Black Graphics On Your TV, For A Greener World?

Can you really save energy by carefully choosing the colors displayed on a TV screen? Under some conditions, yes. Or at least that’s the conclusion of a team at the BBC that looked at reducing the energy consumption impact of their output by using what they call Lower Carbon Graphics. In short, they’re trying to ensure that OLED displays or those with reactive backlights use less energy when displaying BBC graphics, simply by using more black.

It turns out that a lot of British households play radio stations on their TVs, and the BBC sends a static image to each screen in this mode. As part of a redesign across the organisation, the BBC removed the bright background colours from these images and replaced it with black, with a remarkable reduction in power consumption, at least on OLED and FALD screens. (On normally backlit screens, 89% of British TVs, this does nothing.)

If you look hard at their numbers, though, listening to radio on the TV is horrendously inefficient; can you imagine a radio that consumes 100 W?  If the BBC really wants to help reduce media-related energy consumption, maybe they should stop broadcasting radio programming on the TV entirely.

Anyway, as we move toward a larger fraction of OLED screens, on TVs and monitors alike, it’s fun to think that darker images use up to 40% less power. Who knew that Hackaday was so environmentally friendly? Black is the new green!

Header: RIA Novosti archive/ Igor Vinogradov, CC-BY-SA 3.0.

Recreating The Golden Era Of Cable TV

Fewer and fewer people have cable TV subscriptions these days, due to a combination of poor business practices by cable companies and the availability of alternatives to cable such as various streaming platforms. But before the rise of the Internet that enabled these alternatives, there was a short period of time where there were higher-quality channels, not too many commercials, a possibly rose-tinted sense of wonder, and where MTV actually played music. [Irish Craic Party] created this vintage cable TV network to capture this era of television history.

The hardware for this build is a Raspberry Pi driving an LCD display recovered from an old iPad. There’s a custom TV tuner which handles changing the channels and interfaces with an Apple Remote. Audio is sent through old computer speakers, and the case is built from 3D printed parts and some leftover walnut plywood to give it an era-appropriate 80s or early 90s feel. We’ve seen other builds like this before, but where this one really sets itself apart is in the software that handles the (television) programming.

[Irish Craic Party] has gone to great lengths here to recreate the feel of cable TV from decades ago. It has recreations of real channels like HBO, Nickelodeon, and FX including station-appropriate bumpers and commercials. It’s also synchronized to the clock so shows start on the half- or quarter-hour. Cartoons play on Saturday morning, and Nickelodeon switches to Nick-at-Nite in the evenings. There are even channels that switch to playing Christmas movies at the appropriate times, complete with Christmas-themed commercials.

The build even hosts a preview channel, one of the more challenging parts of the build. It continually scrolls through the channels and shows what’s currently playing and what will be showing shortly, complete with a commercial block at the top. For those who were around in the 90s it’s almost a perfect recreation of the experience of watching TV back then. It can even switch to a video game input when tuned to channel 3. There’s almost too much to go into in a short write-up so be sure to check the video after the break.

Thanks to [PCrozier] for the tip!

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System Essentially Contradicting American Methods

Today, acronyms such as PAL and initialisms such as NTSC are used as a lazy shorthand for 625 and 525-line video signals, but back in the days of analogue TV broadcasting they were much more than that, indeed much more than simply colour encoding schemes. They became political statements of technological prowess as nations vied with each other to demonstrate that they could provide their citizens with something essentially home-grown. In France, there was the daddy of all televisual symbols of national pride, as their SECAM system was like nothing else. [Matt’s TV Barn] took a deep dive into video standards to find out about it with an impressive rack of test pattern generation equipment.

At its simplest, a video signal consists of the black-and-while, or luminance, information to make a monochrome picture, along with a set of line and frame sync pulses. It becomes a composite video signal with the addition of a colour subcarrier at a frequency carefully selected to fall between harmonics of the line frequency and modulated in some form with the colour, or chrominance, information. In this instance, PAL is a natural progression from NTSC, having a colour subcarrier that’s amplitude modulated and with some nifty tricks using a delay line to cancel out colour shifting due to phase errors.

SECAM has the same line and frame frequency as PAL, but its colour subcarrier is frequency modulated instead of amplitude modulated. It completely avoids the NTSC and PAL phase errors by not being susceptible to them, at the cost of a more complex decoder in which the previous line’s colour information must be stored in a delay line to complete the decoding process. Any video processing equipment must also, by necessity, be more complex, something that provided the genesis of the SCART audiovisual connector standard as manufacturers opted for RGB interconnects instead. It’s even more unexpected at the transmission end, for unlike PAL or NTSC, the colour subcarrier is never absent, and to make things more French, it inverted the video modulation found in competing standards.

The video below takes us deep into the system and is well worth a watch. Meanwhile, if you fancy a further wallow in Gallic technology, peer inside a Minitel terminal.

