Kids of the 1990’s would call you a liar if you told them that within thirty years you’d go to a conference and be handed a Super Nintendo Entertainment System to wear around your neck. But that’s what happened with the badge Jeroen Domburg, aka [Sprite_TM], designed for the 2019 Hackaday Superconference. It’s built in the Game Boy form factor, complete with a cartridge slot, beautiful screen, and the familiar button layout. But there’s so much more here, like the HDMI port on the bottom and the ability to completely reconfigure the device by dropping a binary file onto it over USB.
Of course what makes this possible is the FPGA at the heart of the design. The story of how the badge was developed is shared in great detail during Sprite’s Supercon talk. The timeline, the hardware choices, and the oopses along the way make for a great story. But what you really don’t want to miss is how he built the machine inside of the FPGA — the collection of Verilog code known as “gateware” that brings together the System-on-a-Chip (SoC). From his delight at being able to spawn more processor cores by changing a single variable, to the fascinating SNES-inspired graphics subsystem, the inside story shared below is even more interesting than the physical device itself.
Continue reading “Machine Inside Of A Chip: How Sprite_TM Built The FPGA Game Boy Badge”
If you are interested in such things, you can buy a 1990s Sony Play Station via Heritage Auctions. We’re sure this will have caught your interest, after all it’s not every day you get the chance to catch such a machine. But before you call us out for seemingly reporting the news of an unremarkable sale featuring the runaway success story of 1990s gaming, take a look at the first sentence again. This is not a PlayStation, the ubiquitous grey console of the 1990s, but a Play Station, said as two words rather than one. This ill-fated collaboration between Sony and Nintendo was intended to be an SNES with a CD-ROM drive, but the project faltered and all that remained was the almost mythical tale of a few prototype consoles.
So far there has only been one of these devices that has surfaced, and this is the machine in the auction. So what seemed as though it might be a mundane console turns out to be one of the rarest machines ever created, a true Holy Grail of console collecting.
This machine has a known provenance, and has appeared on these pages before. In 2016 Ben Heck did a teardown to reveal the combination of Sony CD drive and SNES motherboard, and by 2017 he had it working with some homebrew games. There was no official software produced for this console, so it seems the lucky purchaser may have only homebrew games with which to try their console.
At the time of writing the auction is standing at $57,600, and we’d expect this to increase significantly. So you may not have the chance to own the Play Station, but with such a rare machine it’s always worth noting its appearances. It’s also worth remembering that there was more than one of them produced, in fact when your scribe was working in the same industry in the 1990s a senior colleague talked about having been shown one during dealings with Nintendo UK a few years earlier. The machine on sale today may be the only one we know to have survived, but it’s a fair possibility that there are others still gathering dust in long-forgotten archive boxes or collections of gaming hardware junk. Keep an eye out, you might just find your own rarest console ever produced!
Classic games consoles played their games from cartridges, plastic bricks that held a PCB with the game code on it ready to be run by the console hardware. You might therefore expect them to be an easy prospect for emulation, given that the code can be extracted from whatever ROM they contain. But as anyone with an interest in the subject will tell you, some cartridges included extra hardware to boost the capabilities of their games, and this makes the job of an emulator significantly more complex.
[Byuu] has penned an article exploring this topic across a variety of consoles, with in-depth analyses of special-case cartridges. We see the obvious examples such as the DSP coprocessors famously used on some SNES games, as well as Nintendo’s Super Game Boy that contained an entire Game Boy on a chip.
But perhaps more interesting are the edge-case cartridges which didn’t contain special hardware. Capcom’s Rockman X had a copy protection feature that sabotaged the game if it detected RAM at a frequently used save game address emulated by copiers. Unfortunately this could also be triggered accidentally, so every one of the first generation Rockman X cartridges had a manually attached bodge wire that a faithful emulator must replicate. There is also the case of the Sega Genesis F22 Interceptor, which contained an 8-bit ROM where most cartridges for this 68000-powered platform had a 16-bit part. Simple attempts to copy this cartridge result in the upper 8 bits having random values due to the floating data lines, which yet again an emulator must handle correctly.
It’s a subject with a variety as huge as the number of console developers and their games, and a field in which new quirks are constantly being unearthed. While most of us don’t spend our time peering into dusty cartridges, we’re grateful for this insight into that world.
We’ve visited the world of emulators a few times before, such as when we looked at combatting in-game lag.
