In the streaming era, few of us think about MP3s on a day to day basis anymore. Our music collection is managed by warring executives in streaming companies from far-off lands. However, for [vinod], they’re still useful — seeing as he just built himself an MP3 player that fits in a clay pot.
The build is based on the FRDMK64F development board, packing a powerful 120 MHz ARM chip. This has enough grunt to decode MP3s on the fly, using the Helix MP3 decoder library. The MP3s themselves are streamed off an SD card, using the faster SDIO access method rather than relying on slower SPI. Once decoded, the resulting PCM audio data is shifted out via a DAC using the chip’s DMA hardware, allowing for smooth, glitch-free playback. Output to a big woofer is via a 15 W class D amplifier, with the whole rig powered from a USB powerbank.
With all the electronics piled on the back of a big woofer speaker with lashings of hot glue, the final result is quite imposing; all the more so when installed neatly inside a clay pot acting as a bass reflex enclosure. We’ve seen some concrete cast speakers before, but not nearly enough hacker projects in clay. Please rectify this, and inform us once you’ve done so. Thanks in advance — video after the break!
MQA is an audio format that claims to use a unique “origami” algorithm, promising better quality and more musicality than other formats. At times, it’s been claimed to be a lossless format in so many words, and lauded by the streaming services that use it as the ultimate format for high-fidelity music. With the format being closed source and encoders not publicly available, these claims are hard to test. However, [GoldenSound] wasn’t born yesterday, and set out to test MQA by hook or by crook. The results were concerning. (Video, embedded below.)
To actually put the format through its paces, the only easy way available was to publish music to the Tidal streaming service, which uses the format. [GoldenSound] went this route, attempting to get some test files published. This hit a brick wall when the publishing company reported that the MQA software “would not encode the files”. The workaround? [GoldenSound] simply cut some audio test content into the middle of an acoustic track and resubmitted the files, where they were accepted without further complaint.
Testing with the content pulled from Tidal, [GoldenSound] found concerning evidence that the claims made around MQA don’t stack up. Significant amounts of added noise are often found in the MQA-processed files, and files served from Tidal are clearly not lossless. Additionally, MQA’s “blue light” authentication system, designed to guarantee to listeners that they’re listening to a identical-to-studio release, is demonstrated to be misleading at best, if not entirely fake.
Upon writing to MQA to get a response to his findings, [GoldenSound]’s test files were quickly stripped from Tidal. The company eventually disputed some of the findings, which is discussed in the video. The general upshot is that without open, transparent tools being made publicly available to analyse the format’s performance, it’s impossible to verify the company’s claims.
When Google halted production of the Chromecast Audio at the start of 2019, there was a (now silent) outcry. Fans of the device loved the single purpose audio streaming dongle that delivered wide compatibility and drop-dead simplicity at a rock bottom $35 price. For evidence of this, look no further than your favorite auction site where they now sell for significantly more than they did new, if you can even find an active listing. What’s a prolific hacker to do about this clear case of corporate malice? Why, reinvent it of course! And thus the Otter Cast Audio V2 was born, another high quality otter themed hack from one of our favorite teams of hardware magicians [Lucy Fauth, Jana Marie Hemsing, Toble Miner, and Manawyrm].
USB-C and Ethernet, oh my!
The Otter Cast Audio is a disc about the shape and size of standard Chromecast (about 50mm in diameter) and delivers a nearly complete superset of the original Chromecast Audio’s features plus the addition of a line in port to redirect audio from existing devices. Protocol support is more flexible than the original, with AirPlay, a web interface, Spotify Connect, Snapcast, and even a PulseAudio sink to get your Linux flavored audio bits flowing. Ironically the one thing the Otter Cast Audio doesn’t do is act as a target to Cast to. [Jan] notes that out of all the protocols supported here, actual Cast support was locked down enough that it was difficult to provide support for. We’re keeping our fingers crossed a solution can be found there to bring the Otter Cast Audio to complete feature parity with the original Chromecast Audio.
But this is Hackaday, so just as important as what the Otter Cast Audio does is how it does it. The OtterCast team have skipped right over shoehorning all this magic into a microcontroller and stepped right up to an Allwinner S3 SOC, a capable little Cortex A7 based machine with 128 MB of onboard DDR3 RAM. Pint sized by the bloated standards of a fully interactive desktop, but an absolutely perfect match to juggling WiFi, Bluetooth, Ethernet, and convenient support for all the protocols above. If you’re familiar with these hackers’ other work it won’t surprise you that what they produced here lives up to the typical extremely high quality bar set by such wonders as this USB-C adapter for JBC soldering iron handles and this TS-100 mainboard replacement.
