Don’t Ignore The Artist’s Supply Store

May 10, 2016 by Gerrit Coetzee 49 Comments

So it’s Saturday morning and you’ve found yourself with an urge to build something involving copper plates or carbon electrodes. Maybe you need a metallic powder for a chemistry experiment. Casting supplies? Pure lead? Copper mesh? Silver wire? Odd tools? Exceedingly caustic etchants? There’s a store that sells it all, and it’s not usually frequented by hackers: the art store.

If you know where to look, the store is full of useful things. Each method of expression in art has its own set of supplies; a bountiful collection of various processes and the useful things therein. I grew up in a city that did not have a real art supply store. It had one of those big box craft stores that assault you with glittery plasticized flowers and terrible manufactured scents. When I moved to a different city and walked over to the local art supply to purchase some new pens I ended up staying for a few hours just looking at all the cool things they had for sale.

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3D Printer Prints Sound

May 8, 2016 by Al Williams 18 Comments

People like music, but they are also visual creatures. Perhaps that’s why music visualization is such a common project. Usually, you think of music visualization as using LEDs or a computer screen. However, [Gieeel] did his music visualization using a 3D printer.

Sure, the visualization is a little static compared to LEDs, but it does make an interesting conversation piece. The actual process isn’t very difficult, once you have the idea. [Gieeel] captured the waveform in Audacity, did a screen capture, and then converts the image to an SVG file using Inkscape.

From there, you can use many different CAD tools to convert the image into a 3D object. [Gieeel] used Autodesk Fusion 360 and had the resulting object professionally 3D printed.

We’ve seen other kinds of sound sculptures before. Of course, we’ve also seen a lot of traditional visualizations, as well.

Circuit Bender Artist Bends Fresnel Lens For Art

April 26, 2016 by Anool Mahidharia 6 Comments

Give some mundane, old gear to an artist with a liking for technology, and he can turn it into a mesmerizing piece of art. [dmitry] created “red, an optic-sound electronic object” which uses simple light sources and optical elements to create an audio-visual performance installation. The project was the result of his collaboration with the Prometheus Special Design Bureau in Kazan, Russia. The inspiration for this project was Crystall, a reconstruction of an earlier project dating back to 1966. The idea behind “red” was to recreate the ideas and concepts from the 60’s ~ 80’s using modern solutions and materials.

The main part of the art installation consists of a ruby red crystal glass and a large piece of flexible Fresnel lens, positioned in front of a bright LED light source. The light source, the crystal and the Fresnel lens all move linearly, constantly changing the optical properties of the system. A pair of servos flexes and distorts the Fresnel lens while another one flips the crystal glass. A lot of recycled materials were used for the actuators – CD-ROM drive, an old scanner mechanism and old electric motors. Its got a Raspberry-Pi running Pure Data and Python scripts, with an Arduino connected to the sensors and actuators. The sensors define the position of various mechanical elements in relation to the range of their movement. There’s a couple of big speakers, which means there’s a beefy amplifier thrown in too. The sounds are correlated to the movement of the various elements, the intensity of the light and probably the color. There’s two mechanical paddle levers hanging in there, if you folks want to hazard some guesses on what they do.

Check out some of [dmitry]’s earlier works which we featured. Here’s him Spinning a Pyrite Record for Art, and making Art from Brainwaves, Antifreeze, and Ferrofluid.

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Sophi Kravitz Talks The Tech Behind Art

April 25, 2016 by Elliot Williams 6 Comments

Hackaday’s own mythical beast, Sophi Kravitz makes some amazing collaborative tech-art pieces. In this talk, she walks us through four of the art projects that she’s been working on lately, and gives us a glimpse behind the scenes into the technical side of what it takes to see an installation from idea, to prototype, and onto completion.

Watch Sophi’s talk from the Hackaday | Belgrade conference and then join us after the jump for a few more details.

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Bela: Real-Time BeagleBone Audio/Analog Cape

April 13, 2016 by Elliot Williams 16 Comments

Bela is a cape for the BeagleBone Black that’s aimed at artists and musicians. Actually, the cape is much less than half of the story — the rest is in some clever software and a real-time Linux distribution. But we’re getting ahead of ourselves. Let’s talk hardware first.

First off, the cape has stereo input and output as well as two amplified speaker outs. It can do all of your audio stuff. It also has two banks of analogue inputs and outputs, each capable of handling eight signals. In our opinion, this is where the Bela is cool. In particular, the analog outputs are not Arduino-style “analog outputs” where it’s actually a digital output on which you can do PWM to fake an analog signal. These are eight 16-bit outputs from an AD5668 DAC which means that you can use the voltages directly, without filtering.

