Serene Snowdecahedrons

It’s no secret that many parts of the United States saw quite a bit of snow that past few weeks. Even snowed in, hackers and engineers continue to do what they do and invent crazy wonderful things. Spurred on by a grand vision of complex polyhedron snowballs, [Jacob] created a clever 3D printed mold that can create Rhombic Dodecahedrons. It has some rather unusual properties as it can be stacked perfectly (no gaps in between the snowdechedrons) and all opposing sides are parallel so it can be held easily in a mitten or glove. Additionally, since the faces are parallel, it unmolds easily and without marring the beautiful snow you just crafted.

Premade STL’s of three different sizes are provided under creative commons with some helpful instructions on how best to print them. Perhaps next time your area gets some good snow, you can be prepared to show off with your high-performance ski-sled as your fly by throwing molded snowballs. That is until you get roped into a friendly debate about whether your snowdechedrons are in fact snow “balls”.

Thanks [Jacob] for sending this one in!

We’re Cloning Animals From The “Frozen Zoo”; Like A Seed Bank But For Animals

Seed banks are facilities of great value to biodiversity and agriculture around the world. These facilities are used to house stocks of seeds of a wide variety, helping to maintain genetic diversity and avoid the permanent loss of various plant species. While there are some challenges, the basic requirements to run a simple seed bank are to keep a selection of seeds at low temperature and humidity to maximise their viable lifespan.

When it comes to animals, things become more difficult — one can’t simply plant an old seed in the ground and grow a fresh new meerkat, for example. Preservation of animal genetic material poses its own unique set of challenges — ones that the San Diego “Frozen Zoo” don’t shy away from. They’ve recently shown the viability of the program with the healthy birth of a ferret cloned from an animal that died in 1988.

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Can Plants Bend Light To Their Self-Preserving Will?

It does sound a bit silly — the idea that given enough time, a plant could influence the order of hardware-generated random numbers in order to get enough light to survive. But not so silly that [DeckerM] couldn’t wait to try it out after seeing a short clip about an unpublished study done at Princeton’s Engineering Anomalies Research (PEAR) lab that came to this very conclusion. The actual verbatim conclusion from the clip: “It’s as though life itself – even life or consciousness in something as simple as a house plant, bends probability in the physical world in the direction of what it needs, in the direction of its growth and evolution.”

The idea is this: a plant is made to suffer by languishing in the corner of a windowless room. The room has exactly one light in the middle of the ceiling — a repositionable spotlight of sorts that can only shine into any of the four corners and is controlled by a random number generator. A set of dividers ensure that none of the light leaks out of the quadrant and into any of the others.

[DeckerM]’s recreation of this experiment is much more practical. It’s essentially a little plywood cabinet with four open partitions and a ceiling. Each quadrant has a grow light strip planted in the corner, and all the wires are run through the top, where each has been stripped of its pesky power-governing controller and rewired to go straight into a smart plug. [DeckerM] is using a hardware RNG hosted on a Raspberry Pi, which is running a Python script that takes numbers from the RNG that corresponds to one of the quadrants, and then lights that quadrant.

And the results? They don’t really support the PEAR study’s bold conclusion unless viewed in small sample sizes, but [DeckerM] isn’t giving up that easily. Since the paper is unpublished, there are a lot of unanswered questions and juicy variables to play with, like the type, number, and age of the plants used. We’re excited to see if [DeckerM] can shed some light on plant psychokinesis.

Interested in portable plant propagation? A sunny location is usually ideal, but this all-in-one solution can take care of the rest.

Arduboy FX Mod-Chip: Now You’re Playing With Power

Traditionally, a forum full of technical users trying integrate their own hardware into a game system for the purposes of gaining unfettered access to its entire software library was the kind of thing that would keep engineers at Sony and Nintendo up at night. The development and proliferation of so called “mod chips” were an existential threat to companies that made their money selling video games, and as such, sniffing out these console hackers and keeping their findings from going public for as long as possible was a top priority.

But the Arduboy is no traditional game system. Its games are distributed for free, so a chip that allows users to cram hundreds of them onto the handheld at once isn’t some shady attempt to pull a fast one on the developers, it’s a substantial usability improvement over the stock hardware. So when Arduboy creator Kevin Bates found out about the grassroots effort to expand the system’s internal storage on the official forums, he didn’t try to put a stop to it. Instead, he asked how he could help make it a reality for as many Arduboy owners as possible.

Now, a little less than three years after forum member Mr.Blinky posted his initial concept for hanging an external SPI flash chip on the system’s test pads, the official Arduboy FX Mod-Chip has arrived. Whether you go the DIY route and build your own version or buy the ready-to-go module, one thing is for sure: it’s a must-have upgrade for the Arduboy that will completely change how you use the diminutive handheld.

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Volumetric OLED Display Shows Bladerunner Vibe, Curious Screen Tech

[Sean Hodgins] is out with his latest video and it’s a piece of art in itself. Beyond a traditional project show and tell, he’s spun together a cyberpunk vibe to premiere the volumetric display he built from an OLED stackup. Update: He’s also documented the build.

