Pieca Is A Pi Camera With Some Very Nice Lenses

November 5, 2022 by Jenny List 24 Comments

The advent of the high-quality version of the Raspberry Pi camera has given experimenters a good-enough quality camera system that they can use it to create better devices than mere snapshot cameras. It’s been used by experimenters for some exciting projects, but so far, very few of them have broken away from the Pi camera’s C-mount lens system. [Tom Schucker]’s Pieca is an interesting departure then, because it takes the Pi HQ camera into new territory by using Leica rangefinder lenses.

There are enough Pi camera projects that by now the process of setting one up should be pretty well known. This one is a bit different in its use of a focal length reducer, mounted inside a 3D-printed Leica lens mounting plate. The result is that the Leica lens is better matched to the much smaller size of the Pi camera sensor compared to a 35mm frame.

The camera’s aesthetic design is on the chunky side, probably because of the choice of a Pi 4 rather than a Pi Zero. It remains very usable though, and produces photographs with a distinctive feel. You can see more in the video below the break. Meanwhile if you aren’t lucky enough to own a stable of Leica lenses, perhaps you could think about adapting more common optics? We’ve seen it before with the original Pi camera.

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Trinocular Lens Makes Digital Wigglegrams Easier To Take

October 30, 2022 by Dan Maloney 13 Comments

Everyone likes a good animated GIF, except for some Hackaday commenters who apparently prefer to live a joyless existence. And we can’t think of a better way to celebrate moving pictures than with a 3D printed trinocular camera that makes digital Wigglegrams a snap to create.

What’s a Wigglegram, you say? We’ve seen them before, but the basic idea is to take three separate photographs through three different lenses at the same time, so that the parallax error from each lens results in three slightly different perspectives. Stringing the three frames together as a GIF later results in an interesting illusion of depth and motion. According to [scealux], the inspiration for building this camera came from photographer [Kirby Gladstein]’s work, which we have to admit is pretty cool.

While [Kirby] uses a special lenticular film camera for her images, [scealux] decided to start his build with a Sony a6300 mirrorless digital camera. A 3D printed lens body with a focusing mechanism holds three small lenses which were harvested from disposable 35 mm film cameras — are those still a thing? Each lens sits in front of a set of baffles to control the light and ensure each of the three images falls on a distinct part of the camera’s image sensor.

The resulting trio of images shows significant vignetting, but that only adds to the charm of the finished GIF, which is created in Photoshop. That’s a manual and somewhat tedious process, but [scealux] says he has some macros to speed things up. Grainy though they may be, we like these Wigglegrams; we don’t even hate the vertical format. What we’d really like to see, though, is to see everything done in-camera. We’ve seen a GIF camera before, and while automating the post-processing would be a challenge, it seems feasible.

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Custom Sony Camera Remote Built With ESP32

October 21, 2022 by Lewin Day 10 Comments

Whether you’re shooting video or photos, having a camera remote can really improve your productivity. No longer do you have to run back to the camera to press its tiny buttons! [Frank Zhao] is a Sony user, so decided to whip up a custom remote using the ESP32 for his Alpha camera, adding special features along the way.

The build communicates with the camera over WiFi, but can fall back to Infrared if there’s an issue with the radio link. It’s built around the M5StickC, which is a pre-built device featuring an ESP32 and a small display in a handheld form factor. It let him build the remote in half the size of the official Sony device. With limited buttons on board, though, he relies on the IMU to control many advanced features with motion gestures.

The remote enables a bunch of functionality that Sony didn’t bake into its cameras from the factory. There’s a sound-activated shutter release, dual shutter mode, and several timer-based tools including astrophotography modes. There’s also a big knob you can add for focus pulls, and a mode to reset the auto-focus when you’re frustrated that it isn’t working properly. Some of the features work better than others, as sometimes, the camera doesn’t respond to commands quickly enough. Regardless, it’s pretty neat that [Frank] has unlocked so much extra functionality with his custom $20 remote.

We’ve seen other homebrewed tools open up new creative possibilities for cameras before, too. If you’ve got your own nifty camera hacks, let us know on the tipsline!

ERRF 22: Building A Library Of Filament Colors

October 20, 2022 by Tom Nardi 10 Comments

If you’ve ever paged through the color samples at the hardware store trying to match a particular color, you know how hard it can be. Not only are there nearly limitless color variations, but each manufacturer has their own formulas and tints. Often times, the only way to get the exact color you need is to get it custom mixed.

Unfortunately, that’s not really an option when it comes to filament for your 3D printer. Will that roll of orange from Hatchbox actually match the orange from Overture? That’s where the Filament Librarian comes in. Created by [Joe Kaufeld], the project aims to catalog and photograph as many 3D printer filaments as possible so you can see exactly what you’re getting.

