This Is How The Fonz Would Play MP3s

March 30, 2018 by Dan Maloney 10 Comments

Here at Hackaday, we love to see old hardware treated with respect. A lovingly restored radio or TV that’s part of our electronic heritage is a joy to behold, and while we understand the desire to stream media from a funky retro case, it really grates when someone throws away the original guts to make room for new electronics.

Luckily, this Seeburg jukebox wall remote repurposing is not one of those projects. [Scott M. Baker] seems to have an appreciation for the finer things, and when he scored this classic piece of Mid-Century Americana, he knew just what to do. These remotes were situated around diners and other hangouts in the 50s and 60s and allowed patrons to cue up some music without ever leaving their seats. They were real money makers back in the day, and companies put a lot of effort into making them robust and reliable.

[Scott]’s first video below shows the teardown of this unit; you can practically smell the old transformer and motor windings. His goal in the second video was to use the remote to control his Raspberry Pi jukebox; he wisely decided to leave everything intact and use the original electromechanically generated pulses to make selections. His analysis led to a nicely executed shield for his Pi which conditions the pulses and imitates coin drops; happily, the coin mechanism still works too, so you can still drop a quarter for a tune.

The remote is working well now, but [Scott] still needs to finish up a few odds and ends to bring this one home. But we love the look and the respect for tradition here, as we did when this juke got a Raspberry Pi upgrade to imitate a missing wall remote.

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Building A Plate Reverb On The Cheap

March 23, 2018 by Tom Nardi 18 Comments

For those who don’t spend their free time creating music with experimental audio effects, a plate reverb is essentially a speaker. It just happens to be, by design, a rather poor one. Rather than using a paper cone for a diaphragm like a traditional speaker, the plate reverb uses as you might guess, a metal plate. As the plate vibrates along with the source audio, a set of piezoelectric pickups convert that to an output. The end result is that audio fed into the plate reverb comes out with a nice echo effect.

But despite their relative simplicity, a plate reverb costs thousands of dollars. They’re so expensive that the majority of people just emulate the effect in software. But it doesn’t have to be that way. [Sammartino] and an audio engineer friend recently came up with a detailed guide for building a plate reverb that cost about 10% of commercially available models.

The construction is fairly simple. A wooden frame is built, and eight hooks are installed around the edges. The plate is suspended between these hooks using guitar strings, which holds it tight but with enough give to vibrate along with the tunes. Another board is attached across the center of the frame to support the electronics: a transducer to vibrate the plate, and two piezo pickups to convert that to an audio signal, and a couple jacks and some wiring to tie it all together.

For a different take on the DIY plate reverb, check out this one we covered all the way back in 2013. If you’re in the market for something a bit larger, we’ve got you covered there as well.

Servos Do The Plucking In This MIDI Music Box

March 23, 2018 by Dan Maloney 18 Comments

It started with a cheap, punch-card programmable manual music box. Thirty-one hobby servos later, it ended as an automated MIDI music box, with a short pit stop as a keyboard-driven MIDI device.

If you think you’ve seen the music box in [Mitxela]’s video below before, you’re right. [Martin], musician, inventor, and father of the marvelous marble music machine, took an interest in these music boxes and their programming a while back. Like [Martin], [Mitxela] started his music box project with punch card programming, but he quickly grew tired of the bothersome process, even after automating production with a laser cutter. He decided to do away with the punch cards completely and devised a method to pluck all 30 notes using a few large handfuls of hobby servos. One servo, converted to continuous rotation, spins the drum, with the rest linked to small laser-cut acrylic plectrums via stiff brass wire. The fingers imitate the punched holes passing over the drum and pluck the notes according to MIDI messages. The whole thing can draw quite a bit of current, so in addition to a beefy power supply, [Mitxela] optimized the code to minimize power requirements. This had the happy consequence of reducing the latency enough to allow the music box to be played from a MIDI keyboard in real time.

A lot of work went into this one, but [Mitxela] isn’t resting on his laurels; he has a full slate of improvements that he wants to tackle, not least of which is SD card support for MIDI files to turn this into a jukebox. We’re looking forward to the updates.

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NES Controller Slider-Based Light Theremin

March 20, 2018 by Kristina Panos 1 Comment

Having never use a 555 before, [lonesoulsurfer] decided that his first foray into the world’s most popular and versatile IC would be to use a 555 to make beautiful chiptunes. For that, we commend him. He found [Dean Segovis]’ Slidersynth light-based Theremin and got to work building his own version it and stuffing it into a (knockoff!) NES controller.

For the uninitiated, a Theremin is a touch-less synthesizer that uses human capacitance and a pair of antennae to control oscillation and amplitude. In a light-based Theremin such as this one, the oscillation is controlled by the intensity of photons from a white LED and their interaction with a light-dependent resistor, also known as a photocell or ‘squiggly resistor’.

The oscillations themselves are created by wiring up the 555 as an astable oscillator, and the pitch is controlled with a potentiometer mounted on the back. It has a small built-in speaker, but [lonesoulsurfer] replaced the B button with a 3.5 mm audio jack so he can plug it into a powered speaker and really rock out. We’ve got his demo tape queued up after the break.

