Bring The Smithsonian Home With 3D Printing

December 9, 2019 by Al Williams 1 Comment

If you’ve ever been to Washington DC, you know the Smithsonian isn’t just a building, instead it’s a collection of 19 museums, 21 libraries, 9 research centers, and a zoo. Even though there are hundreds of affiliated museums, there is a way to bring at least some of the museum to you. The Smithsonian has a 3D digitization portal that currently features 124 models of items from the collection. Almost 100 of them have models you can download and print — or have someone print for you.

Printing yourself is probably the most cost-effective option if you already have a printer. According to the Smithsonian, if you want a 1/20th scale model of a T. Rex cranium, Shapeways will do it for about $21. If you want a 9-inch version of Neil Armstrong’s spacesuit, that would go for $130 or so.

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From Fail To Wail: Guitar Picks Made From 3D Printed Waste

December 8, 2019 by Tom Nardi 12 Comments

Between failed prints and iterative designs that need a few attempts before you nail them down, a certain amount of wasted material is essentially unavoidable when 3D printing. The good news is that PLA is a bioplastic and can be broken down via industrial composting, but even still, any method that allows you to reuse this material at home is worth taking a look at.

In a recent video, [Noah Zeck] details one potential use for your scrap plastic by turning his failed 3D prints into guitar picks. The idea here could really be applied to anything you can make out of thin plastic sheeting, but the fact that you can easily and cheaply produce picks with a commercially available punch makes this application particularly appealing.

The first step in this process is about as low-tech as it gets: wrap your scrap printed parts in rags, and beat them with a sledge hammer. This breaks them up into smaller and more manageable pieces, which is important for the next step. If the parts are small enough and you’ve got a decently powerful blender you don’t mind devoting to plastic recycling, we imagine that would make short work of this step as well.

Once suitably pulverized, [Noah] puts the plastic on a piece of glass and gets it warmed up with a heat gun. PLA has a fairly low glass transition temperature, so it shouldn’t take much time to soften. Then he puts a second piece of glass on top and squeezes them together to get a thin, flat sheet of plastic. Once cooled, he punches his guitar picks out of the sheet, with bonus points if the colors swirled around into interesting patterns. If you’re not musically inclined, we’ve seen a very similar method used to produce colorful floor tiles.

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Testing Carbon Fibre Reinforced Filament By Building An Over-Engineered Skateboard

December 3, 2019 by Danie Conradie 4 Comments

Advances in filaments for FDM 3D printers have come in leaps and bounds over the past few years, and carbon fibre (CF) reinforced filament is becoming a common sight. Robotics extraordinaire [James Bruton] got his hands on some CF reinforced PLA, and ended up building a completely over-engineered 3D printed skateboard. (Video, embedded below.)

[James] started by printing some test pieces with a 0.5 mm and a big 1.2 mm nozzle with and without the CF, which he subjected to cantilever deflection tests. The piece with CF was 20% stiffer than without.

[James] then built an extremely strong and cool looking skateboard deck with alternating section of the CF PLA and toughened PLA, totalling 2.7 kg of filament. It was extremely strong, so after bolting on a set of trucks and wheels, he did some mild riding at a local skate park, where it survived without any problems. He admits it was completely over-engineered, but points out in that the internal cavities in the deck is the perfect place for batteries on an electric long board.

Designing something from the ground up with the strength and weaknesses 3D printing in mind, leads to some very interesting and innovative designs, of which this is a perfect example, and we hope to see many more like it. We’ve featured a number of [James]’ project, including the remote controlled bowling ball he built for [Mark Rober] and his impressive OpenDog and Start Wars robots.

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Manual Mesh Bed Levelling For 3D Printers

December 1, 2019 by Al Williams 18 Comments

In 3D printing, we often talk about leveling the print bed, although that’s not an accurate term. A bed that is level in our terms presents a flat surface that is parallel to the path of the print head, but within reason we care little about that. Instead we care more about it being parallel to the path of the head than it being perfectly flat. If we had a perfectly flat bed — say a sheet of glass — you’d think it might be pretty easy, but for some other materials it could be convex or concave or even have ripples all over the place. [Teaching Tech] shows you how to manually “level” the bed using a mesh but without using an automatic sensor. You can see the technique in the video below.

