We all bring our own areas of expertise to our work when we build the projects that find their way in front of Hackaday writers, for instance a software developer brings clever brains to their microcontroller, or an electronic engineer might bring a well-designed piece of circuitry. [Yvo de Haas] is a mechanical engineer, and it’s pretty clear from his animatronic tentacle that he has used his expertise in that field to great effect.
If you think it looks familiar then some readers may recall that we saw a prototype model back in February at Hacker Hotel 2020. In those last weeks before the pandemic hit us with lockdowns and cancellations he’d assembled a very worthy proof of concept, and from what we can see from his write-up and the video below he’s used all the COVID time to great effect in the finished product. Back in February the control came via a pair of joysticks, we’re particularly interested to see his current use of a mini tentacle as a controller.
At its heart is a linkage of 3D-printed anti-parallelograms linked by gears, with cables holding the tension and controlling the movement of the tentacle from a set of winches. The design process is detailed from the start and makes a fascinating read, and with its gripper on the end we can’t wait for an event that goes ahead without cancellation at which we can see the tentacle for real.
We remember the floppy disk as the storage medium most of us used two decades or more ago, limited in capacity and susceptible to data loss. It found its way into a few unexpected uses such as Sony’s Mavica line of digital cameras, but outside those who maintain and use older equipment it’s now ancient history.
Seemingly not for [Terence Eden] though, who has made a portable audio player that uses a floppy disk as its storage medium. It came about with the realization that half an hour of extremely compressed audio could be squeezed onto a standard 3.5 inch floppy, and then that the Beatles’ A Hard Day’s Night album comes in at only a shade over that time. With some nifty manipulation of the compression command line and the judicious removal of some unnecessary metadata, the album can fit on a floppy in equivalent quality to the AM radio fans would have heard it over back in 1964.
The player would have been a major undertaking when the floppy was king, but in 2020 it’s simply a USB floppy drive, a Raspberry Pi, and a battery pack. He’s given us the full instructions, and no doubt a more permanent version could be built with a 3D-printed case.
There are many different single board computers that are general purpose, but there’s another breed targeted at specific applications. One such is the Clockworkpi, a handheld Game Boy-style games console, which may be aimed at gamers but has just as much ability to do all the usual SBC stuff. It’s something [UncannyFlanigan] has demonstrated, by turning the Clockworkpi into a multimeter. And it’s not just a simple digital multimeter either, it’s one that sports graphing as well as instantaneous readings.
At its heart is an Arduino board that supplies the analogue to digital conversion, with opto-couplers for isolation between the two boards. A simple three-way switch selects voltage, current, and resistance ranges, and the ClockworkPi interface is written in Python. We can see that this could easily be extended using the power of the Arduino to deliver more functionality, for which all the code is handily available in a GitHub repository. It’s not a perfect multimeter yet because it lacks adequate input protection, but it shows a lot of promise.
It is the norm for our Retrotechtacular series to concentrate on a technology that has passed out of use but is still of interest to Hackaday readers, so it is perhaps unusual now to feature one that is very much still with us. Drop forging is a technique for forming hot metal in dies under huge force, and while it is still a current technique the 1950s educational film we are featuring is definitely retro.
An automotive connecting rod, sectioned and acid treated to show the grain structure. (CC BY-SA 2.5)
If you have followed our occasional series on blacksmithing, you’ll be familiar with the process of forming metal by heating it to a temperature at which it becomes malleable enough to deform under pressure, and using a hammer to shape it against an anvil. This process not only shapes the metal, but also forms its inner grain crystal structure such that with careful management the forging process can impart significant resistance to fatigue in the finished item. Think of drop forging as automation of the manual blacksmithing process, with the same metallurgical benefits but in which the finished product is shaped in a series of dies rather than by the blacksmith’s hammer. It loses the craft of the smith over the process, but delivers an extremely consistent result along with a high production turnover.
The film that we’ve placed below the break is an in-depth introduction to the industry in a very period style and with components for the automotive, aerospace, and defense industries of the day. It takes the viewer through the different types of press and examines the design of dies to produce in stages the required grain structure and shapes.
Of particular interest is the section on upset forging, a technique in which a piece of steel stock is forged end-on rather from above. The components themselves make the video worth watching, as we see everything from jet turbine blades to medical forceps in production, along with many parts from internal combustion engines. The smallest piece shown is a tiny carburetor part, while the largest is a huge aircraft carrier catapult part that requires a special vehicle to load it into the press.
