A Milky Way Photo Twelve Years In The Making

March 20, 2021 by Zach Zeman 22 Comments

Starting projects is easy. It’s the finishing part that many of us have trouble with. We can hardly imagine completing a project after more than a decade, but seeing the breathtaking results of [J-P Metsavainio]’s gigapixel composite image of our galaxy might just make us reconsider. The photograph, which we highly suggest you go check out in its full glory, has been in progress since 2009, features 1250 total hours of exposure time, and spans across 125 degrees of sky. It is simply spectacular.

Of course, it wasn’t an absolutely continuous effort to make this one image over those twelve years. Part of the reason for the extended time span is many frames of the mosaic were shot, processed, and released as their own individual pieces; each of the many astronomical features impressive in its own right. But, over the years, he’s filled in the gaps between and has been able to release a more and more complete picture of our galactic home.

A project this long, somewhat predictably, eventually outlives the technology used to create it. Up until 2014, [Metsavainio]’s setup included a Meade 12-inch telescope and some modified Canon optics. Since then, he’s used a dedicated equatorial mount, astrocamera, and a Tokina lens (again, modified) with an 11-inch Celestron for longer focal lengths. He processes the frames in Photoshop, accounting for small exposure and color differences and aligning the images based on background stars. He’s had plenty of time to get his process down, though, so the necessary tweaking is relatively minor.

Amateur astronomy is an awesome hobby, and the barrier to entry is lower than it might seem. You can get started on a budget with the ubiquitous Raspberry Pi or with the slightly less practical Game Boy Camera. And if you’re just interested in viewing the cosmos, there are options for building your own telescope as well.

[via PetaPixel]

VESA Arm Turned Low-Cost Overhead Camera Rig

February 8, 2021 by Tom Nardi 8 Comments

Whether you’re live streaming builds or just want to take your project photography to the next level, you can’t beat an overhead camera setup. Unfortunately, they tend to be cumbersome and more often than not quite pricey. Looking for an affordable solution that could easily be moved out of the way when not in use, [Jay Doscher] had the clever idea of adapting a common VESA monitor arm to give his camera a bird’s eye view of the action.

If you think about it, one of these monitor arms is a nearly perfect base for a camera rig. They’re easily mounted to a desk or work bench, can be quickly repositioned by design, and perhaps best of all, you don’t have to spend a lot of money to get a decent one. A camera is also a far lighter and less awkward payload than the arm was designed to hold, so you don’t have to worry about it potentially dropping your expensive gear. Or cheap webcam, as the case may be.

All [Jay] had to do was come up with a way to securely mount his Sony A7R3 on the end of one. While there’s certainly a few ways you could solve this particular problem, he went the extruded plastic route and 3D printed a beefy adapter plate with the standard VESA bolt pattern. His Smallrig camera cage attaches to the plate, and thanks to a pair of press-fit bubble levels from McMaster Carr, he’s able to get everything lined up properly over the bench.

Of course, there’s an excellent chance you don’t have the same camera as [Jay]. But that doesn’t mean you can’t modify the design of his adapter to fit your own gear. To that end, he’s not only shared the final STLs, but he’s provided a link to the TinkerCAD project that you can actually edit right in the browser.

If you’ve got a light enough camera, you could put something similar together with PVC pipes or even an articulated arm intended for a desk lamp. But if you’ve got a DSLR or other full-sized camera, we think it’s more than worth the $30 USD one of these will cost you on Amazon to make sure your gear doesn’t end up smashing into the deck during a live stream.

Splash Droplet Photos

December 20, 2020 by Lewin Day 10 Comments

Water droplets are beautiful things, though photographing them can prove difficult without a little help. Precise timing is key, and that’s what led [Alex Pikkert] to build a timing controller to help nail the perfect shot.

It’s a job that’s ideally suited for the average microcontroller. In this case, [Alex] chose the venerable Arduino Uno. Paired with a bunch of buttons and a 16 x 2 character LCD, it has a simple-to-navigate interface for dialling in a shot. The trick to splash and droplet photography is to first open a valve to release a droplet, and then fire a flash a set time after to capture the droplet in flight, after it’s hit the surface of the liquid. [Alex]’s design uses a MOSFET to trigger the water valve, and optoisolators to safely trigger the flash and camera.

