Polyphony On A Tiny Scale

May 9, 2021 by Jenny List 4 Comments

Older readers may remember the Stylophone, a small battery powered electric organ using conductive PCB pads and a stylus to create notes. The simple multivibrators in those instruments made them monophonic, but here in 2021 we can do better than that! [Sjm4306] has gone the extra mile with a PCB organ, by making a capacitive-touch instrument that boasts four-note polyphony.

At its heart is an ATmega328p whose software sports four tone generators that each emerge on a different pin. These are summed using a set of 100 Ω resistors and fed to a tiny speaker. Power comes from a CR2032 lithium cell, and he notes that a higher voltage delivers more volume.

The full story is detailed in the video below the break, along with a bit of four-note polyphonic action. We’re guessing that this instrument would sound sensational when hooked up to a reverb unit.

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Auto Strummer Can Plectrum The Whole Flat-Strumming Spectrum

May 7, 2021 by Kristina Panos 3 Comments

Playing the guitar requires speed, strength, and dexterity in both hands. Depending on your mobility level, rocking out with your axe might be impossible unless you could somehow hold down the strings and have a robot do the strumming for you.

[Jacob Stambaugh]’s Auto Strummer uses six lighted buttons to tell the hidden internal pick which string(s) to strum, which it does with the help of an Arduino Pro Mini and a stepper motor. If two or more buttons are pressed, all the strings between the outermost pair selected will be strummed. That little golden knob near the top is a pot that controls the strumming tempo.

[Jacob]’s impressive 3D-printed enclosure attaches to the guitar with a pair of spring-loaded clamps that grasp the edge of the sound hole. But don’t fret — there’s plenty of foam padding under every point that touches the soundboard.

We were worried that the enclosure would block or muffle the sound, even though it sits about an inch above the hole. But as you can hear in the video after the break, that doesn’t seem to be the case — it sounds fantastic.

Never touched a real guitar, but love to play Guitar Hero? There’s a robot for that, too.

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Building A Robotic Band To Make Up For Lack Of Practice

May 6, 2021 by Danie Conradie 6 Comments

Learning to play a musical instrument well requires a significant time investment. [Ivan Miranda] had dreamt of doing this but made peace with the fact that his talents and motivation lay in building machines. However, he has decided to play to his strengths and is building a robotic band. See the videos after the break.

So far he has mechanized a hi-hat, snare drum, and a very basic guitar. The guitar is nothing more than a single string stretched across an aluminum frame, with an electronic pickup. Most of the work has gone into the solenoid-driven picking mechanism. He wanted to avoid picking the string when the solenoid is turned of, so he created a simple little mechanism that only comes in contact with the string when it’s moving in one direction. A bistable solenoid might be a simpler option here.

For the high hat, [Ivan] built a custom stand with two bistable solenoids to lift and drop the top cymbal. A solenoid-driven drumstick was also added. The snare drum uses a similar mechanism, but with a larger solenoid. So far he hasn’t really worked on a control system, focusing mainly on electronics.

[Ivan] points out several times that he has knows very little about making music, but we do enjoy watching him explore and experiment with this new world. Usually, his projects involve a lot more 3D printing, like when he built a giant nerf bazooka or a massive 3D printed tank. Continue reading “Building A Robotic Band To Make Up For Lack Of Practice” →

RCA Plug Plays Sixteen-Minute Chiptune Piece, All By Itself

May 5, 2021 by Dan Maloney 12 Comments

Frequenters of arcades back in the golden age of video games will likely recall the mix of sounds coming from a properly full arcade, the kind where you stacked your quarters on a machine to stake your claim on being next in line to play. They were raucous places, filled with the simple but compelling sounds that accompanied the phosphor and silicon magic unfolding all around.

The days of such simple soundtracks may be gone, but they’re certainly not forgotten, with this chiptunes generator built into an RCA plug being both an homage to the genre and a wonderful example of optimization and miniaturization. It’s the work of [girst] and it came to life as an attempt to implement [Rob Miles]’ Bitshift Variations in C Minor algorithmically generated chiptunes composition in hardware. For the first attempt, [girst] chose an ATtiny4 as the microcontroller, put it and the SMD components needed for a low-pass filter on a flex PCB, and wrapped the whole thing around a button cell battery. Stuffed into the shell of an RCA plug, the generator detects when it has been inserted into an audio input jack and starts the 16-minute piece. [girst] built a second version, too, using the Padauk PSM150c “Three-Cent Microcontroller” chip.

This is quite an achievement in chiptunes minimization. We’ve seen chiptunes in 32 bytes, Altoids tin chiptunes, and an EP on a postage-stamp-sized PCB, but this one might beat them all on size alone.

