In France during the mid-to-late 1800s, one could go into François Willème’s studio, sit for a photo session consisting of 24 cameras arranged in a circle around the subject, and in a matter of days obtain a photosculpture. A photosculpture was essentially a sculpture representing, with a high degree of exactitude, the photographed subject. The kicker was that it was both much faster and far cheaper than traditional sculpting, and the process was remarkably similar in principle to 3D scanning. Not bad for well over a century ago.
We think [Michelle]’s sound-reactive rib cage lamp turned out great, and the photos and details around how it was made are equally fantastic. The lamp is made of carved and waxed wood, and inside is a bundle of LED lighting capable of a variety of different color palettes and patterns, including the ability to react to sound. Every rib cage should have a party mode, after all.
The LED strip is fashioned into an atom-like structure.
Turns out that designing good rib cage pieces is a bigger challenge than one might think. [Michelle]’s method was to use an anatomical 3D model as reference, tracing each piece so that it could be cut from a flat sheet of wood.
The resulting flat pieces then get assembled into a stack, with each rib pointed downward at a roughly 20 degree angle. This process is a neat hack in itself: instead of drilling holes all at exactly the same angle, [Michelle] simply made the holes twice the diameter of the steel rod they stack on. The result? The pieces angle downward on their own.
The LED lighting is itself a nice piece of work. The basic structure comes from soldered solid-core wire. The RGB LED strip gets wound around that, then reinforced with garden wire. The result is an atomic-looking structure that sits inside the rib cage. An ESP32 development board drives everything with the FastLED library.
Code for everything, including the sound-reactive worky bits, which rely on an INMP441 I2C microphone module is all available on GitHub. And if you want to make your own sound-reactive art, make sure to check out these arms as well.
Want to see the rib cage in action? A short demo video is embedded below that demonstrates the sound reactivity. Equally applicable to either party or relaxation modes, we think.
We love the intersection between art and technology, and a video made by an AI (Stable Diffusion) imagining a journey through time (Nitter) is a lovely example. The project is relatively straightforward, but as with most art projects, there were endless hours of [Xander Steenbrugge] tweaking and playing with different parts of the process until it was just how he liked it. He mentions trying thousands of different prompts and seeds — an example of one of the prompts is “a small tribal village with huts.” In the video, each prompt got 72 frames, slowly increasing in strength and then decreasing as the following prompt came along.
There are other AI videos on YouTube, often putting the lyrics of a song into AI-generated form. But if you’ve worked with AI systems, you’ll notice that the background stays remarkably stable in [Xander]’s video as it goes through dozens of feedback loops. This is difficult to do as you want to change the image’s content without changing the look. So he had to write a decent amount of code to try and maintain visual temporal cohesion over time. Hopefully, we’ll see an open-source version of some of his improvements, as he mentioned on Twitter.
In the meantime, we get to sit back and enjoy something beautiful. If you still aren’t convinced that Stable Diffusion isn’t a big deal, perhaps we can do a little more to persuade your viewpoint.
[Charlyn] wanted to highlight their friends beautiful mug collection, so the Glowy Coaster was born.
The coaster is made up of six layers of laser cut acrylic. The top and bottom layer are cut out of clear acrylic, providing a flat surface for the coaster. A top pattern layer made of pearl acrylic has a thin piece of vellum put underneath it to provide diffusion for the LED strip sandwiched inside. The middle layers are made of peach acrylic and have their centers hollowed out to provide room for the electronics inside. The top pearl acrylic layer gives the coaster, as [Charlyn] writes, a “subtle touch of elegance”. The coaster itself is screwed together by an M3 screw at each point of the hexagon that feed through to heat-set inserts.
The electronics consist of a short NeoPixel strip, cut to include 12 LEDs pointed in towards the center of the coaster. The LEDs are driven by a Trinket M0 microcontroller with a LiPo “backpack” to provide power, attachment points for the exposed power switch and recharging capability to the 110 mAh 3.7 V battery. The code is a slightly modified NeoPixel “rainbow” wheel loop (source available as a gist). The design files are available through Thingiverse.
Creations like these highlight how much care and work goes into a project with minimal beauty, where decisions, like the opacity and thickness of the acrylic or countersinking the M3 screws, can have huge consequences for the overall aesthetic. [Charlyn] has an attention to detail that brings an extra touch of professionalism and polish to the project.
Coasters are a favorite for laser cutting and we’ve covered many different types, including coaster bots, coaster engravers and even a color changing, drink sensing coasters.
In interaction designer [Leonardo Amico]’s work Processing Decay, lettuce is used as an input to produce sound as an element within a CMOS circuit.
We’ve all seen lemons and potatoes doubling in science-fairs as edible batteries, but lettuce is something else. [Leandro]’s circuit uses alligator clips to insert lettuce into oscillators in this audio generating circuit — we think they’re behaving like resistors. Without refrigeration, the resistance of the lettuce changes, and so does the oscillation in the circuit. In a matter of hours, days, and weeks the cells degrades slowly, modulating the system and its sonic output. What a way to make music!
Art installations aren’t always about static sculpture or pure aesthetics. In the case of Operation Kiba, they can be fun games for everyone to enjoy.
The aim of Operation Kiba is for the players to collect all the “balls” on the playing field, which are intended to represent scoops of ice cream. Collecting the balls is done via robot. Each player is ostensibly tasked with collecting one color of ball or the other, but players often decide to work together in harmony instead. The balls are released at the start of the game by tipping over a big bowl. This is half the fun, and is achieved by tugging a string which upends the vessel and scatters the balls.
The remote-control robots themselves come from an earlier art installation the group built called Bubble Blast. They’re built using a 3D printed chassis, with wheels on each side driven by DC gear motors. With tank-style steering, they can rotate on the spot, providing good maneuverability. An Arduino Nano runs the show, receiving commands over a 433 MHz radio link. Power is via DeWalt cordless drill batteries, and the robots are controlled via arcade sticks. They’re color-coded to match the balls in the game.
As far as art installations go, it may not be fancy or pretentious, but it certainly looks like a lot of fun. We’re sure it could eventually guide many players towards the exciting world of antweight combat robotics. Video after the break.
This modern era of GPU-accelerated AI applications have their benefits. Pulling useful information out of mountains of raw data, alerting users to driving hazards, or just keeping an eye on bee populations are all helpful. Lately there has been a rise in attempts at producing (or should that be curating?) works of art out of carefully sculpted inputs.
One such AI art project is midjourney, which can be played with via a Discord integration bot. That bot takes some textual input, then “dreams” with it, producing sometime uncanny, often downright disturbing images.