Way back when, home computers and consoles didn’t have the RAM or storage space for full-length recorded audio tracks. Instead, a variety of techniques were used to synthesize music on the fly. The SNES was no exception, using the SPC700 Wavetable Synthesis chip to bust out the tunes. [Foxchild] wanted to use this chip as a standalone synthesizer, but didn’t want to hack up a console to do so. Thus, the SNES Drone was born!
Instead of gutting the console for the juicy chips inside, à la most SID based builds, the SNES Drone takes a different approach. It consists of a cartridge which interfaces with a stock SNES console, making the install easy and non-invasive.
The build is in an alpha state, with the oscillators in the SNES generating continuous tones, with frequency and volume controlled by potentiometers mounted on the cartridge. Having physical controls on the cartridge makes the build feel more like a real synth, and promises to look awesome on stage for a chiptune performance.
[Foxchild] is looking for others to get involved to help get the project to the next stage, so if you’re interested, reach out on the Hackaday.io page. We’ve seen other projects to liberate the awesome chip sounds of yesteryear, too. Video after the break.
Continue reading “SNES Drone Aims To Rock The SPC700”
The Super Nintendo port of Gradius III is notable for being close to the arcade original, with its large, bright and colorful graphics. However, due to the limitation of the console’s hardware, the port is also well known for having constant slowdowns during gameplay, particularly during later sections. [Vitor] hacked away at the game and made a patched version of the ROM use a co-processor to eliminate those issues.
The slowdown seen here in Gradius is not uncommon to SNES players, many games of that era suffer from it when several sprites appear on the screen at once. This is partially due to the aging CPU Nintendo chose, supposedly in order to maintain NES backwards compatibility before the idea got scrapped. Unable to complete its tasks by the time the next frame needs to be shown, the hardware skips frames to let the processor catch up before it can continue. This is perceived as the aforementioned slowdown.
Around the later stage of the SNES’s life, games started using additional chips inside the cartridges in order to enhance the console’s performance. One of them is the SA1, which is a co-processor with the same core as the main CPU, only with a higher clock rate. By using it, games had more time to run through the logic and graphics manipulation before the next frame. What [Vitor] did was port those parts of Gradius III to the SA1, essentially making it just like any other enhanced cartridge from back in the day.
Unlike previous efforts we’ve seen to overclock the SNES by giving it a longer blanking time, this method works perfectly on real unmodified hardware. You can see the results of his efforts after the break, particularly around stage 2 where several bubbles fill the screen on the second video.
Continue reading “Adding A Co-Processor To Help SNES Games With Slowdown”
The bsnes emulator has a new overclocking mode to eliminate slowdowns in SNES games while keeping the gameplay speed accurate. We’re emulating old SNES hardware on modern machines that are vastly more powerful. Eliminating slowdowns should be trivial, right? For an emulator such as bsnes, which is written to achieve essentially pixel-perfect accuracy when emulating, the problem is decidedly non-trivial. Stick around to learn why.
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The Super Nintendo recently experienced a surge in popularity, either from a combination of nostalgic 30-somethings recreating their childhoods, or because Nintendo released a “classic” version of this nearly-perfect video game system. Or a combination of both. But what made the system worthy of being remembered at all? With only 16 bits and graphics that look ancient by modern standards, gameplay is similarly limited. This video from [Nerdwriter1] goes into depth on a single part of the console – the sound chips – and uses them to illustrate a small part of what makes this console still worth playing even now.
The SNES processed sound with two chips, a processing core and a DSP. They only had a capacity of 64 kb, meaning that all of a game’s sounds and music had to fit in this tiny space. This might seem impossible if you’ve ever played enduring classics like Donkey Kong Country, a game known for its impressive musical score. This is where the concept of creative limitation comes in. The theory says that creativity can flourish if given a set of boundaries. In this case it was a small amount of memory, and within that tiny space the composer at Rare who made this game a work of art was able to develop a musical masterpiece within strict limitations.
Even though this video only discusses the sound abilities of the SNES, which are still being put to good use, it’s a good illustration of what made this system so much fun. Even though it was limited, game developers (and composers) were able to work within its limitations to create some amazingly fun games that seem to have withstood the test of time fairly well. Not all of the games were winners, but the ones that were still get some playtime from us even now.
Continue reading “Creative Limitation And The Super Nintendo Sound Chips”