Pendulum MIDI Controller Really Swings

June 3, 2015 by Kristina Panos 16 Comments

Once in a while, we see a project that makes us want to stop whatever we’re doing and build our own version of it. This time, it’s Modulum, a pendulum-based MIDI controller. It’s exactly what it sounds like. The swinging pendulum acts as a low-frequency oscillator. In the demo video configuration, you can hear it add a watery, dreamlike quality, sort of like a lap steel guitar on LSD.

The pendulum’s motion is detected by four pieces of stretchy, conductive cord. These are wired to an Arduino Nano in a voltage divider fashion. [Evan and Kirk] used the Maxuino library to determine x and y mapping of possible pendular positions as well as perform the necessary MIDI processing. Get your groove on after the break, and check out some of the many other fantastic MIDI controllers we’ve had the pleasure of covering.

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Tiny Robot Jazz

May 27, 2015 by Elliot Williams 17 Comments

Microcontroller-based projects don’t have to be fancy to be fantastic. Case in point: [r0d0t]’s “Musicomatic: the random jazz machine“. Clever programming and a nice case can transform a few servos and a microcontroller into something delightful.

Hardware-wise, there’s really nothing to see here; a speaker and some servos are hooked up to an ATmega328. We think it’s cute to have the microcontroller control its own power supply through a relay, but honestly a MOSFET in place of the relay or better still using the AVR’s shutdown sleep mode would be the way to go.

Nope, where this project shines is the programming. Technically, it might make some of you cringe — full of blocking delays and other coding “taboos”. But none of that matters, because [r0d0t] put his work in where it counts: the music. You simply must hear it for yourself in the clip after the break.

The basis of making music that humans like is rhythm, so [r0d0t] doesn’t leave this entirely to chance. The array “rhythms” has seven beat patterns that get randomly selected. The other thing humans like is predictability and repetition, so choruses and “improvs” repeat as well. All of the random notes are constrained to the pentatonic scale, which keeps it from ever sounding too bad. (The secret sauce of Kenny G.)

In short, [r0d0t] packs a lot of basic music theory into a very basic device, and comes up with something transcendent. We’re a bit reminded of the Yellow Drum Machine robot, and that’s high praise. Both projects are testaments to building something simple and then investing the time and effort into the code to make the project awesome.

For another slice of [r0d0t]’s excellent minimalist pie, check out his take on the classic Snake game: Twisted Snake.

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Router Fixture For Radiusing Guitar Fretboards

May 10, 2015 by Rich Bremer 18 Comments

Unless you’ve been up close and personal with a guitar, it’s easy to miss that the fretboard (where a guitar player presses on the strings) is not flat. There is a slight curve, the amount of which varies with the type and brand of guitar. There are even guitars with fretboards that have a compound radius that changes from one end to the other.

[Mike] is a guitar builder and needed a way to radius his own fretboards. He did what any other DIYer would, he designed and built a tool to do exactly what he needed. The fretboard radius cutting fixture consists of a new large router base that has a curved bottom. This base rests on two metal pipes and can slide both back and forth in addition to along the new base’s curve. The flat fretboard blank is secured to the fixture below the router and is slowly nibbled away at using a standard straight flute router bit. A little sanding later and [Mike] will be able to keep moving forward on his guitar builds.

Making Music With Clojure And Bananas

April 27, 2015 by Eric Evenchick 12 Comments

At this point, the banana piano is a pretty classic hack. The banana becomes a cheap, colorful touch sensor, which looks sort of like a piano key. The Arduino sets the pin as a low-level output, then sets the pin as an input with a pull up resistor. The time it takes for the pin to flip from a 0 to a 1 determines if the sensor is touched.

[Stian] took a new approach to the banana piano by hooking it up to Clojure and Overtone. Clojure is a dialect of Lisp which runs in the Java Virtual Machine. Overtone is a Clojure library that provides tons of utilities for music making.

Overtone acts as a client to the Supercollider synthesis server. Supercollider has been around since 1996, and provides a wide array of sound synthesis functions. Overtone simply tells Supercollider what to do, letting you easily program sounds in Clojure.

The banana piano acts as an input to a Clojure program. This program maps the banana to a musical note, then triggers a note on Overtone’s built-in piano sampler. The result is a nice piano sound played with fruit. Of course, since Overtone and Supercollider are very flexible, this could be used for something much more complex.

After the break, a video of the banana piano playing some “Swedish Jazz.”

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Slick Six-Voice Synth For AVRs

April 27, 2015 by Elliot Williams 26 Comments

He started off making an AVR synthesized guitar, but [Erix] ended up with much more: a complete six-voice AVR wavetable synthesis song machine that’ll run on an ATMega328 — for instance, on an Arduino Uno.

If you’re an AVR coder, or interested in direct-digital synthesis or PWM audio output, you should have a look at his code (zip file). If you’d just like to use the chip to make some tunes, have a gander at the video below the break.

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Logic Noise: Sequencing In Silicon

April 24, 2015 by Elliot Williams 12 Comments

In this session of Logic Noise, we’ll combine a bunch of the modules we’ve made so far into an autonomous machine noise box. OK, at least we’ll start to sequence some of these sounds.

A sequencer is at the heart of any drum box and the centerpiece of any “serious” modular synthesizer. Why? Because you just can’t tweak all those knobs and play notes and dance around at the same time. Or at least we can’t. So you gotta automate. Previously we did it with switches. This time we do it with logic pulses.

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DIY Bass Drum Microphone Uses Woofer Cone As Diaphragm

April 18, 2015 by Rich Bremer 17 Comments

Anyone into audio recording knows that recording drums is a serious pain. Mic setup and positioning can make or break a recording session. One particular hurdle is getting a great sound out of the bass drum. To overcome this, [Mike] has built a microphone using an 8″ woofer in an attempt to capture the low-end frequencies of his bass drum. Using a speaker as a microphone isn’t a new idea and these large diaphragm bass drum mics have taken commercial form as the DW Moon Mic and the now-discontinued Yamaha SubKick.

The project is actually quite simple. The speaker’s positive terminal is connected to Pin 2 of a 3-pin XLR microphone connector. The speaker’s negative terminal is connected to the connector’s Pin 1. [Mike] made a bracket to connect the woofer to a mic stand, which in turn was cut down to position the woofer at bass drum height. The setup is then plugged into a mixer or pre-amp just like any other regular microphone.

[Mike] has since made some changes to his mic configuration. It was putting out way too hot of a signal to the preamp so he added an attenuation circuit between the speaker and XLR connector. Next, he came across an old 10″ tom shell and decided to transplant his speaker-microphone from the open-air metal rack to the aesthetically pleasing drum shell. Check out [Mike’s] project page for some before and after audio samples.