Musical Hacks

1379 Articles

Op Amp Contest: Go Down An Octave, No FFT, No PLL, No Oscillator!

April 24, 2023 by 16 Comments

We like a project that makes us think, and that was certainly the case with [MS-BOSS]’s octave downshifter that’s an entry in our current op-amp contest. Instead of resorting to an FFT, or a PLL, it uses a technique best described as a custom analogue computer to implement the maths of octave downshifting. It’s an extremely clever approach, and we don’t mind admitting took us more than one read to understand how it works.

Just as you would with any mathematical problem, he’s split the job of halving the frequency into its constituent mathematical functions. The square root calculation circuit is probably the one that most required the dredging up of dimly-remembered analogue circuitry undergraduate courses for us.

The result is a fascinating read that’s well worth taking the time to understand if you have any interest in analogue electronics. It’s by no means the easiest way to make this particular effect in 2023, as we’re much more used to seeing our community make digital effects, but if you fancy yourself as any kind of op-amp designer, you really need to give it a look.

2023 Hackaday.io Op Amp Challenge

Playing 78 RPM Shellac Records: It’s Not Just About Speed

April 10, 2023 by 25 Comments

What is the difference between 78, 45, and 33 RPM records? Obviously most people would say the speed, which of course is true to a degree. But as [Techmoan] covers in a recent video, there’s a whole lot more to the playback of 78 RPM records. Especially the older type without so-called ‘microgrooves’. Even if you have a record player that can do 78 RPM speeds, you may have noticed that the sound is poor, with a lot of clicking and popping.

The primary reason for this is that on an average 78 RPM record, the groove containing the sound pattern is 3 mil (thousandth of an inch) wide, whereas the grooves on microgroove and 33/45 RPM records is a mere 1 mil wide. This difference translates into the stylus tip, which is comically undersized for the 3 mil grooves and ends up dragging somewhere in the very bottom of the groove, missing entirely out on the patterns etched higher up on the sides. This is why in the past styluses would often come in the flip-style version, as pictured above.

It’s also possible to purchase the mono, 3 mil styluses today from Audio-Technica and other well-known brands, requiring only to switch the stylus cartridge between playing sessions with different groove sizes. As [Techmoan] demonstrates in the video, the difference between a too small and just right stylus is night and day, but it reveals the second issue with playing records: equalization.

Virtually all records have some kind of equalization applied to the recorded audio, to balance out the imperfections of the recording medium. Upon playback, this effect is inverted, restoring the original signal as much as possible. Since 1954, the de facto standard has been RIAA equalization, and this is what the average record preamplifier also assumes you are using. Unfortunately, this means that for many records from around that time and before, the wrong equalization will be applied, as basically every publisher had their own standard.

In the video, [Techmoan] figures out a way to get an affordable way to playback these wide groove, 78 RPM records, and to dodge the RIAA equalization step by tapping directly into the signal from the cartridge. This would likely be a lot easier if one threw more money at the whole thing, but where is the fun in that?

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ISD1700 Based Lo-Fi Sampler

April 10, 2023 by 5 Comments

Custom music instruments here at Hackaday range from wacky to poignant. OpnBeat by [Hiro Akihabara] focuses on something different: simplicity.

There are few buttons, the design and code are optimized to be straightforward and easy to modify, and the interface is slick. Eight musical keys complement three interface keys and a knob. An Arduino Nano powers the main brains of the system but the music generation comes from eight Nuvoton ISD1700s controlled over SPI by the Nano. The beautifully laid-out PCB is 110mm by 180mm (4.33″ by 7″), so cases can easily be printed on smaller FDM printers. All the switches are Cherry MX switches for the beautiful tactile feedback.

The code, PCB, and 3D case files are all available on GitHub. We love the thought that went into the design and the focus on making it easy to recreate. It might be quite as cute and simplified as this twelve-button musical macro pad, but the two together could make quite the band.

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Building The OhSillyScope

April 7, 2023 by 6 Comments

If you have a Raspberry Pi connected to an LED matrix, you might think about creating a simple oscilloscope. Of course, the Pi isn’t really well-suited for that and neither is an LED matrix, so [Thomas McDonald] decided to create the OhSillyScope, instead.

The device isn’t very practical, but it does add some flash to live music performances or it makes a cool music visualizer. The matrix is only 64×64 so you can’t really expect it to match a proper scope. Besides that, it pulls its data from the Pi’s ALSA sound system.