Continue reading “RCA Plug Plays Sixteen-Minute Chiptune Piece, All By Itself” →

Synth Gains Plug And Play Analog MUX

May 4, 2021 by Chris Lott 3 Comments

High school computer engineering teacher [Andy Birch] kept losing track of I/O pins on his home-built synth, so he made a custom plug and play addressable MUX system to solve the problem. [Andy]’s synth is based on the Teensy microcontroller, and he was already using CMOS analog 8:1 multiplexer chips (CD4051) to give him more I/O pins. But I/O pin expansion means that now there are more I/O pins to forget. Did I hook up that pitch potentiometer on U3 pin 13 or was it U10 pin 2?

He proceeds to design an addressing system for each I/O card using three bits (expandable to four) supporting eight cards, with a maximum of 16 possible in the future. Since each card may not use all eight signals, each card can tell the Teensy how many signals it has. [Andy] does his address decoding on each card using OR and XOR gates. We would have considered using a single 74HC85 four-bit magnitude comparator instead. That would require only one chip instead of two, but would deprive his students of the opportunity to learn gate level address decoding.

When seeing the term “I/O card”, you may be fooled like we were into thinking this was using PCBs and some kind of motherboard. [Andy]’s I/O cards are actually solderless breadboards mounted on the back of the synth control panel. We really like his bus technique — he removes the power strip sections from several breadboards and repurposes them as address and data buses. Check out the thorough documentation that [Andy] has prepared, and let us know if you have ever designed your own plug and play method for a project in the comments below.

[Ed Note: We love us some muxes!]

I/O Cards — Note the use of Power Strip Bars as Data / Address Buses

Ferrofluid Dances In Custom Bluetooth Speaker

April 21, 2021 by Bryan Cockfield 12 Comments

Ferrofluids, as the name implies, are liquids that respond to magnetic fields. They were originally developed for use by NASA as rocket fuel but are available to the general public now for anyone who wants to enjoy their unique properties. For [Dakd Jung], that meant building a special chamber into a Bluetooth speaker that causes the ferrofluid inside to dance along with the rhythm of the music.

This project isn’t quite as simple as pushing the ferrofluid container against a speaker, though. A special electromagnetic device similar to a speaker was used specifically to manipulate the fluid, using a MSGEQ7 equalizer to provide the device with only a specific range of frequencies best tailored for the fluid’s movement. The project includes two speakers for playing the actual music that point upward, and everything is housed inside of a 3D-printed case. There were some additional hurdles to overcome as well, like learning that the glass needed a special treatment to keep the ferrofluid from sticking to it.

All in all it’s a unique project that not only brings sound to a room but a pleasing physical visualization as well. Being able to listen to music or podcasts on a portable speaker, rather than the tinny internal speakers of a phone or laptop, is the sort of thing you think you can live without until you get used to having higher quality sound easily and in every place you go. And, if there’s a way to improve on that small but crucial foundation with something like a dancing ferrofluid that moves with the music the speaker is playing, then we’re going to embrace that as well.

Music Production Studio In A Box

April 5, 2021 by Stephen Ogier 5 Comments

[Emil Smith] is an electronic music producer in the Greater London area. He spent a lot of time commuting in and out of central London, so he decided to put together COVERT-19, a portable music production studio. After making a couple of prototypes, [Emil] settled on what he needed from his portable studio: a sampler, a sequencer, a synthesizer, a mixer, and a way to record his work.

[Emil] didn’t overlook any details with his mechanical design. Taking the beautiful London weather into account, he designed a laser-cut plywood case that has a neoprene foam gasket to keep water out when closed and put all of the inputs and outputs on the interior of the case. Inside the case, he opted for machine screws with threaded inserts so he could disassemble and reassemble his creation as often as he liked, and he included gas springs to keep the studio open while he’s making music. [Emil] even thought to include ventilation slots to keep the built-in PC cool!

A portable studio is useless without a power supply, so [Emil] taught himself some circuit theory and bought his first soldering iron in order to create the custom power delivery system. Power is supplied by a battery of twelve 18650 cells with switching converters to supply the three different voltages his studio needs. Even with all of his music-making gear, he manages to get about four hours of battery life!

The music-making gear consists of a sequencer and synthesizer as well as a touch-screen NUC PC running Xubuntu. The built-in PC runs software that allows him to mix the audio, apply extra effects, record his creations, and save his patches when he’s done working. The system even has an extra MIDI output and audio input to allow it to incorporate an external synthesizer.

If you’re interested in getting started with MIDI synthesizers, but you’re more interested in building than buying, check out the KELPIE.