What do you get when Pacific Northwest National Laboratories takes over what was once the largest and deepest gold mine in North America? The answer might be enough energy to power 10,000,000 homes. The enhanced geothermal systems project includes the lab and several partners from academia and industry and aims to test sending fluids down boreholes so the Earth can heat them up. Hot fluids, of course, can easily create electricity.
At 4,100 feet underground, the old mine is not very convenient to get to. However, modern technology means that the equipment is largely automated so workers can carry out experiments from home using a computer or even a phone. The system itself is 7 feet long by 7 feet wide and 30 feet long. It was assembled above ground, tested, and then split into 4×4 sections for transportation deep below the surface.
Some guys get all the breaks. [Guy Dupont] had the honor of building a working, interactive wall-mount landline phone for the red carpet premiere of a certain TV show. The phone was to be an Easter egg inside an 80s-style pizzeria set. About every two minutes the phone would ring, and anyone brave enough to answer would be greeted with either a fake pizza order, an old answering machine message, or a clip from The Show That Cannot Be Mentioned.
Lots of room inside those old housings.
So the phone doesn’t work-work, but the nostalgia is strong — picking up the receiver when the phone isn’t ringing results in a dial tone, and button pushing leads to the busy signal. Those old pleasant-but-stern operator recordings would have been cool, but there was only so much time. (Your call cannot be completed as dialed. Please check the number and try again.)
[Guy] used a SparkFun RP2040 to handle input from the DTMF keypad and play the tones, the dial and busy signals, and the various recordings into the ear of the receiver.
Instead of messing around with the high voltage needed to drive the original ringer and bell, [Guy] used a small speaker to play the ringing sound. Everything runs on eight AAs tucked under the keypad, which is stepped down to 5 V.
This project was built under fairly dramatic duress, which makes it that much more exciting to watch the build video after the break. With just five days to get the phone working and in the mail, [Guy] holed up on the floor of his office, his messy mid-move refuge from a house plagued by COVID. Unfortunately, the whole pizzeria thing fell through, so [Guy]’s phone will not get to have its moment on the red carpet. But at least it’s on the site that’s black and white and read all over.
The design isn’t particularly fancy or pretty, but just simply focuses on doing a simple job well. There’s a basic DC motor, sitting on a linear rail so that it has minimal deflection in the X and Y axes as it moves up and down. Special care was taken to ensure the linear rail was mounted perfectly perpendicular to the base to ensure the drill doesn’t wander or splay off target.
A collet chuck is used to center the bit as well as possible for a good price. The build also includes a bright LED in order to give you the best possible view of your work. Power is via a variable bench supply which allows for variable speed as necessary. There’s a foot pedal to activate the drill which allows both hands to be used for positioning the work for added ease of use.
Living and working in a remote rain forest may sound idyllic to those currently stuck in bland suburbia, and to be sure it does have plenty of perks. One of the downsides, though, is getting new materials and equipment to that remote location. For that reason, [Digital Naturalism Laboratories], also known as [Dinalab], has to reuse or recycle as much as they can, including their scraps of acrylic leftover from their laser cutter.
The process might seem straightforward, but getting it to actually work and not burn the acrylic took more than a few tries. Acrylic isn’t as thermoplastic as other plastics so it is much harder to work with, and it took some refining of the process. But once the details were ironed out, essentially the acrylic scraps are gently heated between two steel plates (they use a sandwich press) and then squeezed with a jack until they stick back together in one cohesive sheet. The key to this process is to heat it and press it for a long time, typically a half hour or more.
With this process finally sorted, [Dinalab] can make much more use of their available resources thanks to recycling a material that most of us would end up tossing out. It also helps to keep waste out of the landfill that would otherwise exist in the environment indefinitely. And, if this seems familiar to you, it’s because this same lab has already perfected methods to recycle other types of plastic as well.
