pi Zero add-on boards that add Ethernet and USB. The first one we’ve seen is the Cube Infinity. Here’s the thing, though: they’re using through-hole parts for their board, which means this won’t connect directly to the D+ and D- USB signals on the Pi Zero. They do have a power/battery board that may be a little more useful, but I can’t figure out how they’re doing the USB.

[Keith O] found a fascinating video on YouTube and sent it into the tips line. It’s a machine that uses a water jet on pastries. These cakes start out frozen, and come out with puzzle piece and hexagon-shaped slices. Even the solution for moving cakes around is ingenious; it uses a circular platform that rotates and translates by two toothed belts. Who would have thought the latest advancements in cutting cakes and pies would be so fascinating?

It’s time to start a tradition. In the last links post of last year, we took a look at the number of views from North Korea in 2014. Fifty-four views, and we deeply appreciate all our readers in Best Korea. This year? For 2015, we’ve logged a total of thirty-six views from the Democratic People’s Republic of Korea. That’s a precipitous drop that deserves an investigation. Pyongyang meetup anyone?

God On The CB Radio

December 23, 2015 by Elliot Williams 37 Comments

Sometimes art pushes boundaries. We’ve covered a lot of tech art that blurs the lines between the craft of engineering and high-concept art theory. Praydio, by [Niklas Roy] and [Kati Hyyppä] leans easy on the tech, but pushes against viewers’ religious sensibilities.

Playing with the idea of talking directly to God, and with the use of altars as a focal point to do so, [Niklas] and [Kati] took the extremely literal route: embedding a CB radio into a dollar-store shrine. The result? If you’re lucky, someone will answer your prayers, although we’re not too hopeful that the intervention will be divine.

The art critic in us would say that this is a radical democratization of religious authority in that anyone who is tuned in can play the role of Jesus. Or maybe we’d say something about the perception of religious significance in the seemingly random events of our everyday life — maybe it’s not just chance that someone is tuning in at the time you’re asking for help?

Honestly, though, we think they’re just having a bit of fun. The video (below the break) shows someone asking Jesus for a coffee, and the artist on the other end laughs and fetches him one. It’s not high-tech, and it’s not even amateur radio the way we usually think of it, but something about the piece made us laugh, and then to think for a bit. Even if this art isn’t your style, check out [Niklas’] website — he’s got tons of fun projects written up, a few of which we’ve covered here before.

Hackaday’s Omnibus Vol. 2, Now In Stock

December 14, 2015 by Brian Benchoff 16 Comments

Last month, we announced a preorder for volume two of the Hackaday Omnibus, a collection of content written over the course of this year that is the best we have to offer. Now, there is a warehouse full of deceptively heavy boxes, and the Hackaday Omnibus Vol. 2 is now in stock.

Inside the second edition of the Hackaday Omnibus is 128 pages of actual, real content. There are zero ads, no sponsored content, and absolutely nothing that tells you to go out and buy something. Opening it is an experience unlike anything. Where can you read something for minutes at a time with no interruptions, no email, no Twitter, no Facebook, no text messages, and no ads? You won’t find something like this anywhere else.

The electronics, trade, and tech magazines have a long and storied history. In the 1930s, there were magazines that would teach you how to build a radio. In the 1950s, there were print articles saying fusion power was just fifty years away. The Hackaday Omnibus continues this tradition with relevant content for today: everything from car hacking and open source insulin, to retrospectives on oft-forgotten parts of our digital heritage are included. This is the best we have to offer, and we’re doing it without selling out.

Volume Two of the Hackaday Omnibus isn’t the end for our print endeavours – we’re just getting started. We’re committed to producing the best content in an interruption-free format. Print is dead, after all, and that’s why we put a skull on it.

You can purchase the Hackaday Omnibus Volume Two on the Hackaday Store.

3D-Printing The Most Ornate Room

December 12, 2015 by Elliot Williams 21 Comments

It’s no secret that we like 3D printing, but Artist and architect [Michael Hansmeyer] really likes 3D printing. So much so that he’s based his entire career around exploring the artistic possibilities of what he calls “computational architecture”.

