Anatomy Of An SLA Resin Printing Disaster

When I got back into SLA resin printing recently, I knew that I’d inevitably have to deal with the agony of failed prints and of course resin spills. This moment eventually came, and I felt motivated to treat mistakes as teaching moments on aspects like how to properly prepare an SLA build plate in terms of angles and supports or how to deal with failed print aftermaths.

Before moving on to the disaster, I’d like to first start with a look at the resin print of the previous article, which contained a number of fairly small parts. These I had oriented and supported almost fully using the automatic methods provided by the ChituBox slicer software, and worked about 90% as I had hoped, while leaving plenty of room for improvement as well.

Overall, preparing an SLA build plate in the slicer isn’t quite the same as for an FDM printer, mostly due to one phrase that strikes fear in the heart of anyone who has ever done resin printing: “peeling forces”.

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Art of 3D printer in the middle of printing a Hackaday Jolly Wrencher logo

Giving Resin 3D Printers Another Shot After Six Years

My initial experience with a 3D printer came in 2020, when I got access to a buddy’s Creality LD-002R SLA printer. This was one of those awkward transition phases for SLA printers, where inefficient RGB LCDs finally got replaced by monochrome LCD panels, thus massively reducing the required exposure time and increasing the LCD panel’s lifespan.

The closely related Creality LD-002H is a monochrome SLA printer, but as this wasn’t the one that this friend opted for we had to learn the ropes on this more old-school printer. In terms of specifications this meant a build volume of 119 mm x 65 mm x 160 mm to play with and a claimed 26.1 µm resolution. Despite some struggles along the way, this machine churned out impressively high levels of detail with whatever cheap resin we threw at it, and even the post-printing processing became easy once we added a flex plate to the build plate and tweaked the cleaning and curing steps.

Despite all these positives, we both drifted away from resin printing, mostly due to the still messy and smelly printing process. FDM printers seemed like a better deal, especially after said buddy got his mittens on a used IDEX FDM printer. I would eventually go through a rather loathsome Creality Ender V2 experience before ending up with my current-day Elegoo Neptune 4, and resin printing seemed to be a thing of the past for me. Until recently, that is.

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Building A Hydraulic System With 3D Printed SLA Resin Parts

Showing off the 3D-printed hydraulics system. (Credit: Indeterminate Design, YouTube)

Hydraulics are incredibly versatile, but due to the pressures at which they operate, they are also rather expensive and not very DIY-friendly. This isn’t to say that you cannot take a fair shot at a halfway usable 3D-printed set of hydraulics, as [Indeterminate Design] demonstrates in a recent video. Although not 100% 3D-printed, it does give a good idea of how far you can push plastic-based additive manufacturing in this field.

Most interesting is the integration of the gear pump, 4-way selector valve, and relief valve into a single structure, which was printed with a resin printer (via the JLC3DP 3D print service). After bolting on the (also 3D printed) clear reservoir and assembling the rest of the structure including the MR63 ball bearings, relief spring valve, and pneumatic fittings it was ready to be tested. The (unloaded) gear pump could pump about 0.32 L/minute, demonstrating its basic functionality.

For the hydraulic cylinder, mostly non-3D printed parts were used, with a brass cylinder forming the main body. During these initial tests, plain water was used, followed by CHF11 hydraulic oil, with a pressure of about 1.3 bar (19 PSI) calculated afterward. This fairly low pressure is suspected to be caused by leaky seals (including the busted shaft seal), but as a basic proof of concept, it provides an interesting foundation for improvements.

Want a primer on hydraulics? We got you. MIT likes 3D printing with hydraulics, too (dead link, but the underlying paper link is still good).

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Dual-Wavelength SLA 3D Printing: Fast Continuous Printing With ROMP And FRP Resins

As widespread as 3D printing with stereolithography (SLA) is in the consumer market, these additive manufacturing (AM) machines are limited to a single UV light source and the polymerization of free-radical polymerization (FRP) resins. The effect is that the object is printed in layers, with each layer adhering not only to the previous layer, but also the transparent (FEP or similar) film at the bottom of the resin vat. The resulting peeling of the layer from the film both necessitates a pause in the printing process, but also puts significant stress on the part being printed. Over the years a few solutions have been developed, with Sandia National Laboratories’ SWOMP technology (PR version) being among the latest.

