Mention the term “heavy industry” and the first thing to come to mind might well be the metal foundry. With immense machines and cauldrons of molten metal being shuttled about by crane and rail, the image of the foundry is like a scene from Dante’s Inferno, with fumes filling a vast impersonal factory, and sparks flying through the air. It looks like a dangerous place, as much to the soul as to the body, as workers file in each day to suffer mindlessly at the hearths and ladles, consumed in dirty, exhausting work even as it consumes them.
Things are not always as they appear, of course. While there’s no doubting the risks associated with working in a foundry such as the sprawling Renfrew works of Babcock and Wilcox Ltd. in the middle of the previous century, as the video below shows the work there was anything but mindless, and the products churned out by the millions from this factory and places like it throughout the world were critical to today’s technology.
Many Hackaday readers have an interest in older technologies, and from antique motorcycles to tube radios to retrocomputers, you own, conserve and restore them. Sometimes you do so using new parts because the originals are either unavailable or downright awful, but as you do so are you really restoring the item or creating a composite fake without the soul of the original? It’s a question the railway film and documentary maker [Chris Eden-Green] considers with respect to steam locomotives, and as a topic for debate we think it has an interest to a much wider community concerned with older tech.
Along the way the film serves as a fascinating insight for the non railway cognoscenti into the overhaul schedule for a working steam locomotive, for which the mainline railways had huge workshops but which presents a much more significant challenge to a small preserved railway. We wrote a year or two ago about the world’s first preserved railway, the Welsh Tal-y-Llyn narrow gauge line, and as an example the surprise in the video below is just how little original metal was left in its two earliest locomotives after their rebuilding in the 1950s.
The film should provoke some thought and debate among rail enthusiasts, and no doubt among Hackaday readers too. We’re inclined to agree with his conclusion that the machines were made to run rather than gather dust in a museum, and there is no harm in a majorly-restored or even replica locomotive. After all, just as a retrocomputer is as much distinguished by the software it runs, riding a steam train is far more a case of sights and smells than it is of knowing exactly which metal makes up the locomotive.
The bike is of a recumbent design, featuring a relaxed riding position well suited to the sophisticated nature of a steam-powered vehicle. Sporting a wooden frame, the build carries a strong steampunk aesthetic. The flash boiler packs 100 feet of copper pipe, and there’s an electric pump and controller to handle water delivery from the stylish brass tank. The setup is capable of producing steam within 30 seconds of startup. Motive power is courtesy of a 1.5 inch bore single-cylinder steam engine, connected to the rear wheel via a belt drive.
The story of Linux so far, as short as it may be in the grand scheme of things, is one of constant forward momentum. There’s always another feature to implement, an optimization to make, and of course, another device to support. With developer’s eyes always on the horizon ahead of them, it should come as no surprise to find that support for older hardware or protocols occasionally falls to the wayside. When maintaining antiquated code monopolizes developer time, or even directly conflicts with new code, a difficult decision needs to be made.
Of course, some decisions are easier to make than others. Back in 2012 when Linus Torvalds officially ended kernel support for legacy 386 processors, he famously closed the commit message with “Good riddance.” Maintaining support for such old hardware had been complicating things behind the scenes for years while offering very little practical benefit, so removing all that legacy code was like taking a weight off the developer’s shoulders.
The rationale was the same a few years ago when distributions like Arch Linux decided to drop support for 32-bit hardware entirely. Maintainers had noticed the drop-off in downloads for the 32-bit versions of their distributions and decided it didn’t make sense to keep producing them. In an era where even budget smartphones are shipping with 64-bit processors, many Linux distributions have at this point decided 32-bit CPUs weren’t worth their time.
The Raspberry Pi the closest thing to a modular laptop. That’s the idea behind the Pi-Top, a laptop with a Raspberry Pi as a brain. Need an upgrade? No problem, just get the latest Pi, they’re up to four now.
Now the people behind the Pi-Top are releasing what can best be described as a brick of computing. The Pi-Top 4 is a designed as ‘The Sony Walkman for Making’, in which the form factor becomes a building block of anything you can imagine and probably a lot of things you can’t. Inside is a Raspberry Pi 4, a small OLED display, and a few buttons. On the bottom is a detachable ‘foundation plate’ that allows the Pi-Top 4 to connect to sensors, LEDs, and switches. The idea of all this building is that the brick-shaped Pi-Top 4 becomes a building block in anything you can imagine, be that a drone, a humanoid robot, or a portable photo booth. All of this is powered by the Raspberry Pi 4, no slouch when it comes to computational power.
Sometimes for a retrocomputing enthusiast it can be challenging to see a surviving machine gutted and used for another purpose. But in the case of [Tom Pick]’s Radio Shack TRS-80 based Steam Machine PC we can forgive him, because it began with a very unpromising machine that had most definitely seen better days.
The TRS-80 in question is a Model III, the all-in-one console device with a numerical keypad, CRT monitor, and dual 5.25″ floppy drives built in. This provided plenty of space for the components of a modern PC with a 12″ LCD monitor. The PC itself is a run-of-the mill 2.6 GHz Pentium and nothing exceptional, but its input devices are of note. The keyboard is a Red Dragon mechanical item which has been made to look the part in place of the old Radio Shack item with a set of custom colour-coded keycaps, while the pointing device in a particularly neat touch is a modern Radio Shack-branded mouse. The boot screen is the proper Radio Shack logo from the TRS-80’s heyday, meaning that if you didn’t know any differently you might think this was meant to be. Sadly the two floppy drives are unconnected, though we’re sure it would be possible to make a modern PC see them for a bit of 360k storage goodness.
We don’t see as many projects featuring the TRS-80 series as we should, and the model III is a particular rarity. Far more common in these pages is the portable Model 100, most recently gaining a cellular connection.
Houston’s historic third ward, aka “The Tre,” is ripe rife with history, and some of that history is digitally preserved and accessible through an art installation in the form of repurposed payphones. We love payphones for obvious reasons and seeing them alive and kicking warms our hearts. Packing them with local history checks even more boxes. Twenty-four people collaborated to rebuild the three phones which can be seen in the video after the break, including three visual artists, three ambassadors, and eighteen residents who put their efforts into making the phones relevant not only to the ward but specifically to the neighborhood. One phone plays sound clips from musicians who lived or still live in the ward, another phone has spoken word stories, and the third has field recordings from significant locations in The Tre.
Each phone is powered by a solar cell and a USB battery pack connected to a Teensy with an audio adapter board, and a 20 watt amplifier. Buttons 1-9 play back recorded messages exclusive to each phone, star will record a message, and zero will play back the user-recorded message. Apps for smart phones are easy for young folks to figure out but the payphones ensure that these time capsules can be appreciated by people of any age, regardless of how tech savvy they are and that is wise as well as attractive. The coin return lever and coin slot also have associated sound clips unlike regular payphones so the artists get extra credit.