I’ll confess. Although printf-style debugging has a bad rep, I find myself turning to it on occasion. Sure, printf is expensive and brings in a lot of code, but if you have the space and time to use it while debugging you can always remove it before you are finished. However, what if you don’t have an output device or you are using it for something else? If you are using most modern ARM chips, you have another option — a dedicated output channel that is used for several things, including debugging output. I decided I wanted to try that on the Blackpill running mbed, and found out it isn’t as easy as you might think. But it is possible, and when you are done reading, you’ll be able to do it, too.
I’m writing this using the STM32-specific ST-LINK hardware. If you use other JTAG devices like the BlackMagic probe, you probably already have this set up for you.
What You Get
I’ll start backward with the end result, then talk about the software, so you’ll be good and motivated by the time you get to the hardware requirements. Spoiler alert: your existing hardware might need a quick hack to make it work, although you can buy something off the shelf if you prefer.
Here is a very simple test program:
SWO_Channel debugport; // requires #include "SWO.h"
int main()
{
unsigned count=0;
debugport.printf("\r\nHello World from SWO\r\n");
debugport.printf("CPU SystemCoreClock is %d Hz\r\n", SystemCoreClock);
while (1)
{
led = !led; // flip LED if output is true
ThisThread::sleep_for(rate); // sleepy time
if (count % 10) debugport.putc('*'); else debugport.printf("%d\r\n",count);
count++;
}
}
Golf is a sport that has always enjoyed a good gadget or eight. Whether it’s something to measure the wind, or the latest putter guaranteed to save your game, golf enthusiasts have always flocked to such toys. [Nick O’Hara] has something that might just be a little too exciting for the golf set, though, in the form of his golf club launcher.
The golf club launcher essentially takes the role of a normal golf bag, with a rotating magazine containing all the necessary clubs for a day out on the green. The magazine is rotated into position on request, and the required club is launched out towards the player thanks to a pneumatic cylinder fired at 120 psi. A compressor in the base keeps the system charged with air for repeated launches.
The launcher even has a voice assistant built in. Telling the caddy the distance to the hole, and variables like wind and elevation, allows the device to select the right club for the conditions before blasting it towards the player.
The rise of streaming services on the Internet was a revolutionary shift when it came to the world of media. No more would content be pumped in to homes in a one-way fashion, broadcast by major conglomerates and government-run organizations. Instead, individuals would be free to hunt for content suiting their own desires on an all-you-can-watch basis.
It’s led to a paradigm shift in the way we consume media. However, it’s also led to immense frustration thanks to the overwhelming amount of content on offer. Let’s take a look at why that is, and some creative ways you can get around the problem.
The Paradox of Choice
Many find the masses of content on streaming services to be overwhelming to choose from. Credit: author screenshot
Traditionally, when it came to media, there were two major arms of delivery: broadcast, and home media. One might listen to the radio, or flick on the TV, or alternatively, spin up a record, or select a movie to watch on tape. If none of those options sufficed, one might take a walk down to the local video store to rent something more appealing.
Fundamentally, it was an era in which choices were limited. There were a handful of TV stations to choose from, and if nothing good was on, you could go as far as finding something watchable on tape or going without. Many will remember afternoons and evenings spent watching reruns or a Friday night movie that had been on a million times before. Some shows went as far as becoming legends for their seemingly endless replay, from The Simpsons to M*A*S*H.
As the Internet grew, though, the game started to change. Torrent websites and streaming services came along, offering up the sum total of the world’s cultural output for free, or for a nominal cost for those averse to piracy. Suddenly when it came to choosing a movie to watch, one wasn’t limited to the five or so films on at the local cinema, nor what was left on the shelves at the local video rental. Instead, virtually any movie, from the invention of the format, could be yours to watch at a moment’s notice.
With so many options on the table, many of us find it harder to choose. It’s an idea popularly known as the Paradox of Choice, a term popularized by US psychologist Barry Schwartz in 2004. When our options are limited to a select few, choice is easy. They can quickly be compared and ranked and an ideal option chosen.
Add thousands of choices to the pile, and the job escalates in complexity to the point of becoming overwhelming. With so many different choices to contrast and compare, finding the mythical right choice becomes practically impossible. Continue reading “The Joy Of Broadcast Media Vs. The Paradox Of Choice”→
