The Minimum Required For A Film Camera

November 30, 2023 by Jenny List 13 Comments

Film cameras can be complex and exquisitely-crafted masterpieces of analogue technology. But at their very simplest they need be little more than a light-proof box with a piece of film at the back of it, and some kind of lens or pinhole with a shutter. [ChickenCrimpy] adds the most basic of 35 mm cartridge to create what he calls the Minimum Viable Camera. It’s a half-frame 35 mm pinhole film camera with the simplest possible construction.

It can be built from almost any flat light-proof 3 mm thick stock, though something that you can run through a laser cutter is probably ideal. Once snapped together to make to box-like structure, tape is added along the joins for light-proofing. The film is reeled from a full 35 mm cartridge to an empty one, and cranked back frame-by-frame by means of a wooden key that engages with the spindle.

There’s no lens, instead this is a pinhole camera, and the shutter is a piece of the stock held on the front of the camera with bolts and butterfly nuts. Taking a photo is as simple as pointing the device at the subject and lifting the shutter away for a few seconds. There’s a video overview for the project which we’ve placed below the break.

It’s true that this camera needs a moment in the darkroom to load, but we like its extreme simplicity and the ethereal and grainy pictures it produces. If you fancy an introduction to 35 mm photography you could definitely do worse.

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Retrotechtacular: Studio Camera Operation, The BBC Way

November 26, 2023 by Dan Maloney 11 Comments

If you ever thought that being a television camera operator was a simple job, this BBC training film on studio camera operations will quickly disabuse you of that notion.

The first thing that strikes you upon watching this 1982 gem is just how physical a job it is to stand behind a studio camera. Part of the physicality came from the sheer size of the gear being used. Not only were cameras of that vintage still largely tube-based and therefore huge — the EMI-2001 shown has four plumbicon image tubes along with tube amplifiers and weighed in at over 100 kg — but the pedestal upon which it sat was a beast as well. All told, a camera rig like that could come in at over 300 kg, and dragging something like that around a studio floor all day under hot lights had to be hard. It was a full-body workout, too; one needed a lot of upper-body strength to move the camera up and down against the hydropneumatic pedestal cylinder, and every day was leg day when you had to overcome all that inertia and get the camera moving to your next mark.

Operating a beast like this was not just about the bull work, though. There was a lot of fine motor control needed too, especially with focus pulling. The video goes into a lot of detail on maintaining a smooth focus while zooming or dollying, and shows just how bad it can look when the operator is inexperienced or not paying attention. Luckily, our hero Allan is killing it, and the results will look familiar to anyone who’s ever seen any BBC from the era, from Dr. Who to I, Claudius. Shows like these all had a distinctive “Beeb-ish” look to them, due in large part to the training their camera operators received with productions like this.

There’s a lot on offer here aside from the mechanical skills of camera operation, of course. Framing and composing shots are emphasized, as are the tricks to making it all look smooth and professional. There are a lot of technical details buried in the video too, particularly about the pedestal and how it works. There are also two follow-up training videos, one that focuses on the camera skills needed to shoot an interview program, and one that adds in the complications that arise when the on-air talent is actually moving. Watch all three and you’ll be well on your way to running a camera for the BBC — at least in 1982.

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Sometimes It’s Worth Waiting: Kodak Finally Release Their Super 8 Camera

November 23, 2023 by Jenny List 32 Comments

Think of all those promised products that looked so good and were eagerly awaited, but never materialized. Have you ever backed a Kickstarter project in the vain hope that one day your novelty 3D printer might appear? Good luck with the wait! But sometimes, just sometimes, a product everyone thought was dead and gone pops up unexpectedly.

So it is with Kodak’s infamous new Super 8 camera, which they announced in 2018 and had the world of film geeks salivating over, then went quiet on. It’s abandoned, we all thought, and then suddenly five years later it isn’t. If you really must have the latest in analog film-making gear, you can put your name down to order one now.

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A Camera That Signs Off Your Pictures

November 20, 2023 by Al Williams 34 Comments

We’ll admit we’ve kicked around the idea of a camera that digitally signs a picture so you could prove it hasn’t been altered and things like the time and place the photo was taken for years. Apparently, products are starting to hit the market, and Spectrum reports on a Leica that, though it will set you back nearly $10,000, can produce pictures with cryptographic signatures.

This isn’t something Leica made up. In 2019, a consortium known as the Content Authenticity Initiative set out to establish a standard for this sort of thing. The founders are no surprise: The New York Times, Adobe, and Twitter. There are 200 companies involved now, although Twitter — now X — has left.

The problem, the post notes, is that software support is limited. There are only a few programs that recognize and process digital signatures. That’ll change, of course, and — we imagine — if you needed to prove the provenance of a photo in court, you’d just buy the right software you needed.

We haven’t dug into the technology, but presumably keeping the private key secure will be very important. The consortium is clear that the technology is not about managing rights, and it is possible to label a picture anonymously. The signature can identify if an image was taken with a camera or generated by AI and details about how it was taken. It also can detect any attempt to tamper with the image. Compliant programs can make modifications, but they will be traceable through the cryptographic record.