We love pocket instruments around here. If you prefer brass and woodwinds, this pocket woodwind MIDI controller just might draw your lips into an O.

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Pipe Your Way Through The Jams

March 18, 2018 by Jenny List 15 Comments

Playing the bagpipes is an art that takes a significant effort to master, both in keeping a constant air supply through balancing blowstick and bag and in learning the finger positions on the chanter. This last task we are told requires constant finger practice, and a favorite place for this is on the steering wheel as a would-be piper drives. [DZL] therefore took this to the next level, placing touch sensors round a car steering wheel that could be interpreted by an Arduino Pro Mini to produce a passable facsimile of a set of bagpipes via an in-car FM transmitter. It lacks the drone pipes of the real thing, but how many other Škodas feature inbuilt piping?

We’ve covered an unexpected number of bagpipe projects over the years, but never had a close look at this rather fascinating musical instrument. If you are curious, the US Coast Guard pipe band has a short guide to its parts, and we’ve brought you a set of homemade pipes built from duct tape and PVC pipe. They may once have been claimed as an instrument of war, but they seem to also be a favorite instrument of hardware hackers.

Thanks [Sophi] for the tip.

Google Builds A Synthesizer With Neural Nets And Raspberry Pis.

March 16, 2018 by Brian Benchoff 16 Comments

AI is the new hotness! It’s 1965 or 1985 all over again! We’re in the AI Rennisance Mk. 2, and Google, in an attempt to showcase how AI can allow creators to be more… creative has released a synthesizer built around neural networks.

The NSynth Super is an experimental physical interface from Magenta, a research group within the Big G that explores how machine learning tools can create art and music in new ways. The NSynth Super does this by mashing together a Kaoss Pad, samples that sound like General MIDI patches, and a neural network.

Here’s how the NSynth works: The NSynth hardware accepts MIDI signals from a keyboard, DAW, or whatever. These MIDI commands are fed into an openFrameworks app that uses pre-compiled (with Machine Learning™!) samples from various instruments. This openFrameworks app combines and mixes these samples in relation to whatever the user inputs via the NSynth controller. If you’ve ever wanted to hear what the combination of a snare drum and a bassoon sounds like, this does it. Basically, you’re looking at a Kaoss pad controlling rompler that takes four samples and combines them, with the power of Neural Networks. The project comes with a set of pre-compiled and neural networked samples, but you can use this interface to mix your own samples, provided you have a beefy computer with an expensive GPU.

Not to undermine the work that went into this project, but thousands of synth heads will be disappointed by this project. The creation of new audio samples requires training with a GPU; the hardest and most computationally expensive part of neural networks is the training, not the performance. Without a nice graphics card, you’re limited to whatever samples Google has provided here.

Since this is Open Source, all the files are available, and it’s a project that uses a Raspberry Pi with a laser-cut enclosure, there is a huge demand for this machine learning Kaoss pad. The good news is that there’s a group buy on Hackaday.io, and there’s already a seller on Tindie should you want a bare PCB. You can, of course, roll your own, and the Digikey cart for all the SMD parts comes to about $40 USD. This doesn’t include the OLED ($2 from China), the Raspberry Pi, or the laser cut enclosure, but it’s a start. Of course, for those of you who haven’t passed the 0805 SMD solder test, it looks like a few people will be selling assembled versions (less Pi) for $50-$60.

Is it cool? Yes, but a basement-bound producer that wants to add this to a track will quickly learn that training machine learning algorithms cost far more than playing with machine algorithms. The hardware is neat, but brace yourself for disappointment. Just like AI suffered in the late 60s and the late 80s. We’re in the AI Renaissance Mk. 2, after all.

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RC Transmitter Hacked Into Music Player

March 14, 2018 by Tom Nardi 9 Comments

Packed with an incredible amount of hardware, and increasingly likely to be running an open source firmware, the modern RC transmitter is effectively a little multi-purpose computer in its own right. Accordingly there is a small, but growing, community of developers coming out with software applications targeting these switch-festooned wonders. It’s only a matter of time until they are running DOOM.

One such piece of software is TaraniTunes, developed by [GilDev]. This program allows you to load your OpenTX 2.2+ equipped Taranis Q X7 or Taranis X9D with music files which can be played on the transmitter’s built-in speaker. While it likely won’t win any awards for interface design, the large LCD display coupled with the radio’s numerous physical buttons and switches makes it relatively easy to navigate your music collection.

While the software [GilDev] has written for OpenTX looks straightforward enough, getting the songs on the radio is another story. For each track you need to merge the stereo channels into mono (as the transmitter only has a single speaker), and then convert it to a 32 kHz WAV. But don’t worry about the lack of ID3 tag information, TaraniTunes allows you to create a text file containing not only the filename of each track, but its name and artist.

We’ll admit this one should be filed away in the “Because I Can” category, but it’s still an impressive hack and a clever demonstration of the current state of RC transmitter technology.

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