Then there’s the real trick. All of these input and output peripherals are hooked up to the BeagleBone’s Programmable Realtime Units (PRUs) — a hardware subsystem that’s independent of the CPU but can work along with it. The PRU is interfaced with the real-time Linux core to give you sub-microsecond response in your application. This is a big deal because a lot of other audio-processing systems have latencies that get into the tens of milliseconds or worse, where it starts to be perceptible as a slight lag by humans.

The downside of this custom analog and audio I/O is that it’s not yet supported by kernel drivers, and you’ll need to use their “Heavy Audio Tools” which compiles Pd programs into C code, which can then drive the PRUs. Of course, you can write directly for the PRUs yourself as well. If you just want to play MP3s, get something you have a bunch of simpler, better options. If you need to do responsive real-time audio installations, Bela is a way to go.

The project is open-source, but we had to do a bunch of digging to find what we were looking for. The hardware is in zip files here, and you’ll find the software here. The demo projects look/sound pretty cool and their Kickstarter is long over-funded, so we’re interested to see what folks make with these.

Frackers: Inside The Mind Of The Junk Hacker

February 25, 2016 by Elliot Williams 116 Comments

Hackers can be a diverse bunch. My old hackerspace had folks ranging from NSA employees (ahem, independent security contractors) to space-probe pilots to anarchist vegan punks. And we all got along because we shared a common love for what we’re doing. One summer night we were out late in Adams Morgan and my vegan-punk friend reaches into the trash can and pulls out a discarded pepperoni Jumbo Slice.

“Wait a minute! Vegans don’t eat pepperoni pizza with cheese.” But my friend was a “freegan” — a vegan who, for ethical reasons, won’t buy meat or milk but who also won’t turn it down if it’s visibly going to waste. It’s actually quite a practical and principled moral proposal if you think about it: he’s not contributing to the use of animals that he opposes, but he gets to have a slice of pizza just the same. And fishing a slice of pizza, in a cardboard container, off the top of the trashcan isn’t as gross as you’d imagine, although it pays to be picky.

A Fracker is Born

That was the night that we realized we all had something deeper in common: we were all “frackers”. If you’ve been around hackers long enough, you’ll have noticed this tendency, but maybe you’ve never put a name to it. Tearing something apart, even if you might break it in the process, isn’t a problem if you fished it out of the e-waste stream to begin with. If you’re able to turn it into something, so much the better. It’s all upside. Need practice de-soldering tricky ICs? Looking for a cheap target to learn reverse engineering on? Off to the trashcan! No hack is too dirty, no method too barbaric. It’s already junk, and you’re a fracker.

Do you have a junk shelf where you keep old heatsinks in case you need to cut some up and use it? Have you used a heat gun more frequently for harvesting parts than for stripping paint? Do you know that certain satisfaction that you get from pulling some old tech out of the junk pile and either fixing it up again or, better yet, making it do something else? You might just be a fracker too.

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NES Light Gun Turned (Video) Synthesizer

February 25, 2016 by Elliot Williams 7 Comments

[Russell Kramer] made our day today. We’re tremendous fans of minimalism in electronics design, dirty noise hacks, and that old NES light gun. He’s posted up a project that combines all three to make a light-gun controlled, VGA video display that makes bleepy-bloopy noises to boot. Check out the video below!

To appreciate this hack, you really need to read through the project logs in detail. Start with the VGA signal creation, for instance. The easiest way to go these days is to throw a microcontroller at the problem. But because he’s done that to death, [Russell] takes a step back thirty years and generates the sync pulses periodically with a relaxation oscillator and a binary counter IC. The rest of the build follows this aesthetic choice: everything is op amps and CMOS logic. The rainbow effect, for instance, is created from the audio signal through a three-stage, 120-degree phase-shift oscillator sent to the R, G, and B channels. Kudos!

The high-level overview is that the light intensity and position hitting the gun’s sensor is converted into a voltage that drives an audio-frequency oscillator. This audio output is then piped back into the video generator. Watching the video, it’s obvious that pointing the gun at different parts of the screen changes the pitch, but playing a given pitch is nearly impossible on this thing with all the feedback going on. [Russell] added a bit of more control into the system — when the gun’s trigger is pulled, it registers full-brightness regardless of the video input — but even so, we’d be hard-pressed to play “Mary Had a Little Lamb”.

But that’s not the point. The point is awesome, light-gun-waving noisy madness set to a responsive colorful video background. And that’s been achieved in spades!

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