The TDS8000 was manufactured by Tektronix circa 2001 and was also marketed as the CSA8000 Communications Signal Analyzer as well as the TDS8000 Digital Sampling Oscilloscope. Tektronix is no longer manufacturing and selling these scopes but the documentation is still available from their website, including the User Manual (268 page PDF), the Service Manual (198 page PDF), and some basic specs (in HTML).
You can do a lot of things with a TDS8000 scope but particularly its use case was Time-Domain Reflectometry (TDR). A TDR scope is the time-domain equivalent of a Vector Network Analyzer (VNA) which operates in the frequency-domain.
If you’ve put in all the necessary practice to learn bike tricks, you’d probably like an appropriately dramatic soundtrack to accompany your stunts. A team of students working on a capstone project at the University of Washington took this natural desire a step further with the Music Bike, a system that generates adaptive music in response to the bike’s motion.
The Music Bike has a set of sensors controlled by an ESP32-S3 mounted beneath the bike seat. The ESP32 transmits the data it collects over BLE to an Android app, which in turn uses the FMOD Studio adaptive sound engine to generate the music played. An MPU9250 IMU collects most position and motion data, supplemented by a hall effect sensor which tracks wheel speed and direction of rotation.
When the Android app receives sensor data, it performs some processing to detect the bike’s actions, then uses these to control FMOD’s output. The students tried using machine learning to detect bike tricks, but had trouble with latency and accuracy, so they switched to a threshold classifier. They were eventually able to detect jumps, 180-degree spins, forward and reverse motion, and wheelies. FMOD uses this information to modify music pitch, alter instrument layering, and change the track. The students gave an impressive in-class demonstration of the system in the video below (the demonstration begins at 4:30).
Coming in hot from Cornell University, students [Amanda Huang], [Caroline Hohner], and [Rhea Goswami] bring a project that is guaranteed to tickle the funny bone of anyone in the under-40 set, and sadists of all ages: The Tamagochi Torture Chamber.
He’s dead, Jim.
In case you somehow missed it, Bandai’s Tamagochi is a genre-defining digital pet that was the fad toy at the turn of the millennium, and has had periodic revivals since. Like the original digital pet, there are three pushbuttons to allow you to feed, play with, and clean your digital pet. These affect the basic stats of happiness, health, food and weight in ways that will be familiar to anyone who played with the original Tamagochi. Just as with the original, mistreatment or neglect causes the Tamagochi to “die” and display a tombstone on the TFT display.
Where the “Torture Chamber” part comes in is the presence of an accelerometer and soft physics simulation– the soft physics gets an entire core of the Pi Pico at the heart of this build dedicated to it, while the other core handles all inputs, display and game logic. What this enables is the ability to bounce the digital pet off the walls of its digital home with an adorable squish (and drop in health stat) by tilting the unit. You can check that out in the demo video blow.
Is it overkill for a kids toy to have a full soft body simulation, rather than just a squish-bounce animation? Probably, but for an ECE project, it lets the students show off their chops… and possibly work out some frustrations.
If you’ve got an innovative way to torture video game characters, or a project less likely to get you on Skynet’s hitlist, don’t forget to send in a tip!
Currently the typical way that crude oil is processed involves a fractional distillation column, in which heated crude oil is separated into the various hydrocarbon compounds using distinct boiling points. This requires the addition of significant thermal energy and is thus fairly energy intensive. A possible alternative has been proposed by [Tae Hoon Lee] et al. with a research article in Science. They adapted membranes used with reverse-osmosis filtration to instead filter crude oil into its constituents, which could enable skipping the heating step and thus save a lot of energy.
The main change that had to be made was to replace the typical polyamide films with polyimine ones, as the former have the tendency to swell up – and thus becomes less effective – when exposed to organic solvents, which includes hydrocarbons. During testing, including with a mixture of naphtha, kerosene and diesel, the polyimine membrane was able to separate these by their molecular size.
It should be noted of course that this is still just small scale lab-testing and the real proof will be in whether it can scale up to the flow rates and endurance required from a replacement for a distillation column. Since this research is funded in part by the fossil fuel industry, one can at least expect that some trial installations will be set up before long, with hopefully positive results.
Starting June 20th, any cordless phone, smartphone, or feature phone, as well as tablets (7 – 17.4″ screens) have to meet Ecodesign requirements. In addition there is now mandatory registration with the European Product Registry for Energy Labelling (EPREL). The only exception are phones and tablets with a flexible (rollable) main display, and tablets that do not use a mobile OS, i.e. not Android, iPadOS, etc. These requirements include resistance to drops, scratches and water, as well as batteries that last at least 800 cycles.
What is perhaps most exciting are the requirements that operating system updates must be made available for at least five years from when the product is last on the market, along with spare parts being made available within 5-10 working days for seven years after the product stops being sold. The only big niggle here is that this access only applies to ‘professional repairers’, but at least this should provide independent repair shops with full access to parts and any software tools required.
On the ENERGY label that is generated with the registration, customers can see the rating for each category, including energy efficiency, battery endurance, repairability and IP (water/dust ingress) rating, making comparing devices much easier than before. All of this comes before smartphones and many other devices sold in the EU will have to feature easily removable batteries by 2027, something which may make manufacturers unhappy, but should be a boon to us consumers and tinkerers.
Here’s a great hack sent in to us from [Simon]. He uses an e-paper photo frame as a weather map!
By now you are probably aware of e-paper technology, which is very low power tech for displaying images. E-paper only uses energy when it changes its display, it doesn’t draw power to maintain a picture it has already rendered. The particular e-paper used in this example is fairly large (as e-paper goes) and supports color (not just black and white) which is why it’s expensive. For about US$100 you can get a 5.7″ 7-color EPD display with 600 x 448 pixels.
Before YouTube, you had to watch your educational videos on film. In the 1970s, if you studied radio, you might have seen the video from Universal Education and Visual Arts, titled Understanding Electronics Basic Radio Circuitry. The video’s been restored, and it appears on the [CHAP] YouTube channel.
The video starts with a good history lesson that even covers Fessenden, which you rarely hear about. The video is full of old components that you may or may not remember, depending on your age. There’s a classic crystal radio at the start and it quickly moves to active receivers. There’s probably nothing in here you don’t already know. On the other hand, radios work about the same today as they did in the 1970s, unless you count software-defined varieties.
We expect this was produced for the “trade school” market or, maybe, a super advanced high school shop class. There were more in the series, apparently, including ones on vacuum tubes, the transistor, and the principles of television.
We were sad that the credits don’t mention the narrator. He sounded familiar. Maybe Robert Vaughn? Maybe not. A little research indicates the company was a division of Universal Studios, although the Library of Congress says it was actually produced by Moreland-Latchford Productions in Toronto.