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Recreating An Analog TV Test Pattern

While most countries have switched to digital broadcasting, and most broadcasts themselves have programming on 24/7 now, it’s hard to remember the ancient times of analog broadcasts that would eventually stop sometime late at night, displaying a test pattern instead of infomercials or reruns of an old sitcom. They were useful for various technical reasons including calibrating the analog signals. Some test patterns were simply camera feeds of physical cards, but if you wanted the most accurate and reliable test patterns you’d need a Philips pattern generator which created the pattern with hardware instead, and you can build your own now because the designs for these devices were recently open-sourced. Continue reading “Recreating An Analog TV Test Pattern”

RetroPie, Without The Pi

The smart television is an interesting idea in theory. Rather than having the cable or satellite company control all of the content, a small computer is included in the television itself to host and control various streaming clients and other services. Assuming you have control of the software running on the computer, and assuming it isn’t turned into a glorified targeted advertising machine, this can revolutionize the way televisions are used. It’s even possible to turn a standard television into a smart TV with various Android devices, and it turns out there’s a lot more you can do with these smart TV contraptions as well.

With most of these devices, a Linux environment is included running on top of an ARM platform. If that sounds similar to the Raspberry Pi, it turns out that a lot of these old Android TV sets are quite capable of doing almost everything that a Raspberry Pi can do, with the major exception of GPIO. That’s exactly what [Timax] is doing here, but he notes that one of the major hurdles is the vast variety of hardware configurations found on these devices. Essentially you’d have to order one and hope that you can find all the drivers and software to get into a usable Linux environment. But if you get lucky, these devices can be more powerful than a Pi and also be found for a much lower price.

He’s using one of these to run RetroPie, which actually turned out to be much easier than installing a more general-purpose Linux distribution and then running various emulation software piecemeal. It will take some configuration tinkering get everything working properly but with [Timax] providing this documentation it should be a lot easier to find compatible hardware and choose working software from the get-go. He also made some improvements on his hardware to improve cooling, but for older emulation this might not be strictly necessary. As he notes in his video, it’s a great way of making use of a piece of electronics which might otherwise be simply thrown out.

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A Look At Zweikanalton Stereo Audio And Comparison With NICAM

With how we take stereo sound for granted, there was a very long period where broadcast audio and television with accompanying audio track were in mono. Over the decades, multiple standards were developed that provide a way to transmit and receive two mono tracks, as a proper stereo transmission. In a recent video, [Matt] over at [Matt’s Tech Barn] takes a look at the German Zweikanalton (also known as A2 Stereo) standard, and compares it with the NICAM standard that was used elsewhere in the world.

Zweikanalton is quite simple compared to NICAM (which we covered previously), being purely analog with a second channel transmitted alongside the first. Since it didn’t really make much of a splash outside of the German-speaking countries, equipment for it is more limited. In this video [Matt] looks at the Philips PM 5588 and Rohde & Schwarz 392, analyzing the different modulations for FM, Zweikanalton and NICAM transmissions and the basic operation of the modulator and demodulator equipment.

An interesting aspect of these modulations are the visible sidebands, and the detection of which modulation is used. Ultimately NICAM’s only disadvantage compared to Zweikanalton was the higher cost of the hardware, but with increased technological development single-chip NICAM solutions like the Philips SAA7283 (1995) began to reduce total system cost and by the early 2000s NICAM was a standard feature of TV chipsets, just in time for analog broadcast television to essentially become irrelevant.

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Old TV To RGB

As CRT televisions have faded from use, it’s become important for retro gaming enthusiasts to get their hands on one for that authentic experience. Alongside that phenomenon has been a resurgence of some of the hacks we used to do to CRT TV sets back in the day, as [Adrian’s Digital Basement] shows us when he adds an RGB interface to a mid-1990s Sony Trinitron.

Those of us lucky enough to have lived in Europe at the time were used to TVs with SCART sockets by the mid-1990s so no longer needed to plumb in RGB signals, but it appears that Americans were still firmly in the composite age. The TV might have only had a composite input, but this hack depends on many the video processor chips of the era having RGB input pins. If your set has a mains-isolated power supply then these pins can be hooked up with relative ease.

In the case of this little Sony, the RGB lines were used by the integrated on-screen display. He takes us through the process of pulling out these lines and interfacing to them, and comes up with a 9-pin D connector with the same pinout as a Commodore monitor, wired to the chip through a simple RC network and a sync level divider. There’s also a switch that selects RGB or TV mode, driving the OSD blanking pin on the video processor.

We like this hack just as much as we did when we were applying it to late-80s British TV sets, and it’s a great way to make an old TV a lot more useful. You can see it in the video below the break, so get out there and find a late-model CRT TV to try it on while stocks last!

Unsurprisingly, this mod has turned up here a few times in the past.

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