Gitaar van Schroot – The Scrap Metal Guitar

Sheet metal. Beer cans. Pieces of chain. Not items you’ll typically find on the BOM for a custom guitar. But nobody told [Maarten van Halderen] that, and so he threw them all together into a gitaar van schroot, or scrap guitar for the Dutch impaired (YouTube link).

The video shows the build process, starting with plasma cutting and welding sheet steel for the body. The neck is fabricated from rectangular steel tube, with nails serving as frets. Overall it looks like a Les Paul, except for the sink strainer basket mounted in the sound hole and the crushed beer and soda cans tacked to the body for decoration. The chains are a nice touch too. And this doesn’t appear to be [Maarten]’s first attempt at scrapyard lutherie  – toward the end of the video we see that the beer can axe joins a very steam-punk looking older brother. They’re both good-looking builds, and the video after the break proves they can sound pretty good too.

For a more classical take on the building of string instruments, check out this post on mandolins and violas. Or maybe you can just 3D print your next guitar?

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1Wamp, An Open Hardware Guitar Amplifier

The folks at [ElectroSmash] recently released 1Wamp – a one watt, open hardware, Guitar amplifier packed with features. It consists of a JFET based pre-amplifier, a Big Muff Pi a.k.a BMP based Tone control and an LM386 power amplifier. The dual JFET pre-amp provides tube-like sound, the BMP provides a nice tonal range while the LM386 can drive various types of output’s ranging from headphones to speaker cabinets.

1Wamp had controls for Tone, Volume and Gain, a Speaker/Cabinet output, a headphone output with an integrated attenuator switch and an aux. input. The aux. input is handy as it adds any line level input signal to the guitar sound, allowing you to practice with metronome or MP3 backing tracks or drum bases. It runs off either a 9V battery or can be powered via an external power source. [ElectroSmash] have released all the native KiCad design files. If you’d like a quick look at the design, check out the Schematic PDF and the Bill of Materials. There’s also a handy assembly manual [PDF] that shows how to build it in five easy steps.

Their blog post provides extremely detailed circuit analysis of every part of the design, starting from the power supply filter to remove mains “hum” all the way through to PCB layout considerations for noise reduction. Oscilloscope screen shots provide signal analysis showing bias points and signal levels throughout the circuit. The choice of value for every component is explained, along with the consequences of changing those values. This makes it easy to customise the 1Wamp to suit individual tastes. We also noticed SPICE models for the recommended and alternative JFET transistors, in case you need to customise the design by changing component values.

There’s also a lot of audio amplifier trivia, references and links shared in their post. This includes a detailed analysis of the LM386 op-amp. Want to add some bling to your 1Wamp build? There are a lot of handy tips on how to add cool LED lighting to the amplifier if it is mounted in a standard metal enclosure. However, the PCB has some really nice graphics, so an acrylic-sandwich-type enclosures look best. Check out the video that walks through the features of the 1Wamp and shows off its performance. And while on the subject of Audio electronics, here’s one of their earlier projects – an open source Arduino guitar pedal.

Documentation to this level proves several things, most notably a love for this design and deep consideration for those who will use and modify this amplifier. It’s a great pattern to follow with your own Open Source designs.

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Controlling Guitar Amps With Servos

[fichl] plays electric guitar, and with that hobby comes an incredible amount of knob twisting and dial turning. This comes at a cost; he can’t change the settings on his small amp without taking his hands off the guitar. While larger, more expensive amps have multiple channels and footswitches, this tiny amp does not. Instead of upgrading, [fichl] came up with a device that turns his single channel amp into a completely programmable one, with just an Arduino and a handful of servos.

The amp in question – an Orange Dark Terror head – has just three knobs on the front of the chassis, volume, shape, and gain. [fichl] had the idea of controlling these knobs electronically, and the simplest solution he came up with is cheap hobby servos. These servos are mounted in an aluminum box, and mount to the knobs with a few shaft couplings.

The footswitch is the brains of the setup, with three buttons, four LEDs, and a DIN-5 output jack that delivers power, ground, and three PWM signals to the servo box. With the help of an Arduino Nano, [fichl] can change any of the knobs independently, or switch between twelve programmed settings. It’s an interesting setup, and something that could serve as a prototype for a much larger system on a much larger amp.

