Musical Hacks

1566 Articles

The Hovalin: Open Source 3D Printed Violin Sounds Great

January 2, 2016 by 26 Comments

[Matt and Kaitlin Hova] have created The Hovalin, an open source 3D-printed violin. Yes, there have been 3D-printed instruments before, but [The Hovas] have created something revolutionary – a 3D printed acoustic instrument that sounds surprisingly good. The Hovalin is a full size violin created to be printed on a desktop-sized 3D printer. The Hovas mention the Ultimaker 2, Makerbot Replicator 2 (or one of the many clones) as examples. The neck is one piece, while the body is printed in 3 sections. The Hovalin is also open source, released under the Creative Commons Attribution Non-Commercial Share Alike license.

A pure PLA neck would not be stiff enough counter the tension in the strings, so [The Hovas] added two carbon fiber truss rods. A handful of other components such as tuners, and of course strings, also need to be purchased. The total price is slightly higher than a $60 USD starter violin from Amazon, but we’re betting the Hovalin is a better quality instrument than anything that cheap.

The Hovalin was released back in October. There are already some build logs in the wild, such as this one from [Emulsifide]. Like any good engineering project, the Hovalin is a work in progress. [Matt and Kaitlin] have already released version 1.0.1, and version 2.0 is on the horizon. Hearing is believing though, so click past the break to hear [Kaitlin] play her instrument.

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Color Sonification Could Be Key To Rainbow Connection

December 28, 2015 by 2 Comments

Have you seen any loud sweaters this holiday season? Now there is a way to quantify their vibrancy and actually hear them at the same time. Cornell engineering students [Mengcheng Qi] and [Ryan Land] focused on the sonification of color and translated the visible spectrum into audible sounds.

They originally planned to use pixel samples from an OV7670 camera module, but weren’t able to extract any useful color data from it. We prefer their Plan B anyway, which was to use CdS photo resistors and the plastic color filters used for photography in red, blue, and green. The varying intensity of light falling on the photo resistors creates different patterns according to the voltage levels. The actual sound generation was done with FM sound synthesis.

There wasn’t a lot of natural sound variation between different RGB values, so in order to make it more fun, they created different instruments which play different patterns at variable speeds and pitch according to the colors. In addition to the audio feedback, the RGB values are displayed in real-time on a small TFT. Below those are dynamic bar graphs that show the voltages of each color.

Check out the demo after the break; they walk through the project and try it out on different things to hear their colors.

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Muscle Wire Pen Dances To Duke Nukem

December 22, 2015 by 2 Comments

[serdef] is clearly just having a little bit of fun here. One never needs a whiteboard pen that’s syncronized by MIDI to dance along with the theme from Duke Nukem.

But if you had all of the parts on hand (a highly liquid MIDI-driven relay board that connects straight up to a soundcard, some muscle wire, tape, and a whiteboard pen, naturally) we’re pretty sure that you would. You can watch the dancing pen in a video below the break.

The project is really about documenting the properties of [serdef]’s muscle wire, and he found that it doesn’t really contract enough with a short piece to get the desired effect. So he added more wire. We’ve always meant to get around to playing with muscle wire, and we were surprised by how quickly it reacted to changing the voltage in [serdef]’s second video.

Now the dancing pen isn’t the most sophisticated muscle wire project we’ve ever seen. And that award also doesn’t go to this Nitinol-powered inchworm. Did you know that there’s muscle wire inside Microsoft’s Surface?

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Scratching Vinyl Straddles Physical And Digital Realms

December 21, 2015 by 10 Comments

The life of a modern DJ is hard. [Gergely] loves his apps, but the MIDI controller that works with the app feels wrong when he’s scratching, and the best physical interfaces for scratching only work with their dedicated machines. [Gergely]’s blog documents his adventures in building an interface to drive his iPad apps from a physical turntable. But be warned, there’s a lot here and your best bet is to start at the beginning of the blog (scroll down) and work your way up. Or just let us guide you through it.

