microphone

100 Articles

Pico-Sized Ham Radio

January 10, 2024 by 18 Comments

There are plenty of hobbies around with huge price tags, and ham radio can certainly be one of them. Experienced hams might have radios that cost thousands of dollars, with huge, steerable antennas on masts that can be similarly priced. But there’s also a side to the hobby that throws all of this out of the window in favor of the simplest, lowest-cost radios and antennas that still can get the job done. Software-defined radio (SDR) turned this practice up to 11 as well, and this radio module uses almost nothing more than a microcontroller to get on the air.

The design uses the capabilities of the Raspberry Pi Pico to handle almost all of the radio’s capabilities. The RF oscillator is driven by one of the Pico’s programmable I/O (PIO) pins, which takes some load off of the processor. For AM and SSB, where amplitude needs to be controlled as well, a PWM signal is generated on another PIO which is then mixed with the RF oscillator using an analog multiplexer. The design also includes a microphone with a preamplifier which can be fed into a third PIO; alternatively it can receive audio from a computer via the USB interface. More processor resources are needed when generating phase-modulated signals like RF, but the Pico is still quite capable of doing all of these tasks without jitter larger than a clock cycle.

Of course this only outputs a signal with a few milliwatts of power, so for making any useful radio contacts with this circuit an amplifier is almost certainly needed. With the heavy lifting done by the Pico, though, the amplifier doesn’t need to be complicated or expensive. While the design is simple and low-cost, it’s not the simplest radio possible. This transmitter sends out radio waves using only a single transistor but you will be limited to Morse code only.

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Up Close And Personal With A MEMS Microphone

December 20, 2023 by 14 Comments

If you’ve ever wondered what lies beneath the barely visible hole in the can of a MEMS microphone, you’re in luck, because [Zach Tong] has a $10 pair of earbuds to sacrifice for the cause and an electron microscope.

For the uninitiated, MEMS stands for microelectromechanical systems, the tiny silicon machines that power some of the more miraculous functions of smartphones and other modern electronics. The most familiar MEMS device might be the accelerometer that gives your phone a sense of where it is in space; [Zach] has a deep dive into MEMS accelerometers that we covered a while back.

MEMS microphones seem a little bit easier to understand mechanically, since all they have to do is change vibrations in air into an electrical signal. The microphone that [Zach] tore down for this video is ridiculously small; the SMD device is only about 3 mm long, with the MEMS chip under the can a fraction of a millimeter on a side. After some overall views with the optical microscope, [Zach] opened the can and put the guts under his scanning electron microscope. The SEM shots are pretty amazing, revealing a dimpled silicon diaphragm over a second layer with holes etched right through it. The dimples on the diaphragm nest into the holes, forming an air-dielectric capacitor whose capacitance varies as sound waves vibrate the diaphragm.

The most visually interesting feature, though, might be the deep cavity lying behind the two upper surfaces. The cavity, which [Zach] says bears evidence of having been etched by the deep reactive ion etching method, has cool-looking corrugations in its walls. The enormity of the cavity relative to the thin layers covering it suggests it’s a resonating cavity for the sound waves.

Thanks to [Zach] for this in-depth look at a device that’s amazingly complex yet remarkably simple.

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It’s A Microphone And A Spring Reverb All In One

December 15, 2023 by 8 Comments

We’re so used to reverb effects being simply another software plugin that it’s easy to forget the electromechanical roots of the effect. Decades ago, a reverb would have been a metal spring fed at one end with a speaker and attached at the other to a microphone. You may not see them often in the 2020s, which is probably why [Ham-made] has produced one. It’s not the type with a speaker providing the sound, though. Instead, this is a microphone in its own right with a built-in spring line.

Perhaps it’s not the best microphone possible, with a somewhat heavy diaphragm and 3D printed body. But the hand-wound spring transmits the sound down to a piezo disk which serves as the electrical element, and the whole thing screws together into quite the usable unit. There are a selection of sample MP3 files that provide an interesting set of effect-laden sounds, so if you fancy building one yourself, you can judge the results.

We think this may be the first reverb microphone we’ve seen, but we’re certainly no stranger to reverb projects. More common by far, though, are plate reverbs, in which the physical element in the system is a metal plate rather than a spring. We like it when the sound source is a Commodore 64.

