Two turntables and a microphone? Try two oscilloscopes and a couple of photodiodes. [dfiction] reinterpreted Steve Reich’s classic feedback piece for more modern electronics. The video is embedded after the break.
The original Pendulum Music is a conceptual musical composition from the heady year of 1968. Basically, you set a bunch of microphones swinging across speakers, making feedback as they pass by. The resulting rhythmic and tonal oscillations change over time as the swinging damps down. It’s either mesmerizing or entirely boring, depending on your mindset.
In the [dfiction] version, the feedback is produced by passing a “light microphone” over an oscilloscope. And since he’s got a pair of these setups, the one microphone also feeds the other ‘scope. The resulting sound is this chaotic and gritty noise-rumble. We dig it.
If slowly evolving “process music” pushes the boundaries of your attention span (or if it’s just not your thing) you can totally skip around in the video. Try around 1:40 and 3:45 into the piece just to get an idea of what’s going on. But once you’re there, you might as well let it run its course.
Continue reading “Pendulum Music for Oscilloscope and Photodiodes”
[Tyler] was looking for a gift for his friend’s one year old son. Searching through the shelves in the toy store, [Tyler] realized that most toys for children this age are just boxes of plastic that flash lights and make sound. Something that he should be able to make himself with relative ease. After spending a bit of time in the shop, [Tyler] came up with the Pandaphone.
The enclosure is made from a piece of 2×4 lumber. He cut that piece into three thinner pieces of wood. The top piece has two holes cut out to allow for an ultrasonic sensor to poke out. The middle piece has a cavity carved out using a band saw. This would leave room to store the electronics. The bottom piece acts as a cover to hide the insides.
The circuit uses an ATtiny85. The program watches the ultrasonic PING sensor for a change in distance. It then plays an audio tone out of a small speaker, which changes pitch based on the distance detected. The result is a pitch that is lower when your hand is close to the sensor, but higher when your hand is farther away. The case was painted with the image of a panda on the front, hence the name, “Pandaphone”. Based on the video below, it looks like the recipient is enjoying it! Continue reading “Pandaphone is a DIY Baby Toy”
Ever wanted a soundtrack to your life? For a couple of minutes at a time, Signal Snowboards creates that experience with a smart snowboard that varies your music depending on the tricks you perform on your way down the mountain.
The sign on the door says “School For Gifted Hackers”. Inside [Matt Davis] helped interface audio with an accelerometer – something he regularly does with all manner of hacked devices. At first the prototype was an iPhone mimicking the motions of a snowboarder the way fighter pilots describe dogfights with their hands. The audio engine that pulls those mostions to sound is open source and anyone is welcome to do their own tuning.
Once the audio was figured out the boys took it back to their shop and embedded the sensors into a new snowboard. The board is equipped with GPS, an accelerometer, a few rows of LEDs and a bluetooth board to connect to the phone app. It’s all powered by an on-board LiPo battery and a barrel jack out the side to charge it. Channels were cut by hand with a router then electronics sealed in place with epoxy. Not wanting to “just strap some Christmas lights onto a snowboard” the lighting is also connected to the sensors and is programmable.
See the video below of them making the board and taking it out for a test run on Bear Mountain.
Continue reading “World’s First Smart Snowboard Changes Music According To Your Actions”
MIDI instruments are cool, but they’re not laser cool. That is, unless you’ve added lasers to your MIDI instrument like [Lasse].
[Lasse] started out with an old MIDI keyboard. The plan was to recycle an older keyboard rather than have to purchase something new. In this case, the team used an ESi Keycontrol 49. They keyboard was torn apart to get to the
creamy center circuit boards. [Lasse] says that most MIDI keyboards come withe a MIDI controller board and the actual key control board.
Once the key controller board was identified, [Lasse] needed to figure out how to actually trigger the keys without the physical keyboard in place. He did this by shorting out different pads while the keyboard was hooked up to the computer. If he hit the correct pads, a note would play. Simple, but effective.
The housing for the project is made out of wood. Holes were drilled in one piece to mount 12 laser diodes. That number is not arbitrary. Those familiar with music theory will know that there are 12 notes in an octave. The lasers were powered via the 5V source from USB. The lasers were then aimed at another piece of wood.
Holes were drilled in this second piece wherever the lasers hit. Simple photo resistors were mounted here. The only other components needed for each laser sensor were a resistor and a transistor. This simple discreet circuit is enough to simulate a key press when the laser beam is broken. No programming or microcontrollers required. Check out the demonstration video below to see how it works. Continue reading “MIDI Keyboard with Frickin’ Laser Keys”
Sure, anyone can go buy a bluetooth speaker for their portable music needs. But for something a little more unique, at least in this decade, [Daniel] aka [speedfox] went with an 80s-style boombox and outfitted it with a bluetooth module.
The retro boombox was delivered with a few scratches and a broken radio, but the tape decks were still in decent shape so it was ready to be hacked. [speedfox] tied the Bluetooth audio output to the tape reader on one of the boombox’s tape decks, but this revealed a problem: the bass was overwhelming the rest of the sound. [speedfox] fixed this by adding a filter which worked until the power was tied in to the Bluetooth module and produced a lot of RF noise in the audio output. THIS problem was finally resolved with an audio transformer on both sides of the stereo signal. Finally!
After putting all of the new electronics in the case (and safely out of the way of the 120V AC input!) [speedfox] now has a classy stereo that’s ready to rock some Run-D.M.C. or Heavy D. He notes that the audio filter could use a little tweaking, and he’d also like to restore the functionality of the original buttons on the boombox, but it’s a great start with more functionality than he’d get from something off-the-shelf!
While playing music with floppy drives has been done many times over, making any device with a stepper motor play music still appeals to the hacker in all of us. [Tyler] designed an Arduino shield and a library which lets you get up and running in no time. [Tyler]’s shield includes pin headers to connect 4 floppy drives, which plug directly into the shield. The drives don’t need any modification before being used.
While you could simply wire a few floppy drives up to an Arduino with some jumpers, this breakout shield makes connecting your drives trivial. In addition to designing the shield, [Tyler] released an Arduino library to make things even easier. The library lets you simply set the frequency you want each drive to play, which saves a bit of legwork.
The floppy-controlling Arduino library is available on GitHub and a video of the controller is included after the break.
Continue reading “A Simple Floppy Music Controller”
We’ve all had that problem. Up on stage, rocking out Jimi Hendrix-style on guitar with your band, but frustrated at having to mess around with foot pedals to control all of the effects. [Richard] solved this problem in a unique way: he put a preamp and a microcontroller in a guitar that can create some very interesting effects.
For the musically challenged, electric guitars often have several sets of electromagnetic pickups that detect vibrations in the strings at different points along the strings. Selecting different pickup combinations with a built-in switch changes the sound that the guitar makes. [Richard] wired the pickups in his Fender Stratocaster to the microcontroller and programmed it to switch the pickups according to various patterns. The effect is somewhat like a chorus pedal at times and it sounds very unique.
The volume and tone knobs on the guitar are used to select the programmed patterns to switch various pickups at varying speeds. This has the added bonus of keeping the stock look of the guitar in tact, unlike some other guitars we’ve seen before. The Anubis preamp, as it is called, is a very well polished project and the code and wiring schematic are available on the project site along with some audio samples.