When you use adjustments to level the bed, you are tramming it, but only the very pedantic use that term for fine adjustment. But no amount of adjusting bed springs will get rid of bulges and ripples. A common solution is to use a sensor to measure the distance to the bed and form a mesh correction. Then, as the printer head moves in the XY plane, the software will adjust the Z-axis to rise over bumps and go down if there is a concave portion of the bed. What [Teaching Tech] is doing, however, is a manual mapping. You won’t need to add a sensor to your printer to take advantage of the method.

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Multi Material 3D Printing Makes Soft Robot

November 30, 2019 by Al Williams 8 Comments

When you zoom in on a fractal you find it is made of more fractals. Perhaps that helped inspire the Harvard 3D printers that have various arrays of mixing nozzles. In the video below you can see some of the interesting things you can do with an array of mixing nozzles. The coolest, we think, is a little multi-legged robot that uses vacuum to ambulate across the bench. The paper, however, is behind a paywall.

There are really two ideas here. Mixing nozzles are nothing new. Usually, you use them to mimic a printer with two hot ends. That is, you print one material at a time and purge the old filament out when switching to the new filament. This is often simpler than using two heads because with a two head arrangement, both the heads have to be at the same height, you must know the precise offset between the heads, and you generally lose some print space since the right head can’t cross the left head and vice versa. Add more heads, and you multiply those problems. We’ve also seen mixing nozzles provide different colors.

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Robot Vs. Superbug

November 30, 2019 by Bryan Cockfield 6 Comments

Working in a university or research laboratory on interesting, complicated problems in the sciences has a romanticized, glorified position in our culture. While the end results are certainly worth celebrating, often the process of new scientific discovery is underwhelming, if not outright tedious. That’s especially true in biology and chemistry, where scaling up sample sizes isn’t easy without a lot of human labor. A research group from Reading University was able to modify a 3D printer to take some of that labor out of the equation, though.

This 3D printer was used essentially as a base, with the printing head removed and replaced with a Raspberry Pi camera. The printer X/Y axes move the camera around to all of the different sample stored in the print bed, which allows the computer attached to the printer to do most of the work that a normal human would have had to do. This allows them to scale up massively and cheaply, presumably with less tedious inputs from a large number of graduate students.

While the group hopes that this method will have wide applicability for any research group handling large samples, their specific area of interest involves researching “superbugs” or microbes which have developed antibiotic resistance. Their recently-published paper states that any field which involves bacterial motility, colony growth, microtitre plates or microfluidic devices could benefit from this 3D printer modification.

Building Your Own Tensegrity Structure

November 29, 2019 by Sharon Lin 37 Comments

It seems that tensegrity structures are trending online, possibly due to the seemingly impossible nature of their construction. The strings appear to levitate without any sound reason, but if you bend them just the right way they’ll succumb to gravity.

The clue is in the name. Tensegrity is a pormanteau of “tension” and “integrity”. It’s easiest to understand if you have a model in your hand — cut the strings and the structure falls apart. We’re used to thinking of integrity in terms of compression. Most man-made structures rely on this concept of engineering, from the Empire State Building to the foundation of apartment building.

Tensegrity allows strain to be distributed across a structure. While buildings built from continuous compression may not show this property, more elastic structures like our bodies do. These structures can be built on top of smaller units that continuously distribute strain. Additionally, these structures can be contracted and retracted in ways that “compressionegrities” simply can’t exhibit.

How about collapsing the structure? This occurs at the weakest point. Wherever the load has the greatest strain on a structure is where it will likely snap, a property demonstrable in bridges, domes, and even our bodies.

Fascinated? Fortunately, it’s not too difficult to create your own structures.

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