Noise Cancelling Isn’t As Easy As You’d Think

November 28, 2023 by 14 Comments

On the face of it, producing a set of noise cancelling headphones should be a relatively straightforward project. But as [Pete Lewis] found out, things are not always as they seem. The result is a deep dive into microphone specifications, through which most of us could probably learn something.

Noise cancelling headphones have a set of microphones which provide anti-phase noise through an amplifier to the ‘phones, thus in theory cancelling out the external noise. Since [Pete] is a musician this pair would have to be capable of operating at high noise levels, so he checked the spec for his microphone and with an acoustic overload point at 124 dB for a 115 environment he was ready to go.

Unfortunately these ‘phones showed distortion, which brings us back to the acoustic overload point. This is the sound level at which the microphone has 10% distortion, which is a very high figure, and certainly meant there was enough distortion to be audible at the lower level. After a search for a higher spec microphone and a move to a digital codec-based solution with an ESP32 he eventually cracks it though, leading to an inexpensive set of noise cancelling headphones for high-noise environments.

If distortion interests you, it’s a subject we’ve visited in the past.

Header image: fir0002, GFDL 1.2.

Low-Cost Electret Microphone Preamplifiers

October 16, 2023 by 8 Comments

Before the invention of microelectromechanical system (MEMS) microphones, almost all microphones in cell phones and other electronics were a type of condenser microphone called the electret microphone. The fact that this type of microphone is cheap and easy enough to place into consumer electronics doesn’t mean they’re all low quality, though. Electret microphones can have a number of qualities that make them desirable for use recording speech or music, so if you have a struggling artist friend like [fvfilippetti] has who needs an inexpensive way to bring one to life, take a look at this electret microphone pre-amp.

The main goal of the project is to enhance the performance of these microphones specifically in high sound pressure level (SPL) scenarios. In these situations issues of saturation and distortion often occur. The preampl design incorporates feedback loops and an AD797 opamp to reduce distortion, increase gain, and maintain low noise levels. It also includes an output voltage limiter using diodes to protect against input overload and can adjust gain. The circuit’s topology is designed to minimize distortion, particularly in these high SPL situations.

Real-world testing of the preamp confirms its ability to handle high SPL and deliver low distortion, making it a cost-effective solution for improving the performance of electret microphones like these. If you want to go even deeper into the weeds of designing and building electret microphones and their supporting circuitry, take a look at this build which discusses some other design considerations for these types of devices.

Just What Is Tone, In A Microphone?

October 5, 2023 by 23 Comments

As long-time Hackaday readers will know, there is much rubbish spouted in the world of audio about perceived tone and performance of different hi-fi components. Usually this comes from audiophiles with, we’d dare to suggest, more money than sense. But oddly there’s an arena in which the elusive tone has less of the rubbish about it and it in fact, quite important. [Jim Lill] is a musician, and like all musicians he knows that different combinations of microphones impart a different sound to the recording. But as it’s such a difficult property to quantify, he’s set out to learn all he can about where the tone comes from in a microphone.

He’s coming to this from the viewpoint of a musician rather than an engineer, but his methodology is not diminished by this. He’s putting each mic on test in front of the same speaker at the same position, and playing a standard piece of music and a tone sweep through each. He doesn’t have an audio analyser, reference speaker and microphone, or anechoic chamber, so he’s come up with a real-world standard instead. He’s comparing every mic he can find with a Shure SM57, the go-to general purpose standard in the world of microphones for as long as anyone can remember, being a 1960s development of their earlier Unidyne series. His reasoning is that while its response is not flat the sound of the SM57 is what most people are used to hearing from a microphone, so it makes sense to measure the others against its performance.

Along the way he tests a huge number of microphones including famous and expensive ones from exclusive studios and finally one he made himself by mounting a cartridge atop a soda can. You’ll have to watch the video below the break for his conclusions, we can promise it’s worth it.

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Robotic Mic Swarm Helps Pull Voices Out Of Crowded Room Of Multiple Speakers

October 4, 2023 by 27 Comments

One of the persistent challenges in audio technology has been distinguishing individual voices in a room full of chatter. In virtual meeting settings, the moderator can simply hit the mute button to focus on a single speaker. When there’s multiple people making noise in the same room, though, there’s no easy way to isolate a desired voice from the rest. But what if we ‘mute’ out these other boisterous talkers with technology?

Enter the University of Washington’s research team, who have developed a groundbreaking method to address this very challenge. Their innovation? A smart speaker equipped with self-deploying microphones that can zone in on individual speech patterns and locations, thanks to some clever algorithms.

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