[Fearless Night]’s slick dual hourglass doesn’t just simulate sand with LEDs, it also emulates the effects of gravity on those simulated particles and offers a few different mode options.
The unit uses an Arduino (with ATMEGA328P) and an MPU-6050 accelerometer breakout board to sense orientation and movement, and the rest is just a matter of software. Both the Arduino and the MPU-6050 board are readily available and not particularly expensive, and the LED matrix displays are just 8×8 arrays of red/green LEDs, each driven by a HT16K33 LED controller IC.
The enclosure and stand are both 3D-printed, and a PCB not only mounts the components but also serves as a top cover, with the silkscreen layer of the PCB making for some handy labels. It’s a clever way to make the PCB pull double-duty, which is a technique [Fearless Night] also used on their earlier optical theremin design.
Those looking to make one of their own will find all the design files and source code handily available from the project page. It might not be able to tell time in the classical sense, but seeing the hourglass displays react to the device’s orientation is a really neat effect.
In Banksy’s book, Wall and Piece, there is a very interesting quote; “Imagine a city where graffiti wasn’t illegal, a city where everybody could draw whatever they liked…”. This sounds like it would be a very exciting city to live in, except for those of us who do not have an artistic bone in their body. Luckily, [Niklas Roy] has come up with the solution to this problem; the Graffomat, a spray can plotter.
The Graffomat is, in its creator’s own words, a “quick and dirty graffiti plotter.” It is constructed primarily from wood and driven by recycled cordless drills that pulls string pulleys to move the gantry. The Arduino Nano at the heart of the Graffomat can be controlled by sending coordinates over serial. This allows for the connection of an SD card reader to drip-feed the machine, or a computer to enable real-time local or over-the-internet control.
We are especially impressed with how [Niklas] handled positional tracking. The cordless drills were certainly not repeatable like a stepper motor, as to allow for open-loop control. Therefore, the position of the gantry and head needed to be actively tracked. To achieve this, the axes are covered with black and white striped encoder strips, that is then read by a pair of phototransistors as the machine moves along. These can then be paired with the homing switches in the top left corner to determine absolute position.
For anyone playing the stock market, and perhaps even more so for those investing in cryptocurrencies, watching the value of your portfolio go up and down can be a stressful experience. If you’d like to have a real-time display of your investments that adds even more stress, [Luis Marx] has got you covered. His latest project is a plexiglass case (video in German) that fills up with banknotes when your portfolio is up, and shreds those same notes when it’s down.
Inspired by an infamous Banksy artwork, [Luis] began by building a wood-and-plexiglass display case suitable for hanging on the wall in his office. He then installed a small paper shredder, modified with a servo so that it could be operated by an Arduino. Unable to find an off-the-shelf banknote dispenser, he designed and 3D-printed one, consisting of a spring-loaded tray and a motor-driven wheel.
The project also includes a Raspberry Pi, programmed to fetch market data from online sources and calculate the net profit or loss of [Luis]’s portfolio. The resulting system is a rather disturbing visualization of the ups and downs of the market: having to sweep strips of green paper off your floor adds insult to the pain of losing money.
If you want a less painful way to keep track of your investments, try this Rocketship. For those interested in traditional stock tickers, this ESP32 based one might be more to your liking.
If you look around your desk right now, odds are you’ll see a 7-segment display or two showing you some vital information like the time or today’s weather. But think of how much information you could see with over 1,100 digits, like with [Chris Combs’] 7200-segment display.
For [Chris], this project started the same way that many of our projects start; finding components that were too good of a deal to pass up on. For just “a song or two plus shipping”, he was the proud owner of two boxes of 18:88 7-segment displays, 500 modules in total. Rather than sitting and using up precious shelf space, [Chris] decided to turn them into something fancy he could hang on the wall.
The IS31FL3733 can produce 8 levels of dimming 8-bit PWM, allowing [Chris] to display in grayscaleThe first challenge was trying to somehow get a signal to all of the individual segments. Solutions exist for running a handful of displays in one device, but there are certainly no off-the-shelf solutions for this many. Even the possible 16 addresses of the IS31FL3733 driver IC [Chris] chose for this project were not enough, so he had to get creative. Fearing potential capacitance issues with simply using an i2C multiplexer, he instead opted to run 3 different i2C busses off of a Raspberry Pi 4, to interface with all 48 controllers.