In one of his earliest posts he lays out his ideal solution: a black box that interprets time-code vinyl records and emulates the MIDI output of the sub-par MIDI controller. Sounds easy, right? [Gergely] gets the MIDI side working fairly early on, because it’s comparatively simple to sniff USB traffic and emulate it. So now he’s got control over the MIDI-driven app, and the hard part of interfacing with the real world began.

After experimenting a lot with timecode vinyl, [Gergely] gives up on that and looks for an easier alternative. He also considers using an optical mouse, but that turns out to be a dead-end as well. Finally, [Gergely] settled on using a Tascam TT-M1, which is basically an optical encoder that sits on top of the record, and that makes the microcontroller’s job a lot easier. You can see the result in the video below the break.

And then in a surprise ending worthy of M. Night (“I see dead people”) Shyamalan  he pulls timecode vinyl out of the grave, builds up a small hardware translator, and gets his original plan working. But we have the feeling that he’s not done yet: he also made a 3D printed optical-mouse holder.

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Touch Piano Hits All The Right Notes

December 18, 2015 by 18 Comments

We love a good musical build, and this one is no exception. For their ECE4760 final project, [Wendian Jiang], [Hanchen Jin], and [Lin Wang] of Cornell built the nicest-looking touch piano we’ve seen in a while. It has five 4051 multiplexers that take input from 37 capacitive touch keys fashioned from aluminium foil and copper tape. Thanks to good debounce code, the sounds are clean even though the keyboard is capable of four-note polyphony.

A PIC32 and a Charge Time Measurement Unit (CTMU) module generate a small, steady current that charges up the keys. The PIC scans the pins continuously waiting for touch input. When human capacitance is detected, the value is compared with the base capacitance using the ADC and the sound is generated with the Karplus-Strong algorithm.

The group’s original plans for the project included a TFT screen to show the notes on a staff as they are played. While that would have been awesome, there was just too much going on already to be able to accurately capture the notes as well as their duration. Check it out after the break.

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Polyphonic FM Synthesizer Uses ARM

December 14, 2015 by 13 Comments

There seems to be a direct correlation between musicians and people who can program. Even programmers who don’t play an instrument often have a profound appreciation of music and so we see quite a few musical projects pop up. [Ihsan Kehribar’s] latest project is a good example. He married an STM32F031 ARM development board, an audio codec, and a simple op amp filter to make a playable MIDI instrument. Of course, it is hard to appreciate a music project from a picture, but if you want to listen to the results, there’s always Soundcloud.

He’d started the project using an 8-bit micro, but ran into some limitations. He switched to an STM32F031, which is a low-end ARM Cortex M0 chip. [Ihsan] mentions that he could have used the DSP instructions built into larger ARM chips, but he wanted to keep the project done on minimal hardware. The audio CODEC chip is from Cirrus Logic (a WM8524), and it produces two output channels at 192 kHz. As an unexpected benefit, the CODEC uses a charge pump to generate a negative voltage (much like a MAX232 does) and [Ihsan] was able to tap that voltage to provide the op-amps in the audio filter with a negative supply rail.

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Gitaar Van Schroot – The Scrap Metal Guitar

December 8, 2015 by 6 Comments

Sheet metal. Beer cans. Pieces of chain. Not items you’ll typically find on the BOM for a custom guitar. But nobody told [Maarten van Halderen] that, and so he threw them all together into a gitaar van schroot, or scrap guitar for the Dutch impaired (YouTube link).

The video shows the build process, starting with plasma cutting and welding sheet steel for the body. The neck is fabricated from rectangular steel tube, with nails serving as frets. Overall it looks like a Les Paul, except for the sink strainer basket mounted in the sound hole and the crushed beer and soda cans tacked to the body for decoration. The chains are a nice touch too. And this doesn’t appear to be [Maarten]’s first attempt at scrapyard lutherie  – toward the end of the video we see that the beer can axe joins a very steam-punk looking older brother. They’re both good-looking builds, and the video after the break proves they can sound pretty good too.

For a more classical take on the building of string instruments, check out this post on mandolins and violas. Or maybe you can just 3D print your next guitar?

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