We first fell in love with [Michael]’s work “Columns” because it was both daring and relatively low-budget at the same time. He made a series of architectural-sized columns out of cross-sections of laser-cut cardboard. Why cardboard? Because his goal was to make the columns as complex as possible and the current range of 3D printers couldn’t give him the resolution he wanted.

Fast-forward to “Digital Grotesque”. Now [Michael] has access to a large-scale sand printer, and the license to go entirely nuts. He makes a space reminiscent of a Rococo grotto, but full of so much detail that you can’t really take it all in: it’s nearly fractal. Some stats: 11 tons of printed sandstone, 260 million surfaces, 30 billion voxels. We’re stoked that we don’t have to dust it!

His latest piece, “Arabesque Wall” is partly organic and elegant, and part Aliens. If we can play art critic, we think it’s beautiful. Go click through the portfolio. (And although they never got printed, we really like some of the “Voxels” series of cellular-automata pieces.)

From new paint materials opening up new color possibilities to new instruments enabling entirely different types of music, art, and technology mutually inform each other much more than we often appreciate. In ten years time, we’ll be looking back on this work and saying “this piece looks good” and “that piece looks bad” instead of “wow, amazing tech!”. But for now, we’re also content to wallow in the “wow”.

Beautiful Sidewalk Graffiti Machine

December 11, 2015 by Elliot Williams 22 Comments

Our hero [Alex] just built a sidewalk graffiti machine, and it’s a beauty to behold, so make sure you check out the video below the break. But don’t neglect [Alex]’s blog, and the build videos throughout. (Nice t-shirt in the wheel-making video, BTW.)

The machine itself is basically a two-meter wide printer where the roller is replaced with drive wheels. The frame, made of plywood, looks great and helps keep the machine light weight. Everything is done with DC motors and timing belts, which means motor encoders and closed-loop control in the firmware. It connects via a WiFi serial bridge, made with an ESP8266, to [Alex]’s cell phone.

Everything, from plans to software, is available on [Alex]’s GitHub for the project.

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Texel: Art Tracks You, Tracks Time

December 9, 2015 by Elliot Williams 6 Comments

French robot-artist [Lyes Hammadouche] tipped us off to one of his latest works: a collaboration with [Ianis Lallemand] called Texel. A “texel” is apparently a time-pixel, and the piece consists of eight servo-controlled hourglasses that can tip themselves over in response to viewers walking in front of them. Besides making graceful wavelike patterns when people walk by, they also roughly record the amount of time that people have spent looking at the piece — the hourglasses sit straight up when nobody’s around, resulting in a discrete spatial representation of people’s attentions to the piece: texels.

We get jealous when we see artists playing around with toys like these. Texel uses LIDAR scanners, Kalman-filtered naturally, to track the viewers. openFrameworks, OpenCV, and ROS. In short, everything you’d need to build a complex, human-interactive piece like this using completely open-source tools from beginning to end. Respect!

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Because Art: Can Machines Be Creative?

December 1, 2015 by Sarah Petkus 27 Comments

You’re walking through a gallery and stop to take in two seemingly unrelated pieces hanging side-by-side. One of them is a drawing of a bird, rendered with such precision its feathers could easily pop off the paper. The other is a sketch of what seems to be the same bird, however it’s nearly unrecognizable due to inconsistent line quality and parts that are entirely missing.

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In staring at the photo-real drawing of the perfect bird, you marvel over the technical ability required to produce it. You also study the sloppy sketch just as long, picking out each one of its flaws, yet decide you like the image of the strange bird because the errors are interesting to you.

When you lean forward to read the title card posted on the wall between them, you’re shocked to learn that the two drastically different images were made by the same artist; not the person them self, but a machine they built to create both drawings in two different styles.

As an illustrator, I’m fascinated by drawing machines because their purpose is to emulate an act which has always been a highly personal form of self expression for me. Drawing machines and their creators are in a sense my peers.

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