Now of course, if it was as easy as looking at pictures of filament swatches on your computer, you wouldn’t need this service to begin with. So what’s the trick? A custom automated camera rig, powered by the Raspberry Pi, is used to position, light, and photograph each filament sample in the library. So while [Joe] can’t promise your monitor is showing a perfect representation of each filament’s color, you can at least be sure they will all look correct in relation to each other. So for example, the site can help you figure out if the local Microcenter stocks anything that comes close to matching Prusament’s Galaxy Silver PLA.

[Joe] brought a collection of his samples along with his slick camera setup to the 2022 East Coast RepRap Festival so attendees could see first-hand how he adds a new filament to the database. With an easy-to-use touch-screen interface, it takes just seconds to get the camera ready for the next shot.

Now that he’s got the hardware and the procedure down, [Joe] is asking the community to help out by providing him with filament samples to process. It doesn’t take much: all he asks is you snip him off a couple meters of filament, write down what it is and who makes it on a pre-made form, and drop it in the mail. If you’re in the US, you can send it directly to his address in Indiana, and for those on the other side of the globe, he’s got a drop point in the Netherlands you can use.

We love a good passion project here at Hackaday, so here’s hoping that the Filament Librarian receives plenty of new filament samples from all over the planet to feed into that fancy camera setup of his.

The Coolest 1990s Film Scanner To Work With Windows 11

September 6, 2022 by Jenny List 47 Comments

Unless you happen to be a retro enthusiast, it’s fair to say that any photography you do (whether on your phone or a dedicated camera) is going to be digital. The world of photography has all but completely moved away from film, but the transition was not instantaneous. Instead there was a period of about ten years from the mid-90s when film and digital existed side-by-side in some form. A profitable sideline for photography shops was providing scans of film, and there were a series of high-end scanners aimed at that market.

[Kai Kaufman] shares the experience of making one of these work with a modern Windows version, and it’s interesting both because of the scanner itself and the epic tale of software detective work required to bring it up to date. The scanner in question is a Pakon F135, the product of a Kodak acquisition, and an all-in-one device that simply spools in a roll of film and does all the hard work of identifying the frames, cropping the images, and reading any other data from the film.

You may never have seen one of these machines, but if you ever had your photos on a CD as well as printed back in the day you’ve probably had its output. The problem in 2022 is that these machines have drivers which only work with relatively ancient 32-bit Windows versions, so most of the write-up involves some significant detective work into the drivers.

Not every reader will be an expert on Windows driver de-compilation, but perhaps the most interesting pieces of the puzzle come from his detective work in finding the origin of some components. Example code from Microsoft and from a chip design company both make the job much easier, and the final result is a fully functioning 64-bit driver for the device. Not many people will have a Pakon film scanner, but for those who do it seems life may just have become a bit easier.

Thanks [adilosa] for the tip!

Hackaday Prize 2022: A Spring-Driven Digital Movie Camera

September 1, 2022 by Lewin Day 14 Comments

These days, most of us are carrying capable smartphones with high-quality cameras. It makes shooting video so easy as to take all the fun out of it. [AIRPOCKET] decided to bring that back, by converting an old spring-driven 8mm film camera to shoot digital video.

The camera in question is a magazine-fed Bell & Howell Model 172 from the 1950s. In its original spring-driven form, it could shoot for approximately 35 seconds at a (jerky) frame rate 16 fps.

In this build, though, the film is replaced with a digital imaging system designed to fit in the same space as the original magazine. A Raspberry Pi Zero 2 was pressed into service, along with a rechargeable battery and Pi camera module. The camera is timed to synchronise with the shutter mechanism via a photosensor.

Since it uses the original optics and shutter speed, the resulting video is actually very reminiscent of the Super 8 cameras of the past. It’s an impressive way to get a retro film effect straight into a digital output format. The alternative is to just shoot on film and scan it afterwards, of course! Video after the break.

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A Pi Camera To Be Proud Of

August 28, 2022 by Jenny List 16 Comments

The Raspberry Pi HQ camera has appeared in a variety of builds since its introduction back in 2020, and has brought with it many opportunities for photographic projects to compete with the professionals. The latest we’ve been sent is from [Kevin McAleer], who has taken the camera with a full-size Pi and clothed it in a case very similar to the crop of mirror-less compact cameras.

Inside the box is a Waveshare touchscreen that fits on the GPIO header, and a NanoWave 5000 mAH USB battery pack. The camera module fits on the front of the unit, with the C-mount ready to take a lens. Software is still a work in progress and is promised to be a Python script controlling the various camera programs. There are enough Pi camera projects for software to be a matter of choice and taste.

We like the form factor and we like the use of the very compact NanoWave battery, so we think this is a design with some possibilities. Perhaps a cover over the Pi ports might be of use though for general robustness in the face of everyday photography. The question remains though, whether it can come close to the performance of even a budget mirror-less compact camera, and we’re guessing that will depend as much on the operator skill, lens quality, and software capabilities as it does on the Pi HQ module. We look forward to seeing what comes of this project, but meanwhile you can see a video with all the details below the break.

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