Drop forging is generally the preserve of a large metalworking factory due to the size of the presses involved. But it’s not entirely beyond the capabilities of our community given the resources of a well-equipped hackerspace or blacksmith’s shop. My father made simple forging dies by assembling a basic shape in weld and pieces of steel stock before grinding it to his requirements and heat treating. Mounted in a large rotary fly press for repetitive small scale shaping and forming tasks in ornamental ironwork, I remember bumping them out from red hot steel bar in my early teens.
This is one of those techniques that’s useful to know about in our community, because while the need to manufacture significant quantities of ornamental ironwork may not come your way too often, it’s still worth having the capability should you need it. Meanwhile the video below the break should serve to provide you with enough heavy machinery enjoyment to brighten your day.
It was with considerable interest last month that I set out to track down where in the world there are still factories making tubes. My research found them in Slovakia, Russia, and China, and it’s fairly certain I didn’t find all the manufacturers by any means. There appeared to be a whole class of mundane tubes still in production that weren’t to be found on their glossy websites. A glance at any outlet through which Chinese modules can be bought will find this type of tube in small audio amplifier projects, and some of them can be astoundingly cheap. When faced with cheap electronics of course I’m tempted to buy some, so I parted with about £10 ($12.50) and bought myself a kit for a two-tube device described as a stereo preamplifier and headphone amplifier.
An Unusual Tube Choice For Audio
What I received for my tenner was a press-seal bag with a PCB and a pile of components, and not much else. No instructions, which would have been worrisome were the board not clearly marked with the value of each component. The circuit was on the vendor’s website and is so commonly used for these sort of kits that it can be found all over the web — a very conventional twin common-cathode amplifier using a pair of 6J1 miniature pentodes, and powered through a +25 V and -25 V supply derived from a 12 VAC input via a voltage multiplier and regulator circuit. It has a volume potentiometer, two sets of phono sockets for input and output, and the slightly naff addition of a blue LED beneath each tube socket to impart a blue glow. I think I’ll pass on that component.
The 6J1 seems to be ubiquitous throughout the Chinese kits, which is surprising when you understand that it’s not an audio tube at all. Instead it’s a small-signal VHF amplifier, a rough equivalent of the European EF95, and would be much more at home in an FM radio receiver or turret TV tuner from the 1950s. I can only assume that somewhere in China there’s a tube factory tooled up for radio tube production that is targeting this market, because another tube you will see in audio power amplifier kits is the FU32 or QQV03-20 in European parlance, a large power beam tetrode that might have been found in a 1950s military radio transmitter. Still just as if you were to use an RF transistor in an audio circuit it would give good account of itself, so it is with an RF tube. There is no reason a 6J1 won’t do an acceptable job in a circuit such as this one.
There’s an unexpected part of hacking that is very difficult to get right, namely photographing printed circuit boards. Everything seems to catch the light, making for a complex dance of manipulating light sources and camera angles. We were thus captured by [Roman Valls]’ budget rig for taking PCB photos that makes ingenious use of roadside trash to achieve a result.
It was inspired by a video featuring a much more accomplished rig, which he set out to emulate for much less outlay. Instead of an expensive lens, he’s using a Nikon camera with its kit lens. And instead of a tripod there’a a scrap drawer salvaged from the roadside and modified to become a camera holder. Lighting is diffused by baking paper, and the result is a rig that can photograph PCBs with neutral lighting and without annoying highlights.
We especially like work that takes junk and makes something useful from it, and though our purpose isn’t in reverse engineering it’s impressive to see how well the technique reveals the traces. We’ll definitely be experimenting with some of the techniques herein, and those lighting tips might also work with the Hackaday ear camera microscope.
We’ve had something of an anniversary of late, and it’s one that will no doubt elicit a variety of reactions from our community. It’s now 25 years ago that Windows 95 was launched, the operating system that gave the majority of 1990s PC users their first taste of a desktop-based GUI and a 32-bit operating system.
To the strains of the Rolling Stones’ Start me up, Microsoft execs including Bill Gates himself jubilantly danced on stage at the launch of what was probably to become the company’s defining product, perhaps oblivious to the line “You make a grown man cry” which maybe unwittingly strayed close to the user experience when faced with some of the software’s shortcomings.
Its security may seem laughable by the standards of today and the uneasy marriage of 16-bit DOS underpinning a 32-bit Windows operating system was clunky even in its heyday, but perhaps now is the best time to evaluate it unclouded by technical prejudice. What can we see of Windows 95 in the operating systems we use today, and thus from that can we ask the question: What did Windows 95 get right? Continue reading “Start Me Up: What Has The Windows 95 Desktop Given Us 25 Years Later?”→