Hacklet 75 – Guitar Projects

Some things just go hand in hand. Hacking and guitars are one perfect example. A huge number of hackers, makers, and engineers have at least dabbled in playing the guitar. Even those who don’t play have heard the swan song of the wayward guitarist “Bro, you fix amps?”. Seriously, once your guitar toting friends find out you tinker in electronics, you’ll never be left wanting for pizza or beer. This week’s Hacklet is about some of the best guitar projects on!

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Hackaday Links: August 23, 2015

Dutch security conference! It’s called, it’ll be in The Hague during the last week of September, and they have the CTO of Silent Circle/Blackphone giving the keynote.

Baltimore’s awesome despite what the majority of the population says, and they have a few hackerspaces. One of them has an Indiegogo going right now to save the space. Want a tour of the space? Here you go.

[Fran Blanche] made it on to the Amp Hour. Included in this episode are discussions about the boutique guitar pedal market and the realities of discarded technology that took us to the moon.

Speaking of electronics podcasts, SolderSmoke is 10 years old now.

TARDIS-shaped guitars are nothing new, but [Gary] from the LVL1 hackerspace in Louisville, KY is making an acoustic one. The neck is, of course, taken from another guitar but the entire TARDIS-shaped body is custom-made. Now do resonance calculations on something that’s bigger on the inside.

Think German-made means German quality? [AvE], [Chris], or whatever we call him did a teardown of a Festool Track Saw. It’s a thousand dollar tool that will start to stink in a few years and has bearings that don’t make any sense.

Love 8-bit? There’s a Kickstarter from 8-bit generation for a documentary about the love, loss, resurrection and continuation of old computers. Dozens of very interesting interviews including one from our own [Bil Herd]

Hackaday Prize Entry: DIY Guitar Multieffects

Guitar effects and other musical circuits are a great introduction to electronics. There’s a reason for this: with audio circuits you’re dealing with analog signals and not just the ones and zeros of blinking a LED. Add in the DSP aspects of audio effects, and you have several classes of an EE degree wrapped up in one project.

For his Hackaday Prize entry, [] is building a guitar multieffect. Instead of just a single distortion, fuzz, or chorus circuit, this tiny little PCB is going to have several flavors of pitch shifting, a flanger, chorus, echo, harmony, and stranger ‘digital-ish’ effects like bitcrushing.

This effects unit is built around a PIC32 and a TI audio codec which processes the audio at 64k 32-bit samples/second. This takes care of all the audio processing, but the hard work for a guitar pedal is actually the enclosure and mechanicals – it’s a hard life for stage equipment. For the foot pedal input, [randy] is using a magnetic position sensor, but there’s no word if he’ll be using a fancy die-cast enclosure or a plastic injection molded unit.

The 2015 Hackaday Prize is sponsored by:

Ghost Guitar Plays Hendrix

Purple Haze all in my brain,
lately guitars they don’t seem the same,
[Josh] is playin’ funny but I don’t know why
‘scuse me while he electrifies.

[Josh] wanted to experiment with playing a guitar by different means. We’ve seen a few guitar hacks that use servos to play, and Arduino-based guitars that replace the strings with membrane potentiometers, but he decided to try a different approach. He’s using a permanent magnet and the electromagnetic effect to play the string.

Purple Haze all around,
all those amps are runnin’ up or down.
Are my strings all goin’ left or right?
Whatever it is, electromagnetism is pushin’ me outta sight.

To do this, he put a large permanent magnet next to the string and ran an alternating current through the string itself. When the current and the magnetic field interact, the string is pushed, like the bearing of a motor.  When the current goes the other way, the string is pushed in the opposite direction. Because he is using an alternating current (driven through a MOSFET tied into a frequency generator), he was able to control the frequency of this, and find the frequencies that made the string resonate, including the harmonics that give guitars their unique sound. It’s a pretty neat hack, but don’t forget that he is dealing with quite a lot of juice: if you were to inadvertantly touch the string and ground it to earth, there is enough current in the circuit to kill you.

Yeah, [Josh’s] hack is all about the right hand rule,
I know that he’s no hacking fool,
you’ve got my E string resonating, resonating so fine
just don’t touch it, or you’ll end your time
Help me, yeah, Purple Haze!

(with apologies to the ghost of [Jimi Hendrix], guitar hacker supreme)

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