Having a great word processor won’t actually help you write the next bestselling novel. It might make it easier, but if you have a great novel in you, you could probably write it on paper towels with a crayon if you had to. A great 3D printer isn’t all you need to make great 3D prints. A lot depends on the model you start with and that software known as a slicer. You have several choices, and now you have one more: PathIO, a slicer sponsored by E3D, is out in beta. You can see a video about its features below.
The software has a few rough edges as you might expect from a beta. The slicer doesn’t feed Gcode to a printer directly, although Octoprint integration is forthcoming. Developers say they are focusing on the slicing engine which is totally new. According to their website, conventional slicers immediately cut a model into 2D slices and then decide how to realize each slice with respect to the shell and infill. Pathio works in 3D space and claims this has benefits for producing correct wall thickness and an increase in self-supporting geometries.
Continue reading “Pathio: New 3D Slicer from E3D”
Generally speaking, objects made on desktop 3D printers are pretty small. This is of course no surprise, as filament based printers are fairly slow and most don’t have very large beds to begin with. Most people don’t want to wait days for their project to complete, so they use 3D printed parts where it makes sense and supplement them with more traditional components such as aluminum extrusion wherever possible. But not always…
This 3D printed photography softbox created by [Nicholas Sherlock] doesn’t take the easy way out for anything. With the exception of the LEDs and the electronics to drive them, everything in the design has been printed on his Prusa i3. It wasn’t the easiest or fastest way to do it, but it’s hard to argue with the end result. Perhaps even more impressive than the final product is what it took to get there: he actually had to develop a completely new style of part infill he’s calling “Scattered Rectilinear” to pull it off.
Overall the design of the light itself isn’t that complex, ultimately it’s just a box with some LEDs mounted at the back and a pretty simple circuit to control their intensity. The critics will say he could have just used a cardboard box, or maybe wood if he wanted something a little bit stronger. But the point of this project was never the box itself, or the LEDs inside it. It’s all about the diffuser.
[Nicholas] forked Prusa’s version of Slic3r to add in his “Scattered Rectilinear” infill pattern, which is specifically designed to avoid the standard “ribs” inside of a 3D printed object. This is accomplished with randomized straight infill passes, rather than the traditionally overlapped ones. The inside of the print looks very reminiscent of fiberglass mat, which is perhaps the best way to conceptualize its construction. In terms of the final part strength, this infill is abysmal. But on the plus side, the light from the LEDs passing through it emerges with a soft pleasing look that completely obscures the individual points of light.
Anyone with a big enough 3D printer can run off their own copy of his light, as [Nicholas] has released not only his forked version of Slic3r but all of the STL files for the individual components. He’s also put together an exceptionally well documented Thingiverse page that has instructions and detailed build photos, something that’s unfortunately very rare for that platform.
If you’re in the market for a DIY softbox and don’t have a 3D printer handy, fear not. We’ve covered a few that you can build with more traditional methods, as well as several tips and tricks which you can use to get the most out of your photos and videos.
The cool kids these days all seem to think we’re on the verge of an AI apocalypse, at least judging by all the virtual ink expended on various theories. But our putative AI overlords will have a hard time taking over the world without being able to build robotic legions to impose their will. That’s why this advance in 3D printing that can incorporate electronic circuits may be a little terrifying, at least to some.
The basic idea that [Florens Wasserfall] and colleagues at the University of Hamburg have come up with is a 3D-printer with a few special modifications. One is a separate extruder than squirts a conductive silver-polymer ink, the other is a simple vacuum tip on the printer extruder for pick and place operations. The bed of the printer also has a tray for storing SMD parts and cameras for the pick-and-place to locate parts and orient them before placing them into the uncured conductive ink traces.
The key to making the hardware work together though is a toolchain that allows circuits to be integrated into the print. It starts with a schematic in Eagle, which joins with the CAD model of the part to be printed in a modified version of Slic3r, the open-source slicing package. Locations for SMD components are defined, traces are routed, and the hybrid printer builds the whole assembly at once. The video below shows it in action, and we’ve got to say it’s pretty slick.
Sure, it’s all academic for now, with simple blinky light circuits and the like. But team this up with something like these PCB motors, and you’ve got the makings of a robotic nightmare. Or not.
Continue reading “Hybrid 3D-Printer Creates Complete Circuits, Case and All”
There are two main applications for managing 3D prints and G-Code generation. Cura is a fantastic application that is seeing a lot of development from the heavy hitters in the industry. Initially developed by Ultimaker, Lulzbot has their own edition of Cura, It’s the default software packaged with thousands of different printers. Slic3r, as well, has seen a lot of development over the years and some interesting hacks. Do you want to print non-planar surfaces? Slic3r can do that. Slic3r and Cura are two sides of the CAM part of the 3D printing coin, although Cura is decidedly the prettier side.
The ability to combine the extensibility of Slic3r with the user interface of Cura has been on our wish list for a while now. It’s finally time. [Josef Prusa] has released PrusaControl, a 3D printing CAM solution that combines the best of Slic3r into a fantastic, great looking package. What are the benefits? What’s it like? Check that out below.
Continue reading “PrusaControl: The Beginner’s Slicer”
Toorcamp registration is open. It’s June 20-24th on Orcas Island, Washington.
Hey, you. The guy still using Mentor Graphics. Yeah, you. Siemens has acquired Mentor Graphics.