[Alex] has gotten some impressive results with the rig, and it would serve as a great starting point for anyone looking to get into the field. We’ve seen similar builds before, too. If you’ve got your own fancy photography rig for those otherwise-impossible shots, be sure to drop us a line!

Get Creative With This ESP8266 Photography Light

August 21, 2020 by Lewin Day 10 Comments

In today’s fast-paced world of social media, if you want your photos to grab attention, you’ve got to have an edge. Whether it’s a deft touch in Photoshop or an amazing lens, it’s important to stand apart. Another great way is to experiment with lighting and color. To do just that, [Andrei] built a pocket RGB photo light for the home studio.

This is a project that any experienced maker should be able to whip up in a weekend. Not that there’s anything wrong with that, of course. The basic enclosure is 3D printed and readily reproducible on any FDM printer. Lighting is provided via the venerable WS2812B LED, 68 of them, to be exact. Finally there’s an ESP8266 running WLED, a webserver for the platform that’s dedicated to controlling LED strips. This makes it easy to tweak the LEDs with your smartphone.

Thanks to the WS2812Bs LEDs, a full range of RGB colors are available for [Andrei] to experiment with. He’s done a great job showing off the light with a few choice cat pics that serve to show its capabilities. While we wouldn’t expect to use such a device for clean white lighting in a serious photographic sense, it’s a perfect tool for art photography.

We’ve covered other studio light builds before, too. Video after the break.

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DropController Sets The Bar For Documentation

August 18, 2020 by Brian McEvoy 4 Comments

dropController has the kind of documentation we wish would spontaneously generate itself whenever we build something. [Martyn Currey] built a robust rig for water droplet photography, and we don’t want to dismiss the hardware, but the most impressive part might be the website. It might not be very fancy, but it’s thorough and logically organized. You can find parts lists, assembly manuals, tutorials, sketches, and schematics. If only all the projects that came our way were so well detailed.

Water droplet photography is pretty cool, although freehanding it will make your patience fall faster than 9.81 m/s². The concept is that a solenoid valve will flicker open to release a drop of water, wait for a certain number of microseconds, and then trigger your DSLR via a wired remote cable. The tricky part comes from controlling as many as six valves and three flashes. We don’t have enough fingers and toes to press all those buttons.

The bill of materials contains many commonly available parts like an Arduino Nano, an LM2596 voltage regulator, some MOSFETS, an HC-06 Bluetooth module, plus standard audio connectors to hook everything up. Nothing should break the bank, but if money is not an issue, [Martyn] sells kits and complete units.

Waterdrop controllers are not the newest kids on the block, and strobe photography is a time-honored tradition.

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Art Generated From The Dubious Comments Section

July 30, 2020 by Orlando Hoilett 5 Comments

[8BitsAndAByte] are back, and this time they’re taking on the comments section with art. They wondered whether or not they can take something as dubious as the comments section and redeem it into something more appealing like art.

They started by using remo.tv, a tool they’ve used in other projects, to read comments from their video live feeds and extract random phrases. The phrases are then analyzed by text to speech, and a publicly available artificial intelligence algorithm that generates an image from a text description. They can then specify art styles like modern, abstract, cubism, etc to give their image a unique appeal. They then send the image back to the original commenter, crediting them for their comment, ensuring some level of transparency.

We were a bit surprised that the phrase dog with a funny hat generated an image of a cat, so I think it’s fair to say that their AI engine could use a bit of work. But really, we could probably say that about AI as a whole.

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3D Printer Revives Large Format Camera

July 19, 2020 by Jenny List No comments

With a quarter-century of more of consumer digital cameras behind us, it’s easy to forget that there was once another way to see your photos without waiting for them to be developed. Polaroid Land cameras and their special film could give the impatient photographer a print in about a minute, but sadly outside a single specialist producer, it is no longer a product that is generally available. [The Amateur Engineer] sought an alternative for a large format camera, by adapting a back designed for Fuji Instax film instead.

Lomography, the retailer of fun plastic cameras, had produced an Instax back for one of their cameras, and to adapt it for a Tachihara large format camera required a custom 3D-printed frame. Being quite a large item it had to be printed in three pieces and stuck together with epoxy. Then a series of light leaks had to be chased down and closed up. The result is a working Instax back for the camera, which appears to deliver the photographic goods.

We’ve seen a few digital backs for larger cameras produced with scanners, but we rather like this linear CCD one.