Will it work? Probably. Can it be broken? We don’t know, but we wouldn’t bet that it couldn’t without a lot more reading. PDF signatures can be hacked. Our experience is that not much is truly unhackable.

Probably The Largest Selfie Camera In The World

November 16, 2023 by Jenny List No comments

Most readers will have some idea of how a camera works, with a lens placed in front of a piece of film or an electronic sensor, and the distance between the two adjusted until the images is in focus. The word “camera” is a shortening of “camera obscura”, the Latin for “dark room”, as some early such devices were darkened rooms in which the image was projected onto a rear wall. [David White], a lecturer at Falmouth University in the UK has created a modern-day portable camera obscura using a garden gazebo frame, and uniquely for a camera obscura, it can be used to take selfies.

As might be expected the gazebo frame covered with a dark fabric forms the “room”, and the surface on which the image is formed comes from a projection screen. The lens is a custom-made 790 mm f/5.4, not exactly the type of lens found off-the-shelf. The selfie part comes from a Canon digital camera inside the gazebo focused on the frame, using its Wi-Fi control app a subject can sit at the appropriate point in front of the lens and take the selfie as they see fit.

The resulting images have a pleasing ethereal feel to them, and while it’s definitely not the most practical taker of snaps it’s still very much a camera to be impressed by. We’d be curious to see how it would perform as a pinhole camera, and even though it’s nowhere near the 2006 record pinhole image taken using an abandoned US Marine Corps aircraft hangar we think it would still deliver when given enough light. Meanwhile this isn’t the first time we’ve shown you a camera obscura, here’s one using the back of a U-Haul truck.

Hot Wheel Car Becomes 1/64 Scale Micro RC Car, Complete With Camera

November 13, 2023 by Donald Papp 20 Comments

If you enjoy watching skilled assembly of small mechanical systems with electronics to match, then make some time to watch [Max Imagination] transform a Hot Wheels car into a 1/64th scale RC car complete with video FPV video feed. To say the project took careful planning and assembly would be an understatement, and the results look great.

The sort of affordable electronics available to hobbyists today opens up all kinds of possibilities, but connecting up various integrated modules brings its own challenges. This is especially true when there are physical constraints such as fitting everything into an off-the-shelf 1/64 scale toy car.

There are a lot of interesting build details that [Max] showcases, such as rebuilding a tiny DC motor to have a longer shaft so that it can drive both wheels at once. We also liked the use of 0.2 mm thick nickel strips (intended for connecting cells in a battery pack) as compliant structural components.

There are actually two web servers being run on the car. One provides an interface for throttle and steering (here’s the code it uses), and the other takes care of the video feed with ESP32-CAM sending a motion jpeg stream. [Max]’s mobile phone is used to control the car, and a second device goes into an old phone-based VR headset to display the FPV video feed.

Circuit diagrams and code are available for anyone wanting to perhaps make a similar project. We’ve seen micro RC builds of high quality before, but integrating an FPV camera kicks things up a notch. Want even more complex builds? All the rules change when weight reduction is a non-negotiable #1 priority. Check out a micro RC plane that weighs under three grams and get a few new ideas.

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Human AI Pin marketing picture. (Credting: Humane)

The AI Pin: A Smart Body Camera That Wants To Compete With Smartphones

November 11, 2023 by Maya Posch 21 Comments

Seeking to shake up the smartphone market, Humane introduced its ‘AI Pin’, which at first glance looks like someone put a very stylish body camera on their chest. There’s no display, only the 13 MP camera and some other optics visible above what turns out to be a touch panel, which is its main gesture-based input method, while it’s affixed to one’s clothing using either a magnet on the other side of the fabric, a wireless powerbank or a clip. Inside the unit you find a Qualcomm octa-core processor with 4 GB of RAM and 32 GB of eMMC storage, running a custom Android-based ‘Cosmos’ OS.

The AI Pin home screen, demonstrating why hand palms are poor projection surfaces. (Credit: Humane)

There is also a monochrome (teal) 720p laser projector built-in that provides something of a screen experience, albeit with the expectation that you use your hand (or presumably any other suitable surface) to render it visible. From the PR video it is quite clear that visibility of the projection is highly variable, with much of the text often not remotely legible, or only after some squinting. The hand-based gestures to control the UI (tilting to indicate a direction, touching thumb & index finger together to confirm) are somewhat of a novelty, though this may get tiresome after a day.

An article by [Ron Amadeo] over at Ars Technica also takes a look at the device, where the lack of an app ecosystem is pointed out, as well as the need for a mandatory internet connection (via T-Mobile). Presumably this always-on ‘feature’ is where the ‘AI’ part comes in, as the device has some voice assistant functionality, which seems to rely heavily on remote servers. As a result, this ends up being a quirky device with no third-party app support for a price tag of $700 + the $25/month for online service. Not to mention that people may look a bit odd at you walking around with a body camera-like thing on your chest that you keep rubbing and holding your hand in front of.

To be fair, it’s not often that we see something more quaint in this space come out than Google Glass, now many years ago.