Digital To Analog In The Darkroom

As the world becomes more and more digital, there are still a few holdouts from the analog world we’ve left behind. Vinyl records are making quite the comeback, and film photography is still hanging on as well. While records and a turntable have a low barrier for entry, photography is a little more involved, especially when developing the film. But with the right kind of equipment you can bridge the gap from digital to analog with a darkroom setup that takes digital photographs and converts them to analog prints.

The project’s creator, [Muth], has been working on this project since he found a 4K monochrome display. These displays are often used in resin 3D printers, but he thought he could put them to use developing photographs. This is much different from traditional darkroom methods, though. The monochrome display is put into contact with photo-sensitive paper, and then exposed to light. Black pixels will block the light while white pixels allow it through, creating a digital-to-analog negative of sorts. With some calibration done to know exactly how long to expose each “pixel” of the paper, the device can create black-and-white analog images from a digital photograph.

[Muth] notes that this method isn’t quite as good as professional print, but we wouldn’t expect it to be. It creates excellent black-and-white prints with a unique method that we think generates striking results. The 4K displays needed to reproduce this method aren’t too hard to find, either, so it’s fairly accessible to those willing to build a small darkroom to experiment. For those willing to go further, take a look at some other darkroom builds we’ve seen in the past.

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Omnibot Shows Off Over A Decade Of CNC Prowess

At first glance, you might think the Omnibot v3 wasn’t anything more than a basic 3D printed robotics platform, but you’d be wrong on both counts. There’s actually no 3D printed parts on the build, and while you could describe the platform as simplistic, calling it basic certainly doesn’t do the clever design justice. In the video after the break, creator [Michal] takes us through the process of designing and building this high quality bot.

The build starts with huge amounts of time and effort in a CAD program designing the Omnibot v3 with its four wheel steering and ability to do fancy things like spin in place. With the CAD and 3D renders out of the way, the process of transforming the digital into the physical began with a CNC router.

Rather than routing the individual components out of a suitable material, [Michal] cut forms. Those forms were made only for the creation of silicone molds. Those silicon molds where then used to pour the actual parts with polyurethane resin. It is these resin parts that make up the actual Omnibot v3, which is manually demonstrated at the end of the video.

All in all, it’s a neat project with a neat process. If we were to stop here, things would be mostly complete and you’d click on to the next great Hackaday article. But there’s more to be had here. You see, [Michal] is also fellow behind the Guerrilla guide to CNC and resin casting. In his own words: “CNC machining and resin casting are an underappreciated method for producing engineering-grade parts, but the process is fast, predictable, and garage-friendly.” After seeing the results, we can’t help but to agree.

By the way, before anybody in the comments can yell “DUPE!”, we already know. You see, we featured the Guerrilla guide to CNC and resin casting once before, almost exactly 11.5 years agoIt’s been updated since then, and appears to be an absolute gold mine of information for anybody wanting to walk in [Michal]’s shoes.

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Layer Line Removal Putty Reviewed

[Teaching Tech] is not alone in hating layer lines in 3D prints and also hates sanding. He recently tried Incredafill putty, a UV-curable putty that you can use to cover up lines in prints. Once covered and cured, you sand the putty smooth. You can see what he thought of the product in the video below.

As many people suggested in the video comments, you can pull the same trick with UV resin thickened with some other substance. We’ve even covered using diluted resin to get a similar effect. The putty has more of the appearance of hair cream or some kind of ointment, so it was easy to spread around with a gloved finger. A brush also worked. UV curing was done by a small flashlight or the handy sun. However, you’ll see later that he used a UV curing station and that works well if you have one.

Of course, even after applying the putty, you still have to sand. We are assuming the sanding is easier than trying to sand the actual layer lines smooth. On the other hand, the resin dust is probably pretty toxic, so there is a trade-off involved.

The results did look good. Of course, since there was still sanding involved, how good it looks will depend on your sanding tools, your technique, and — perhaps most importantly — your patience. Sanding can do a lot for 3D prints. We might not trust it completely with resin dust, but you could get rid of at least some of the dust with a downdraft table.

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3D Printed Climbing Holds, Now With Texture

Technology enables all kinds of possibilities to mold our environments in the way we best see fit. Plenty of ski resorts use snowmaking to extend their seasons, there are wave pools for surfing hundreds of miles away from oceans, and if you don’t live near any mountains you can build your own climbing wall as well. For the latter, many have turned to 3D printers to create more rock-like climbing grips but plastic doesn’t tend to behave the same as rock unless you do what [Giles Barton-Owen] did and incorporate salt into the prints.