The trick of a volumetric display is the ability to add a third dimension for positioning pixels. Here [Sean] delivered that ability with a stack up of ten screens to add a depth element. This is not such an easy trick. These small OLED displays are all over the place but they share a common element: a dark background over which the pixels appear. [Sean] has gotten his hands on some transparent OLED panels and with some Duck-Duck-Go-Fu we think it’s probably a Crystalfontz 128×56 display. Why is it we don’t see more of these? Anyone know if it’s possible to remove the backing from other OLED displays to get here. (Let us know in the comments.)

The rest of the built is fairly straight-forward with a Feather M4 board driving the ten screens via SPI, and an MPU-6050 IMU for motion input. The form factor lends an aesthetic of an augmented reality device and the production approach for the video puts this in a Bladerunner or Johnny Mnemonic universe. Kudos for expanding the awesome of the build with an implied backstory!

If you can’t find your own transparent displays, spinning things are a popular trend in this area. We just saw one last week that spun an LED matrix to form cylindrical display. Another favorite of ours is a volumetric display that spins a helix-shaped projection screen.

2:3 Scale VT100 Is A Perfect Pairing For PDP-8/I Replica

When he went shopping for a vintage serial terminal to go along with his reproduction PDP-8/I computer, [Michael Gardi] came down with a bad case of sticker shock. But rather than be discouraged, he reasoned that if his “retro” computer could stand to have modern components at its heart, so could the terminal he used to talk to it. Leaning on his considerable experience in designing 3D printed replica hardware, he’s built an absolutely gorgeous scaled down DEC VT100 terminal that any classic computer aficionado would be happy to have on their desk.

Now to be clear, [Michael] hasn’t created a true serial terminal. Since the faux PDP-8/I is running on a Raspberry Pi, all he needed to do was come up with something that could connect to its HDMI and USB ports. Put simply, he’s essentially just made a 3D printed enclosure for the Pi’s monitor and keyboard. Oh, but what a gorgeous enclosure it is.

Recreating the VT100 in CAD was made more difficult by the fact that [Michael] couldn’t get his hands on the authentic hardware. But of course, that’s never stopped him before. It turns out DEC provided some very detailed dimensions for the terminal in their original documentation, and while comparing them to photographs of the actual terminal did uncover a few key differences, the overall look is spot on. Once the design was done, he reports it took two rolls of filament and more than 200 hours to print out all the parts for the enclosure.

To help sell the authentic look [Michael] tracked down a 4:3 LCD of the appropriate size, and the use of an off-the-shelf portable mechanical keyboard should make text entry a pleasure. For a little fun, he even came up with a themed arcade controller for the VT100 that can be used with RetroPie. The printed logo plate is an especially nice touch, and we’re more than willing to forgive the fact that he had to print it at a larger scale than the rest of the terminal to get all the detail in with his printer’s 0.4 mm nozzle.

On a technical level, this is perhaps the most straightforward replica we’ve ever seen from [Michael]. But even on a relatively simple project like this, his signature attention to detail and craftsmanship is on full display. It’s always a good day when he’s got a new build to show off with, and we’re eager to see what he comes up with next.

Retrotechtacular: Philips Factory Tour, Circa 1930s

If you’ve got a half-hour or so to spare, you could do worse than this video trip through a Philips factory in the 1930s.

The film is presented without narration, but from the Dutch title cards and the fact that it’s Philips, we gather that this factory of gigantic proportions was somewhere in the Netherlands. In any case, it looks like something right out of [Fritz Lang]’s Metropolis and turned the rawest of materials into finished consumer products.

Much of the film focuses on the making of vacuum tubes; the sheer physicality of the job is what really stands out here. The upper body strength that the glassblowers had to have boggles the mind. Check out the chops — and the soon-to-be very unfashionable mustache — on the glassblower at the 12:00 mark. And it wasn’t just the gents who had mad skills — the fine motor control needed for the delicate assembly of the innards of the tubes, which seems to be mostly staffed by women, is just as impressive. We were also surprised by the amount these manual crafts were assisted by automated systems.

Especially interesting is the section where they build the luidspreker. Without narration or captions, it’s a little hard to tell what’s going on, but it appears that they used an enormous press to form chips of Bakelite into sleek covers for the speakers, which themselves are super-chunky affairs made from scratch in the factory. We’re also treated to assembly of the radios, packaging of finished products, and a group of dockworkers who clearly didn’t read the “Fragile” labels pasted on the boxes.

One can’t help but wonder if these people had the slightest inkling of what was about to sweep over them and the rest of the world. And if they did, would they even begin to comprehend how much the very products that they were making would contribute to both the slaughter of the coming war as well as to the sparing of so many lives? Likely not, but the film is still an interesting glimpse into the creation of an industry, one that relied very much on craftsmanship to get it started.

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