[Adam] over at Makefast Workshop writes about some of the tests they’ve been running on their 3D printer. They experimented with pausing a 3D print midway and inserting various materials into the print. In this case, sand, water, and metal BBs.
The first experiment was a mixture of salt and water used to make a can chiller for soda or beer (the blue thing in the upper right). It took some experimentation to get a print that didn’t leak and was strong. For example, if the water was too cold the print could come off the plate or delaminate. If there was too much water it would splash up while the printer was running and cause bad layer adhesion.
They used what they learned to build on their next experiment, which was filling the print with sand to give it more heft. This is actually a common manufacturing process — for instance, hollow-handled cutlery often has clay, sand, or cement for heft. They eventually found that they had to preheat the sand to get the results they wanted and managed to produce a fairly passable maraca.
The final experiment was a variation on the popular ball bearing prints. Rather than printing plastic balls they designed the print to be paused midway and then placed warmed copper BBs in the print. The printer finished its work and then they spun the BB. It worked pretty well! All in all an interesting read.
The [Make It Extreme] team has been racking up the builds lately, and a lot of them are heavy with metalworking. When you’re doing that kind of work, and you put as much care into finishing your builds like they do, it’s a good idea to have access to a sandblaster. So naturally, they built a really nice one.
We’ve featured a couple of [Michalis Mavros] and team’s build recently; you’ll no doubt recall this viciously effective looking spot welder and a sketchy angle grinder cum belt sander. The sandblaster build, centered as it is around scrap propane tanks, has some lethal potential, but luckily the team displaced any remaining gas from the tanks with water before doing any cutting. The design allows for a lot of sand in the tanks, with plans to provide a recycling system for the grit, which is a nice touch. And it works great – they even used it to clean it up before final finishing in the trademark [Make It Extreme] green and black paint job.
What we really like about the video, though, is that it’s a high-speed lesson on metalworking techniques. There’s a ton to learn here about all the little tricks needed to bring a large-scale metalworking project to fruition. It also demonstrates that we really, truly need a plasma cutter and a metalworking lathe.
Continue reading “Propane Tanks Transformed Into Extreme Sandblaster”
Meet the second version of [David’s] sand manicuring CNC machine. We saw version one about six months ago which he built for a science museum in Canada. This offering is much the same, except for the controller. The initial version demanded a full-blow computer to drive it but now that has been swapped out in favor of a Beaglebone Black.
The software has no feedback on the position of the plotter, which is an aluminum slug that [David] machined at Calgary Protospace. It needs to be in a specific position when the machine starts out, and from there patterns are traced by calculating how much spooling or unspooling of the four strings will move the slug.
There’s a bunch of other really neat art installations and projects on [David’s] webpage, it’s worth clicking through!
[Simon], a gardener in the United Kingdom, created this super cheap and easy to build rocket stove. The great thing about this little guy is that the methods and materials used to create it are so basic, anyone should be able to quickly make their own for just a few bucks. If nothing else, this is a good introductory project for people wanting to experiment with these stoves.
The only materials required are a metal 5 gallon cooking oil drum, a few scrap pieces of chimney liner pipe, and some sand. That’s it.
[Simon] cut off the top of the oil drum and made a hole in the front to fit the pipe. He then trimmed the scrap pieces of pipe to form a 90 degree elbow and positioned that in place inside the drum. Sand poured around the pipe acted as the insulator. Finally, he cut and flattened a scrap piece of pipe to use as a front loading tray for the wood.
Simple as that. Party on.
[via The Flying Tortoise]
Sand casting has been around since, well, since a really really long time ago. For thousands of years, people have been pouring molten metal into finely crafted sand casts, and there’s really no reason that someone can’t do the same thing in their garage or workshop today. This article covers the process of sand casting new case parts for antique Indian motorcycles. In this instance, the parts were not only very difficult to find, the author also wanted to modify the design completely.
Though there are a few terms that pop up with which we’re unfamiliar, the process seems pretty straightforward. You build a model of what you want, you create the sand cast from the model, you fill the cast with molten metal. Done. In some cases, depending on the level of precision needed, you may need some machining done afterward. However, in many cases things don’t have to be quite so exact.
[via Matthew Van Arsdale]
[Diego Stocco] makes music with instruments he assembled. For instance, his Bassoforte uses piano keys, the neck and strings from an electric bass, and what look like some cymbals. Throw in a hammer from that piano and a double bass bow (plus heavy use of audio software) and he’s in business. Big business actually, his work has been in video games such as The Conduit and in feature films like Sherlock Holmes where he worked with Hans Zimmer. Bassoforte isn’t his only invention, he’s got several more including the Experibass string family on one instrument, the Light Controlled Oscillator, and sand music using the fine aggregate along with some piezoelectric film transducers.
The end goal of this giant rapid prototyping machine is to print buildings. We’re not holding our breath for a brand new Flintstones-esque abode, but their whimsical suggesting of printed buildings on the moon seems like science fiction with potential. The machine operates similar to a RepRap but instead of plastic parts, it prints stone by binding sand with epoxy. This method is not revolutionary, but hasn’t really been seen in applications larger than a square meter or so. It’s fun to see the things we dabble in heading for industrial production applications.