CNC knitting machines are incredibly complicated but exceptionally cool. Until now, most CNC knitting machines are actually conversions of commercial machines. Beginning with [Travis Goodspeed] and [Fabienne Serriere] hack of a knitting machine, [Becky Stern]’s efforts, and the Knitic project, these knitting machines are really just brain transplants of old Brother knitting machines. A few of the folks from the OpenKnit project have been working to change this, and now they’re ready for production. Kniterate is a project on Kickstarter that’s a modern knitting machine, and basically a 2D woolen printer. This is an expensive machine at about $4500, but if you’ve ever seen the inside of one of these knitting machines, you’ll know building one of these things from scratch is challenging.
There was a time when a Macintosh computer could play games. Yes, I know this sounds bizarre, but you could play SimCity 2000, Diablo, and LucasArts adventure games on a machine coming out of Cupertino. [Novaspirit] wanted to relive his childhood, so he set up a Mac OS 7 emulator on a Raspberry Pi. He’s using Minivmac, beginning with an install of OS 7.1, upgrading that to 7.5.3, then upgrading that to 7.5.5. It should be noted the utility of the upgrade to 7.5.5 is questionable — the only real changes from 7.5.3 to 7.5.5 are improved virtual memory support (just change some emulator settings to get around that) and networking support (which is difficult on an emulator). If you’re going to upgrade to 7.5.5, just upgrade to 8.1 instead.
It’s getting warmer in the northern hemisphere, and you know what that means: people building swamp coolers. And you know what that means: people arguing about the thermodynamics of swamp coolers. We love these builds, so if you have a swamp cooler send it on in to the tip line.
The Prusa edition of Slic3r is out. The improvements? It’s not a single core app anymore (!), so slicing is faster. It’s got that neat variable layer slicing. Check out all the features.
It takes at least a week to delete your Facebook account. In the meantime, you can lawyer up and hit the gym. Additionally, we’re not really sure Facebook actually deletes your profile when you disable your account. Robots to the rescue. [anerdev] built a robot to delete all his content from Facebook. It’s a pair of servos with touchpad-sensitive pens. Add an Arduino, and you have a Facebook deleting machine.
3D printers are an exercise in compromise. Generally, you don’t want a lot of mass on your tool head, as that can lead to ringing and other mechanical artifacts on your print. However, direct drive extruders are better for many filaments, and the decision on what printer to build ultimately comes down to a choice between speed, build area, and the ability to print in exotic filaments.
Even in slicing a 3D model, a 3D printing enthusiast must balance the quality of a print versus how long the print will take to squirt out of a nozzle. Now, just about any printer can produce fantastic models at a very high layer height, but no one wants to wait several days for the print to finish.
This balance between print time and print quality has, for the last few years, been completely ignored. One of the best solutions to this we’ve seen is variable layer height slicing. Basically, if you’re printing something without much detail, you don’t need small layers in your 3D print. Think of it as printing the neck of a bust at 0.3mm layer height, and the face at 0.1mm.
Yes, there were a few papers from a decade ago laying the conceptual foundations of variable layer height slicing. 3D printers weren’t exactly common back then, though. Recently, Autodesk’s Integrated Additive Manufacturing Team released Varislice for automatic generation of variable layer heights on a 3D printed object. So far, though, there’s no good automated solution for variable layer height slicing, and the tools for manual configuration of variable layer height slicing are terrible.
For the past few months, Prusa Research has been working on their own edition of Slic3r that includes an easy to use interface for variable layer height slicing. This version of Slic3r was just released, and now it’s time for the hands-on. Does variable layer height slicing work?
Continue reading “Hands On With Variable Layer Height”
Good 3D printers now have multiple hot ends. You ought to be able to print in different colors or print support material. However, a lot of us don’t have multiple hot ends. Turns out, you don’t have to have multiple hot ends to print in multiple colors. To accomplish that you need a lot of patience and the willingness to tell bald-faced lies. Don’t worry, though, you’ll only be lying to some computer hardware and software, so that doesn’t count.
You may have seen people talk about putting a pause between layers to switch from one color to another. That works, but it limits your options. For example, if you want to put some colored text on a different colored background, you have to either have the text poke out, or it has to be “under” the background. It can’t be flush if you only have a single extruder and hot end. My method is a lot more trouble, but it can generate good results.
Keep in mind, with hobby-grade printers, multiple color printing has a lot of problems even if you do have multiple extruders. This isn’t a panacea. But you can get results on par with a similar printer that has multiple heads.
Bottom Line Up Front
Here are a few pictures of test prints that use this technique. A Monoprice Mini printer with the stock extruder and hot end created them using different PLA filament. On the left is a test cube, with a color spot in the middle of the layers (as well as some spots on the top surface you can’t see). To the right is a plate with my call sign in a contrasting color. It is hard to tell in the picture, of course, but there is one surface. The text is at the same height as the yellow surface.
I didn’t spend a lot of time making these prints since I was more focused on perfecting the methodology. The layer heights aren’t very fine, the infill is sparse, and the print speed was fast. However, you could invest time into making better-looking prints. You can also use the usual techniques that you use with a “real” multi-extrusion printer (such as priming towers, ooze shields, etc.).
Continue reading “Liar’s 3D Printing: Multiple Colors with One Extruder”