Unlike the more common FRP-based SLA resins, SWOMP (Selective Dual-Wavelength Olefin Metathesis 3D-Printing) uses ring-opening metathesis polymerization (ROMP), which itself has been commercialized since the 1970s, but was not previously used with photopolymerization in this fashion. For the monomer dicyclopentadiene (DCPD) was chosen, with HeatMet (HM) as the photo-active olefin metathesis catalyst. This enables the UV-sensitivity, with an added photobase generator (PBG) which can be used to selectively deactivate polymerization.

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The Trials And Tribulations Of SLA Printing A Portable Wii Handheld

The G-Boy kit revolutionized the subculture around building portable home consoles, allowing an entire Wii to be crammed into a form factor the size of a original Game Boy. [Chris Downing] is no stranger to the field, and sourced a G-Boy kit of his own to build it to the best of his abilities. (Video embedded after the break.)

However, he wanted to step up above the FDM-printed parts of the original kit. Thus, he contacted the kit developer Gman, who provided him with the 3D model files so he could attempt a higher-quality SLA print himself. [Downing] had some experience with SLA printing in the past with the Form 2, but found some unique challenges on this build with the Form 3.

The benefits of SLA printing are the finer detail and surface finish it delivers. This is particularly nice on things like enclosures and buttons which are handled regularly by the user. However, the standard resin that ships with the Form 3 had issues with warping, particularly on thin flat walls which make up the majority of the G-Boy case.

Other issues included the fact that the standard cured SLA resin is much harder to thread screws into than softer FDM plastic, something which frustrated assembly of the design. It’s also brittle, too, which leads to easy breakages.

As a fan of a properly finished product, [Downing] decided to sand and paint the enclosure regardless. Tragedy struck when the spray cans started to spit chunks due to being over a year old. However, it serendipitously turned into a win, producing an attractive granite stone-like finish which actually looks pretty good.

The G-Boy kit took Wii portable builds mainstream, and drew many new builders into the subculture. [Downing] may be a stalwart of the scene, but still learned new skills along the way of the build.

We can’t wait to see what happens next in the scene, though we’d suspect someone’s already out there chopping up a rare PlayStation 5 as we speak.

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How To Make A Collapsible Container Without Breaking Down

How hard could it be to make a collapsible silicone container? Turns out, it’s really, really hard — collapsible containers have rigid guidelines. Just ask [Eric Strebel], who failed dozens of times before finally getting it right (video, embedded below).

[Eric] started with an SLA-printed two-part mold and a silicone formulation with a Shore durometer of A 40 — this is the measure of hardness for silicone, polymers, and elastomers in the sense that the piece will resist indentation. The first twenty-four attempts all came out looking great, but not a single one of them would collapse and stay collapsed.

Eventually, [Eric] went back to the drawing board and played with the angles of the flex points, the thickness of the living hinges, and the wall thicknesses, which have to be strong enough to stay collapsed.

For attempt #25, [Eric] took the part out of the mold about three hours in and tried curing it in the collapsed state. Persistence paid off, and the part finally collapses and stays that way. Get yourself some popcorn and check out the fail-fest after the break. You know what we always say — fail fast, fail often.

[Eric] has made many molds both from silicone and for silicone. Some of them are really big!

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Custom Inlaid Retro Keycaps: Clay Is The Way

They say experience is the best teacher, and experience tells us they are right. When [Thomas Thiel] couldn’t find any resources about re-creating the groovy ‘caps of thocky old keebs like the Space Cadet and the C64 (or find any to buy), it was time for a little keycap experimentation.

These babies are printed in black resin and the inlay is made with white air-dry clay. After printing, they are sprayed with acrylic, and then [Thomas] works a generous amount of clay into the grooves and seals the whole thing with clear spray. [Thomas] soon figured out that the grooves had to be pretty deep for this to work right — at least 1 mm. And he had better luck thick fonts like Arial Black instead of thin fonts.

Of course, as [Thomas] mentions, you’re not restricted to white or even air-dry clay. You could go nuts with colored clay and make a retro-RGB clackable rainbow.

Still not tactile or custom enough for you? These hand-stitched keycaps are technically re-legendable, though it would take a considerable amount of time.