Hot Wheel Car Becomes 1/64 Scale Micro RC Car, Complete With Camera

If you enjoy watching skilled assembly of small mechanical systems with electronics to match, then make some time to watch [Max Imagination] transform a Hot Wheels car into a 1/64th scale RC car complete with video FPV video feed. To say the project took careful planning and assembly would be an understatement, and the results look great.

The sort of affordable electronics available to hobbyists today opens up all kinds of possibilities, but connecting up various integrated modules brings its own challenges. This is especially true when there are physical constraints such as fitting everything into an off-the-shelf 1/64 scale toy car.

There are a lot of interesting build details that [Max] showcases, such as rebuilding a tiny DC motor to have a longer shaft so that it can drive both wheels at once. We also liked the use of 0.2 mm thick nickel strips (intended for connecting cells in a battery pack) as compliant structural components.

There are actually two web servers being run on the car. One provides an interface for throttle and steering (here’s the code it uses), and the other takes care of the video feed with ESP32-CAM sending a motion jpeg stream. [Max]’s mobile phone is used to control the car, and a second device goes into an old phone-based VR headset to display the FPV video feed.

Circuit diagrams and code are available for anyone wanting to perhaps make a similar project. We’ve seen micro RC builds of high quality before, but integrating an FPV camera kicks things up a notch. Want even more complex builds? All the rules change when weight reduction is a non-negotiable #1 priority. Check out a micro RC plane that weighs under three grams and get a few new ideas.

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Human AI Pin marketing picture. (Credting: Humane)

The AI Pin: A Smart Body Camera That Wants To Compete With Smartphones

Seeking to shake up the smartphone market, Humane introduced its ‘AI Pin’, which at first glance looks like someone put a very stylish body camera on their chest. There’s no display, only the 13 MP camera and some other optics visible above what turns out to be a touch panel, which is its main gesture-based input method, while it’s affixed to one’s clothing using either a magnet on the other side of the fabric, a wireless powerbank or a clip. Inside the unit you find a Qualcomm octa-core processor with 4 GB of RAM and 32 GB of eMMC storage, running a custom Android-based ‘Cosmos’ OS.

The AI Pin home screen, demonstrating why hand palms are poor projection surfaces. (Credit: Humane)
The AI Pin home screen, demonstrating why hand palms are poor projection surfaces. (Credit: Humane)

There is also a monochrome (teal) 720p laser projector built-in that provides something of a screen experience, albeit with the expectation that you use your hand (or presumably any other suitable surface) to render it visible. From the PR video it is quite clear that visibility of the projection is highly variable, with much of the text often not remotely legible, or only after some squinting. The hand-based gestures to control the UI (tilting to indicate a direction, touching thumb & index finger together to confirm) are somewhat of a novelty, though this may get tiresome after a day.

An article by [Ron Amadeo] over at Ars Technica also takes a look at the device, where the lack of an app ecosystem is pointed out, as well as the need for a mandatory internet connection (via T-Mobile). Presumably this always-on ‘feature’ is where the ‘AI’ part comes in, as the device has some voice assistant functionality, which seems to rely heavily on remote servers. As a result, this ends up being a quirky device with no third-party app support for a price tag of $700 + the $25/month for online service. Not to mention that people may look a bit odd at you walking around with a body camera-like thing on your chest that you keep rubbing and holding your hand in front of.

To be fair, it’s not often that we see something more quaint in this space come out than Google Glass, now many years ago.

Using LEDs To Determine A Video Camera’s True Framerate

Interpolation and digital cropping are two techniques which are commonly used by marketing folk to embellish the true specifications of a device. Using digital cropping a fictitious zoom level can be listed among the bullet points, and with frame interpolation the number of frames per second (FPS) recorded by the sensor is artificially padded. This latter point is something which [Yuri D’Elia] came across with a recently purchased smartphone that lists a 960 FPS recording rate at 720p. A closer look reveals that this is not quite the case.

The smartphone in question is the Motorola Edge 30 Fusion, which is claimed to support 240 and 960 FPS framerates at 720p, yet the 50 MP OmniVision OV50A sensor in the rear camera is reported as only supporting up to 480 FPS at 720p. To conclusively prove that the Motorola phone wasn’t somehow unlocking an unreported feature in this sensor, [Yuri] set up an experiment using three LEDs, each of which was configured to blink at either 120, 240 or 480 Hz in a side-by-side configuration.

As [Yuri] explains in the blog post, each of these blinking frequencies would result in a specific pattern in the captured video, allowing one to determine whether the actual captured framerate was equal to, less than or higher than the LED’s frequency. Perhaps most disappointingly about the results is that this smartphone didn’t even manage to hit the 480 FPS supported by the OV50A sensor, and instead pegged out at a pedestrian 240 FPS. Chalk another one up for the marketing department.