Carbohydrate foams derived from dead trees are not the first material that springs to mind when considering building audio equipment. But really, there’s no reason not to explore new materials for jobs normally reserved for metal or plastic, and when pulled off right, as with this wooden ribbon microphone, the results can both look and sound great.
To be fair, there are plenty of non-wood components in [Frank Olson]’s replica of a classic RCA model 44 microphone. After all, it’s hard to get wood to exhibit the electromagnetic properties needed to turn acoustic energy into electric currents. But that doesn’t mean that wood, specifically walnut veneer, isn’t front and center in this design. [Frank] worked with thin sheets of veneer; cut into shape with a commercial vinyl cutter and stacked up with alternating grains, the wood was glued up with copious cyanoacrylate adhesive to form a plywood of sorts. The dogbone-shaped body was fitted with two neodymium magnets, leaving a gap just wide enough for the microphone’s ribbon diaphragm. That was made from a thin piece of aluminum foil that was corrugated using a DIY crimp roller. Suspended between the magnets and connected to leads, the mic element was adorned with a wood and fabric windscreen and suspended from elastic bands in a temporary frame for testing. The narration on the video below was recorded with the mic, which sounds quite nice to our ears.
We’ve seen ribbon microphones before, as well as wooden microphones, but this is the first time we’ve seen a wooden ribbon microphone. It looks as though [Frank] has more work he wants to do to finish it off properly, and we eagerly await the finished product.
Once a discarded relic, over the years the humble vacuum tube has been rehabilitated in the arena of specialist audio. There are plenty of tube amplifiers now being manufactured, with a popular choice being headphone amplifiers that use a tube as a gain stage followed by an op-amp as a buffer with a low impedance output. This forms the basis of [Ratti3]’s amplifier, but with the added interest of a battery supply and a Bluetooth connection.
The tube circuit is a very conventional anode follower using an EF95 pentode. This provides plenty of gain and of course that “valve sound” beloved of audio enthusiasts, but suffers from an output impedance too high to drive a set of headphones. An NE5532 steps in for the op-amp buffer role, making for a very simple circuit. Power comes from a set of four 18650 Lithium-Ion cells with associated charger and balance boards, while a little switching boost converter provides the 100 volt HT for the tubes.
For this project, [Dan] wanted to make sure no original functionality was lost. The radio still functions on the AM/FM bands, but now with the flip of a switch, he can listen to the audio coming his way courtesy of a Apt-X low-latency Bluetooth receiver. It sounds like the link is quick enough that he can even use this as a wireless speaker for watching TV, which isn’t always possible with cheaper chipsets that introduce a noticeable lag.
Isolating the audio trace.
The trick was to track down the receiver IC, a Silicon Labs chip similar to ones we’ve seen used in a few DIY radio projects previously. A peek at the datasheet told him which pins were carrying the audio signal, and after following them around the board, he found a convenient spot to cut the trace before it went into the volume control. From there is was just a matter of wiring in a SPDT slide switch that allowed him to select which device was passed through to the radio’s audio hardware.
While he had everything apart, [Dan] exorcised the Apt-X’s original 300 mAh LiPo pouch and replaced it with a DC-DC converter connected to the radio’s battery compartment. This allows him to run all of the hardware off of the same set of rechargeable NiMH cells, and also provides considerably improved runtime for the Bluetooth receiver.
Now as for physically integrating the Apt-X into the case of the radio…well, what can we say? [Dan] admits it’s a bit rough, but then the point was never to enter the thing into beauty pageants. It works well enough for his purposes, and in the end that’s all that matters.
While repairing his Neato Botvac D85, [elad] noticed the little fellow was packing a real speaker and not just a piezo buzzer. Thinking this was a bit overkill just for the occasional beep and bloop, he decided to round things out with a Bluetooth receiver and a second speaker so the bot can spin some stereo tunes while it gets down and dirty.
It wasn’t a very expensive modification. Between the VHM-314 Bluetooth receiver, the 3 watt PAM8403 amplifier, and a matching speaker, [elad] says he was only a few bucks out of pocket. Truly a small price to pay for a robotic vacuum that plays its own theme music as it travels around the house. A small demonstration of the Neato’s new musical talents can be heard in the video after the break.
Perhaps unsurprisingly, the audio hardware puts enough of a drain on the robot’s batteries at max volume that there’s a noticeable reduction in runtime. He’s not too worried about it right now, but [elad] mentions that if it ends up keeping the vacuum from being able to complete it’s whole cleaning cycle, that he might look into adding a dedicated power source to keep the music going.
