Custom Camera Flash Is Built For Stealth

August 9, 2021 by Zach Zeman 28 Comments

As [Joshua Bird] began his foray into the world of film photography, he was taken back by the old technology’s sheer hunger for light. Improvised lighting solutions yielded mixed results, and he soon realized he needed a true camera flash. However, all the options he found online were large and bulky; larger than the camera itself in some cases. To borrow his words, “[he] didn’t exactly want to show up to parties looking like the paparazzi”. So, he set about creating his own compact flash.

Impressed by the small size and simple operation of disposable camera flashes, [Joshua] lifted a module out of an old Fuji and based his design around it. An existing schematic allowed him to attach the firing circuitry to his Canon’s hot shoe without the risk of putting the capacitor’s 300 volts through the camera. With that done, he just had to model a 3D-printed case for the whole project and assemble it, using a few more parts from the donor disposable.

Of course, as it came from a camera that was supposed to be thrown in the trash, this flash was only designed for a specific shutter speed, aperture, and film. Bulkier off-the-shelf flashes have more settings available and are more capable in a variety of environments. But [Joshua] built exactly what he needed. He now has a sleek, low-profile external flash that works great in intimate settings. We’re excited to see the photographic results.

This is not the first photography hacker we’ve seen breathe new life into disposable flashes. Some people see far more than a piece of camera equipment in old flashes, though, with aesthetically stunning results.

[via reddit]

Raspberry Pi Crammed Into Old Film Camera

August 4, 2021 by Al Williams 21 Comments

If you wanted an expensive film camera when you were a kid, you are in luck. Used film SLRs are super cheap now that everyone wants digital cameras. Of course, in reality, you want a digital camera, too. So do what [befinitiv] did. Make a film cartridge out of a Raspberry Pi that can convert your camera to digital. (Video, embedded below.)

In theory, this sounds like a genius idea. The practical aspect isn’t perfect, though. For one thing, the small image sensor used means that the camera is zoomed in quite a bit. Also, the shutter button isn’t integrated, so the shutter is open all the time. You may think that doesn’t matter, but don’t forget that the way an SLR works means if the shutter is open, there’s no viewfinder.

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Mariner 4: Our First Up-Close Look At Mars

June 3, 2021 by Dan Maloney 51 Comments

In the grand scheme of things, it wasn’t all that long ago that the entire body of knowledge of our solar system was built solely with Earth-based observations. Turning first their naked eyes to the heavens, and then a succession of increasingly complex and sensitive optical and radio telescopes gathering light from all across the spectrum, our astronomically curious forbears did a commendable job working out the broad strokes of what’s going on in the neighborhood.

But there’s only so much information that can be gathered by instruments operating at the bottom of a roiling ocean of air, so when the opportunity to send instruments to our planetary neighbors began to be possible some 60 years ago, scientists started planning how to accomplish it. What resulted was the Mariner program, a series of interplanetary probes launched between 1962 and 1973 that performed flyby missions of the inner planets.

The list of accomplishments of the Mariner program is long indeed, and the number of firsts achieved by its ten spacecraft is impressive. But it is Mariner 4, the first flyby mission of Mars, which set the stage for a lot of the science being done on and around Mars today, and the first mission where NASA wisely took a “pics or it didn’t happen” approach to planetary science. It was the first time a TV camera had traveled to another world, and it was anything but a sure bet that it would pay dividends.

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Coffee Stirrers Act As Lens For This Digital Straw Camera

May 6, 2021 by Dan Maloney 32 Comments

What happens when you mix over 23,000 coffee stirrers and a Raspberry Pi camera together? Probably nothing except for a mess, unless you very specifically pack the plastic straws and orient the camera just right. In that case, you get this very cool lenless digital straw camera that takes artfully ghostly images.

Image of Yoda photographed through many straws

Actually, lensless is a bit of a reach for [Adrian Hanft]’s creation. While the camera he’s using to grab the image has a lens, the objective, for lack of a better term, is just a tightly packed bundle of straws. We’ve seen this approach to photography before, but there the camera used film placed at the back of the straw bundles to capture the pixelated image.

Here, a ground glass screen stands in for the film; a long lightproof box behind that provide a place to mount a camera to capture the images. Cleverly, [Adrian] built the camera mount from Lego, allowing cameras and lenses to be quickly swapped out. A Nintendo gamepad controller talks to custom software running on a Raspberry Pi and allows the photographer to control exposure and scroll through pictures using a smartphone as a display. There’s a short build video below, for those who can’t get enough of straw-packing techniques.

As with the film version of this camera, we just love the look of the photographs that come from this — the texture of the straw honeycomb and the defocused subject make for a striking effect.

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Imaging The Past With Time-Travel Rephotography

April 12, 2021 by Adam Zeloof 49 Comments

Have you ever noticed that people in old photographs looks a bit weird? Deep wrinkles, sunken cheeks, and exaggerated blemishes are commonplace in photos taken up to the early 20th century. Surely not everybody looked like this, right? Maybe it was an odd makeup trend — was it just a fashionable look back then?