The second challenge was how to actually wire everything up. The finished display comes out to 26 inches across by 20.5 inches tall, much too large for a single PCB. Instead, [Chris] opted to design a series of self-contained panels, each with 6 of the display modules and an IS31FL3733 to drive them. While the multiplexing arrangement did leave space for more segments on each panel, he opted to go for this arrangement as it resulted in a nice, clean, 4:3 aspect ratio for the final display.
The end result was a unique and beautiful piece, which Chris titled “One-to-Many”. He uses it to display imagery and art related to the inevitability of automation, machines replacing humans, and other “nice heartwarming stuff like that”, as he puts it. There’a video after the break, but if you are interested in seeing the display for yourself, it will be on display at the VisArt’s Concourse Gallery in Rockville, MD from September 3 to October 17, 2021. More info on [Chris’s] website.
With the world opening up again, [Niklas Roy] and [Kati Hyyppä] have been busy making a public and collaborative project. Meet the Vektor Kollektor, a portable drawing machine experience, complete with a chip-tune soundtrack. It’s great to see public art meet the maker community with zero pretension and a whole lot of fun!
The build started with an HP7475A pen plotter from the 80s, one that was DOA (or was fried during initial testing). [Niklas] and [Kati] kept the mechanism but rebuilt the controls allowing for easy integration with an Arduino Nano and to be powered with a motorcycle battery.
The magic seems to be less in the junk-bin build (which is great) and more in the way this team extended the project. Using a joystick with arcade buttons as an input, they carted Vektor Kollektor to public parks and streets where they invited others to make art. The Kollekted drawings are available on a gallery website in a very cool animated form, freely available for download, on t-shirts, 3D prints, and on coffee mugs because, why not?
Some select drawings are even spray-painted on walls using a large plotter, and we really hope [Niklas Roy] and [Kati Hyyppä] share details on that build soon. Of course this comes hot on the heels of the workshop window cyborg we saw from these two hardware artists.
The philosophical question of “What is art?” has an ethereal, transient quality to it. A definition seems to slip away as you get close to an answer. Embracing that quality, [Max Fischer] has created an AI-powered painting that paints a new piece of art at the push of a button. When the button below the screen is pushed, a new image is generated and the old one is forever lost, which in a way, makes the frame a piece of art itself.
The really makes this project stand is the sheer quality of documentation on the GitHub repo. The instructions are incredibly detailed. Everything from setting up the Jetson to building the control box out of half-inch MDF (12mm for the sane part of the world) is laid out with copious pictures. Despite the ease of generating images ahead of time, [Max] took the hard route Hackaday route and did all inference locally and in real-time. To handle the processing requirements, an Nvidia Jetson Xavier NX single-board computer was used. He trained StyleGAN with high-resolution abstract art that gets generated whenever the button below the screen is pushed. To prevent screen burn-in, a PIR was added to turn the screen off when no one is around.
For all their detail, [Max] did leave one thing out of the readme: the AI that generates the art. [Max] hints that he wants others to create their picture frames, but with their own art generation. So what are you waiting for? Go make some art.
The ESP32 has enabled an uncountable number of small electronics projects and even some commercial products, thanks to its small size, low price point, and wireless capabilities. Plenty of remote sensors, lighting setups, and even home automation projects now run on this small faithful chip. But being relegated to an electronics enclosure controlling a small electrical setup isn’t all that these tiny chips can do as [Eirik Brandal] shows us with this unique piece of audio and visual art.
The project is essentially a small, automated synthesizer that has a series of arrays programmed into it that correspond to various musical scales. Any of these can be selected for the instrument to play through. The notes of the scale are shuffled through with some random variations, allowing for a completely automated musical instrument. The musical generation is entirely analog as well, created by some oscillators, amplifiers, and other filtering and effects. The ESP32 also controls a lighting sculpture that illuminates a series of LEDs as the music plays.
The art installation itself creates quite haunting, mesmerizing tunes that are illustrated in the video linked after the break. While it’s not quite to the realm of artificial intelligence since it uses pre-programmed patterns with some randomness mixed in, it does give us hints of some other projects that have used AI in order to compose new music.