Converting A Polaroid SX70 Camera To Use 600 Film

These days, it’s possible to buy a number of different Polaroid instant cameras new off the shelf. That’s largely thanks to the retro resurgence that has buoyed interest in everything from vinyl records to analog synthesizers. However, if you’re truly old-school, you might still be rocking a vintage Polaroid SX-70 camera. Thankfully, there’s a way to convert these old rigs to work properly with the more popular modern 600 film.

The interesting thing about the SX-70 camera design is that its shutter speed and aperture setting are essentially linked together as the aperture and shutter assembly are combined into one unit with a variable tear-drop shaped opening. Thus, the timing of the shutter opening and closing and the extent to which it opens are what determines exposure and aperture.

Thankfully, [Jake Bright] has learned a lot about these unique cameras and exactly how this complex system operates. He shares his tips on firstly restoring the camera to factory-grade operation, and then the methods in which they may be converted to work with modern film. Fundamentally, it’s about changing capacitors or resistors to change the shutter/aperture timing. However, do it blindly and you’ll have little success. You first need to understand the camera’s mechanics, pneumatics, and its “Electric Eye” control system before you can get things dialed in just so.

We’ve seldom seen such a great deep dive into a camera outside of full-fat engineering documentation. [Jake] should be commended on his deep understanding and command of these fine instant cameras from yesteryear. May the Polaroid picture never die. Video after the break. Continue reading “Converting A Polaroid SX70 Camera To Use 600 Film”

Solar Camera Built From Raspberry Pi

Ever since an impromptu build completed during a two-week COVID-19 quarantine back in 2020, [Will Whang] has been steadily improving his Raspberry Pi solar photography setup. It integrates a lot of cool stuff: multiple sensors, high bandwidth storage, and some serious hardware. This is no junk drawer build either, the current version uses a $2000 USD solar telescope (an LS60M with 200mm lens) and a commercial AZ-GTi mount.

He also moved up somewhat with the imaging devices from the Raspberry Pi camera module he started with to two imaging sensors of his own: the OneInchEye and the StarlightEye, both fully open source. These two sensors feed data into the Raspberry Pi 4 Compute Module, which dumps the raw images into storage.

Because solar imaging is all about capturing a larger number of images, and then processing and picking the sharpest ones, you need speed. Far more than writing to an SD Card. So, the solution [Will] came up with was to build a rather complex system that uses a CF Express to NVME adapter that can keep up, but can be quickly swapped out.

Unfortunately, all of this hard work proved to be in vain when the eclipse came, and it was cloudy in [Wills] area. But there is always another interesting solar event around the corner, and it isn’t going anywhere for a few million years. [Will] is already looking at how to upgrade the system again with the new possibilities the Raspberry Pi 5 offers.

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Hackaday Podcast Ep 240: An Amazing 3D Printer, A Look Inside Raspberry Pi 5, And Cameras, Both Film And Digital

Date notwithstanding, it’s your lucky day as Elliot and Dan get together to review the best hacks of the week. For some reason, film photography was much on our writers’ minds this week, as we talked about ways to digitalize an old SLR, and how potatoes can be used to develop film (is there a Monty Python joke in there?) We looked at a 3D printer design that really pulls our strings, the custom insides of the Raspberry Pi 5, and the ins and outs of both ferroresonant transformers and ham radio antennas. Learn about the SMD capacitor menagerie, build a hydrogen generator that probably won’t blow up, and listen to the differences between a mess of microphones. And that’s not all; the KIM-1 rides again, this time with disk drive support, Jenny tests out Serenity but with ulterior motives, and Kristina goes postal with a deep dive into ZIP codes.

Check out the links below if you want to follow along, and as always, tell us what you think about this episode in the comments!

Grab a copy for yourself if you want to listen offline.

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Use Your Old SLR As A Digital Camera?

Back in the late 1990s as the digital revolution overtook photography there were abortive attempts to develop a digital upgrade for 35mm film cameras. Imagine a film cartridge with attached sensor, the idea went, which you could just drop into your trusty SLR and continue shooting digital. As it happened they never materialised and most film SLRs were consigned to the shelf. So here in 2023 it’s a surprise to find an outfit called I’m Back Film promising something very like a 35mm cartridge with an attached sensor.

The engineering challenges are non-trivial, not least that there’s no standard for distance between reel and exposure window, and there’s next-to-no space at the focal plane in a camera designed for film. They’ve solved it with a 20 megapixel Micro Four Thirds sensor which gives a somewhat cropped image, and what appears to be a ribbon cable that slips between the camera back and the body to a box which screws to the bottom of the camera. It’s not entirely clear how they solve the reel-to-window distance problem, but we’re guessing the sensor can slide from side to side somehow.

It’s an impressive project and those of us who shot film back in the day can’t resist a bit of nostalgia for our old rigs, but we hope it hasn’t arrived too late. Digital SLRs are ubiquitous enough that anyone who wants one can have one, and meanwhile the revival in film use has given many photographers a fresh excuse to use their old camera the way it was originally intended. We’ll soon see whether it catches on though — the crowdsourcing campaign for the project will be starting in a few days.

Oddly this isn’t the first such project we’ve seen, though it is the first with a usable-size sensor.