Not quite — it turns out that the culprit here is the film itself. The earliest glass-plate emulsions used in photography were only sensitive to the highest-frequency light, that which fell in the blue to ultraviolet range. Perhaps unsurprisingly, when combined with the fact that humans have red blood, this posed a real problem. While some of the historical figures we see in old photos may have benefited from an improved skincare regimen, the primary source of their haunting visage was that the photographic techniques available at the time were simply incapable of capturing skin properly. This lead to the sharp creases and dark lips we’re so used to seeing.

Of course, primitive film isn’t the only thing separating antique photos from the 42 megapixel behemoths that your camera can take nowadays. Film processing steps had the potential to introduce dust and other blemishes to the image, and over time the prints can fade and age in a variety of ways that depend upon the chemicals they were processed in. When rolled together, all of these factors make it difficult to paint an accurate portrait of some of history’s famous faces. Before you start to worry that you’ll never know just what Abraham Lincoln looked like, you might consider taking a stab at Time-Travel Rephotography.

Amazingly, Time-Travel Rephotography is a technique that actually lives up to how cool its name is. It uses a neural network (specifically, the StyleGAN2 framework) to take an old photo and project it into the space of high-res modern photos the network was trained on. This allows it to perform colorization, skin correction, upscaling, and various noise reduction and filtering operations in a single step which outputs remarkable results. Make sure you check out the project’s website to see some of the outputs at full-resolution.

We’ve seen AI upscaling before, but this project takes it to the next level by completely restoring antique photographs. We’re left wondering what techniques will be available 100 years from now to restore JPEGs stored way back in 2021, bringing them up to “modern” viewing standards.

Thanks to [Gus] for the tip!

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A Milky Way Photo Twelve Years In The Making

March 20, 2021 by Zach Zeman 22 Comments

Starting projects is easy. It’s the finishing part that many of us have trouble with. We can hardly imagine completing a project after more than a decade, but seeing the breathtaking results of [J-P Metsavainio]’s gigapixel composite image of our galaxy might just make us reconsider. The photograph, which we highly suggest you go check out in its full glory, has been in progress since 2009, features 1250 total hours of exposure time, and spans across 125 degrees of sky. It is simply spectacular.

Of course, it wasn’t an absolutely continuous effort to make this one image over those twelve years. Part of the reason for the extended time span is many frames of the mosaic were shot, processed, and released as their own individual pieces; each of the many astronomical features impressive in its own right. But, over the years, he’s filled in the gaps between and has been able to release a more and more complete picture of our galactic home.

A project this long, somewhat predictably, eventually outlives the technology used to create it. Up until 2014, [Metsavainio]’s setup included a Meade 12-inch telescope and some modified Canon optics. Since then, he’s used a dedicated equatorial mount, astrocamera, and a Tokina lens (again, modified) with an 11-inch Celestron for longer focal lengths. He processes the frames in Photoshop, accounting for small exposure and color differences and aligning the images based on background stars. He’s had plenty of time to get his process down, though, so the necessary tweaking is relatively minor.

Amateur astronomy is an awesome hobby, and the barrier to entry is lower than it might seem. You can get started on a budget with the ubiquitous Raspberry Pi or with the slightly less practical Game Boy Camera. And if you’re just interested in viewing the cosmos, there are options for building your own telescope as well.

[via PetaPixel]

VESA Arm Turned Low-Cost Overhead Camera Rig

February 8, 2021 by Tom Nardi 8 Comments

Whether you’re live streaming builds or just want to take your project photography to the next level, you can’t beat an overhead camera setup. Unfortunately, they tend to be cumbersome and more often than not quite pricey. Looking for an affordable solution that could easily be moved out of the way when not in use, [Jay Doscher] had the clever idea of adapting a common VESA monitor arm to give his camera a bird’s eye view of the action.

If you think about it, one of these monitor arms is a nearly perfect base for a camera rig. They’re easily mounted to a desk or work bench, can be quickly repositioned by design, and perhaps best of all, you don’t have to spend a lot of money to get a decent one. A camera is also a far lighter and less awkward payload than the arm was designed to hold, so you don’t have to worry about it potentially dropping your expensive gear. Or cheap webcam, as the case may be.

All [Jay] had to do was come up with a way to securely mount his Sony A7R3 on the end of one. While there’s certainly a few ways you could solve this particular problem, he went the extruded plastic route and 3D printed a beefy adapter plate with the standard VESA bolt pattern. His Smallrig camera cage attaches to the plate, and thanks to a pair of press-fit bubble levels from McMaster Carr, he’s able to get everything lined up properly over the bench.

Of course, there’s an excellent chance you don’t have the same camera as [Jay]. But that doesn’t mean you can’t modify the design of his adapter to fit your own gear. To that end, he’s not only shared the final STLs, but he’s provided a link to the TinkerCAD project that you can actually edit right in the browser.

If you’ve got a light enough camera, you could put something similar together with PVC pipes or even an articulated arm intended for a desk lamp. But if you’ve got a DSLR or other full-sized camera, we think it’s more than worth the $30 USD one of these will cost you on Amazon to make sure your gear doesn’t end up smashing into the deck during a live stream.