For small manufacturers, typically the way that the rock texture is mimicked is by somehow incorporating sand, permanently, into the grip itself. This works well enough but is often too rough on climbers’ hands or otherwise doesn’t faithfully replicate a rock climbing experience. For these grips, instead of including sand, salt crystals of a particular size were added to a resin that was formed over the 3D printed grip. Once the resin cures substantially, the water-soluble salt can be washed away leaving a perfect texture to grab onto with chalked hands.

While this might not be a scalable method for large-scale climbing grip manufacturers, [Giles] hopes this method will help smaller operations or even DIY climbers to build more realistic grips without having to break the bank. In fact, he has already found some success at his local climbing gym using these grips. The method may be more difficult to scale for larger manufacturers but for anyone who wants to try it out themselves, all that’s needed for this build is a 3D printer, salt, and time.

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Epoxy Resin Night Light Is An Amazing Ocean-Themed Build

We’ve all seen those “river” tables where a lovely old piece of tree is filled with some blue resin to create a water-like aesthetic. This project from [smartyleowl] takes that basic idea, but pushes it further, and the result is a beautiful build that is as much a diorama as it is a simple lamp.

First up, an appropriate rough piece of unprepared wood is chosen to create a cliff for the underwater scene. Speckles of UV-reactive blue powder are scattered on to the wood and some little plastic coral and marine plants are stuck down as well. A mold is then constructed around the wood using acrylic. Small whale and diver figurines are dangled in place, and blue resin poured in to complete the underwater scene. Once the resin has hardened, it’s polished to a clear sheen and its edges are nicely beveled. It’s then placed on a illuminated base which lights the scene from below, giving it a somewhat ethereal underwater quality.

It’s not a complicated project by any means, but it’s a great example of the beautiful things one can create with the creative application of colored resin. Producing a lamp that looks this good obviously takes some skill, of course – getting a bubble-free resin pour and a nice shiny finish on the wood isn’t easy. However, there’s no reason you can’t start learning today! Video after the break.

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3D Printer Showdown: $350 Consumer Vs $73,000 Pro Machine

The quality of consumer-grade 3D printing has gone way up in recent years. Resin printers, in particular, can produce amazing results and they get less expensive every day. [Squidmar] took a miniature design and printed it (or had it printed) on some cheap resin printers and a 65,000 Euro DWS029. How much difference could there be? You can see for yourself in the video below.

We were surprised at the specs for the more expensive machine. It does use a solid-state laser, but for that cost, the build volume is relatively small — around 15 x 15 x 10 cm. There were actually five prints created on four printers. Three were on what we think of as normal printers, one was on the 65,000 Euro machine, and the fifth print was on a 10,000 Euro printer that didn’t look much different from the less expensive ones.

Of course, there is more to the process than just the printer. The resin you use also impacts the final object. The printers tested included a Phrozen 4K Mini, a Phrozen 8K Mini,  a Solos Pro, and the DWS 029D. The exact resins or materials used was hard to tell in each case, so that may have something to do with the comparisons, too.

Do you get what you pay for? Hard to say. The 8K and Solos were neck-and-neck with some features better on one printer and some better on the other. The DWS029D did perform better, but was it really worth the increase in price? Guess it depends on your sensitivity. The 8K printer did a very credible job for a fraction of the cost. Of course, some of that could have been a result of the materials used, too, but it does seem likely that a very expensive dental printer ought to do better than a hobby-grade machine. But it doesn’t seem to do much better.

The DWS printer uses a laser, while most hobby printers use UV light with an LCD mask. We’ve seen low-end resin printers on closeout for around $100 and you can get something pretty nice in the $200 neighborhood. In between these two extremes are printers that use Digital Light Processing (DLP).

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3D Printed Parts Hold Up To Steam Heat

Steam turbines are at the heart of all manner of industrial machinery, particularly that used for power generation. [Integza] decided he needed to better understand this technology, and decided to build one himself – using 3D printing, at that. 

First, a steam source was needed, with a pressure cooker on an electric stove pressed into service. The steam was passed out via a nozzle printed in resin, which better resists heat than most FDM-printed parts. Similarly, a turbine wheel was printed in resin as well, with the steam outlet pointed directly at its vanes.

To really stress test the parts, more steam was required.  To achieve this, hydrogen peroxide was pumped through a manganese dioxide catalyst impregnated into steel wool to create steam. This made an absolute mess, but the printed parts nevertheless survived.

The steam turbine didn’t do any useful work, but was able to survive the high temperatures at play. We’d love to see such a device actually used to bear some load, perhaps in some sort of 3D printed power generating turbine design.

Alternatively, if you prefer your steam turbines more classically driven, consider this build. Video after the break.

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