You can find a video of the device on [Thomas’] Reddit post and a few additional videos on his Instagram account. Looks like a fun project and it also serves as a nice example if you need to read data from the sound card or drive that particular LED matrix.

We might have opted for PortAudio if we had written the same code, but only because it is more portable, which probably doesn’t matter here. Of course, you could also use GNURadio and some Python to drive the display. As usual, plenty of ways to solve any given problem.

Compose Any Song With Twelve Buttons

March 29, 2023 by 14 Comments

Limitations placed on any creative process often paradoxically create an environment in which creativity flourishes. A simple overview of modern pop, rock, or country music illustrates this principle quite readily. A bulk of these songs are built around a very small subset of music theory, often varying no more than the key or the lyrics. Somehow, almost all modern popular music exists within this tiny realm. [DeckerEgo] may have had this idea in mind when he created this tiny MIDI device which allows the creation of complex musical scores using a keyboard with only 12 buttons.

The instrument is based around the Adafruit MacroPad, which is itself built on the RP2040 chip. As a MIDI device, it needs to be connected to a computer running software which can support MIDI instruments, but once its assembled and given its firmware, it’s ready to rock. A musician can select one of any number of musical scales to operate within, and the 12 keys on the pad are mapped to the 12 chromatic notes within that scale. It can also be used to generate drum tracks or other backing tracks to loop before being used to create melodies as well.

[DeckerEgo] took a bit of inspiration from an even simpler macro pad we featured before which is based around the idea that a shockingly high number of songs use the same four chords. His macro pad includes creation of chord progressions as well, but expands on that idea to make more complete compositions possible. And, for those looking to build their own or expand on this project, he has also made all of the source code available on his GitHub page.

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Vinyl Sales Ran Circles Around CDs In 2022

March 21, 2023 by 109 Comments

How do you take your music these days? For those in Camp Tangible, it seems our ranks are certainly growing, and in the analog direction. For the first time since 1987, vinyl record sales have outperformed CD sales in the US, according to a new report. The CD, which saved us all from the cassette, was a digital revolution in music. But for some, the love was lost somewhere among the ones and zeroes.

Those who prefer pure analog troughs of sound cut into wax have never given up on vinyl, and the real ones probably gobbled up a bunch of it in the 90s when everybody was CD-crazy. But mind you these aren’t used vinyl sales we’re talking about, which means that enough new vinyl has to have been readily available for purchase for quite some time now. Although it doesn’t really seem like that long, new vinyl’s been back for almost 20 years — and according to the report, 2022 was the 16th consecutive year of growth for record sales.

So Why Vinyl?

Nostalgia ain’t what it used to be, but there was a time in my 1980s childhood when vinyl was all this scribe had to listen to. I have historically been a bit slow to adopt new music formats — I didn’t have a CD player until 1998, and it was given to me for my birthday. I was excited to get the thing, mind you, especially since it had 10 seconds of anti-skip protection (which of course was a huge concern with portable CD players).

But CDs are way different from records. Sure, they’re both round, but the similarities sort of end there. For one thing, the artwork is disappointingly small compared to vinyl. And the whole gatefold album cover thing isn’t really possible with a CD, unless you forego the jewel case and release it in a chintzy little cardboard jacket. But then people will have this one disc that’s four times thinner than the rest and it throws everything off in the collection.

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Tiny PCB PiezoPiano Plays Just One Octave

March 19, 2023 by 11 Comments

Grand pianos are beautiful instruments, but take up altogether too much space. Upright pianos are smaller, but still fairly hefty. When it comes to the PiezoPiano, though, we suspect nobody could complain about its diminutive size. It’s a tiny thing with just one buzzy little octave for your playing pleasure.

The PiezoPiano is a single PCB device with a ATmega4809 running the show. It has eight buttons and eight piezo transducers that give you just one octave’s range on the keyboard. Truth be told, that’s only in one scale; you’re not getting the whole twelve tones of flats and sharps included. And, when we say keyboard, we really mean “tactile buttons.” You get the drift. It’s all assembled in a cute enclosure mimicking the shape of a real grand piano.

Fundamentally, it’s a cute little musical desktoy that reminds us greatly of the Stylophone. Impressively, though, those eight buzzers mean it has eight-note polyphony. That’s nothing to sniff at compared to all the monophonic synths out there. It’s also available on Tindie if you’d like to buy a kit off the shelf. Video after the break.

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