Lego Guitar Is Really An Ultrasonically-Controlled Synth

The phrase “Lego Guitar” can be a stressful one to hear. You might imagine the idea of strings under tension and a subsequently exploding cloud of plastic shrapnel. This build from the [Brick Experiment Channel] eschews all that, thankfully, and is instead a digital synth that only emulates a guitar in its rough form factor.

The heart of the build is a Lego Mindstorms EV3 controller. It’s acts as the “body” of the guitar, and is fitted with a Lego “fretboard” of sorts. A slide is moved up and down the fretboard by the player. The EV3 controller detects the position of the slide via an ultrasonic sensor, and uses this to determine the fret the user is trying to play. The button the user presses on the controller then determines which of five “strings” the user is playing, and the selected note is sounded out from the EV3’s internal speaker. It’s strictly a monophonic instrument, but three different sounds are available: a bass guitar, a rock guitar, and a solo guitar, with all the fidelity and timbre of a 90s Casio keyboard.

It’s a fun and silly instrument, and also kind of difficult to play. The slide mechanism doesn’t offer much feedback, nor are the EV3 buttons intended for dynamic musical performance. Regardless, the player belts out some basic tunes to demonstrate the concept. We doubt you’d ever be able to play Through The Fire and Flames on such a limited instrument, but [Brick Experiment Channel] used their editing skills to explore what that might sound like regardless.

We’ve seen some other great synth guitars before, too. Modern microcontrollers and electronics give makers all kinds of creative ways to build electronic instruments with unique and compelling interfaces. Some are more successful than others, but they’re all fun to explore. Video after the break.

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Sequencing The Vintage Way

For most of us, an 8-bit microcomputer means one of the home computers which set so many of us on our way back in the 1980s. But this ignores an entire generation of 1970s 8-bit machines which filled the market for affordable office and industrial desktop computing before we were seduced by Pac-Man or Frogger. It’s one of these, an SWTPC 6809, that’s found its way into the hands of [Look Mum No Computer], and in direct contradiction to his branding, he’s used it to control a synthesizer.

As you’d expect from the name, the computer hides a 6809 processor, and comes from the end of the 1970s when that chip had been released in an effort to stave off the market threat from the likes of Zilog and MOS Technologies. It has an SS-50 bus motherboard, and the saga in the video below the break is as much about the production of a custom DAC and trigger port for it to drive the synth as it is about troubleshooting a four-decade-old computer. It’s a credit to SWTPC that the machine is largely working after all this time, however it succumbs to some damage during the development of the interface.

At the end though, there’s a fully functional sequencer on a 1970s computer, playing some pretty good electronic music from an analogue synth. This is EXACTLY the future we were promised, back in 1979!

Long-time readers will know this isn’t the first SWTPC that has graced these pages.

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Arduino Synthesizer Uses Modified Slide Pots

There comes a point in every Arduino’s life where, if it’s lucky, it becomes a permanent fixture in a project. We can’t think of too many better forever homes for an Arduino than inside of a 3D-printed synthesizer such as this 17-key number by [ignargomez] et al.

While there are myriad ways to synthesizer, this one uses the tried-and-true method of FM synthesis courtesy of an Arduino Nano R3. In addition to the 17 keys, there are eight potentiometers here — four are used for FM synthesis control, and the other four are dedicated to attack/delay/sustain/release (ADSR) control of the sound envelope.

One of the interesting things here is that [ignargomez] and their team were short a few regular pots and modified a couple of slide pots for circular use — we wish there was more information on that. As a result, the 3D printed enclosure underwent several iterations. Be sure to check out the brief demo after the break.

Don’t have any spare Arduinos? The BBC Micro:bit likes to make noise, too.

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Dittytoy recreation of Jean-Michel Jarre's Oxygene Part IV

Generative Music Created In Minimalistic Javascript Code

Dittytoy user [srtuss] has recreated one of the most influential works of electronic music in an elegant nineteen kilobytes of Javascript code. The recreation of Jean-Michel Jarre’s Oxygene Part IV on the Dittytoy platform, currently in beta, plays live right in your browser. Dittytoy empowers users to create generative music online using a simple Javascript API. Syntax of the API is loosely based on that of Sonic Pi, a code-based music creation and performance tool.

“Oxygene (Part IV)” was recorded by Jean-Michel Jarre in 1976. It was Jarre’s most successful single, charted on the top ten in several countries, and was more recently featured in the Grand Theft Auto IV video game. In the 1990s, famed electronic music innovator Brian Eno used the term “generative music” to describe music generated by an electronic system comprising ever-changing elements that may be algorithmic or random.

Recreation of Jarre’s work required modeling the Korg Minipops 7 drum machine, one of the instruments presented in our slew of open-source synthesizers.

Beat Backing Box For Bassists

The soul of a rock band is its rhythm section, usually consisting of a drummer and bass player. If you don’t believe that, try listening to a band where these two can’t keep proper time. Bands can often get away with sloppy guitars and vocals (this is how punk became a genre), but without that foundation you’ll be hard pressed to score any gigs at all. Unfortunately drums are bulky and expensive, and good drummers hard to find, so if you’re an aspiring bassist looking to practice laying down a solid groove on your own check out this drum machine designed by [Duncan McIntyre].

The drum machine is designed to be as user-friendly as possible for someone who is actively playing another instrument, which means all tactile inputs and no touch screens. Several rows of buttons across the top select the drum sounds for the sequencer and each column corresponds to the various beats, allowing custom patterns to be selected and changed rapidly. There are several other controls for volume and tempo, and since it’s based on MIDI using the VS1053 chip and uses an STM32 microcontroller it’s easily configurable and can be quickly interfaced with other machines as well.

For anyone who wants to build their own, all of the circuit schematics and code are available on GitHub. If you have an aversion to digital equipment, though, take a look at this drum machine that produces its rhythms using circuits that are completely analog.

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BBC Micro:Bit As Handheld Synthesizer

The BBC Micro:bit, while not quite as popular in our community as other microcontroller development boards, has a few quirks that can make it a much more interesting piece of hardware to build a project around than an Arduino. [Turi] took note of these unique features and decided that it was the perfect platform to build a synthesizer on.

The Micro:bit includes two important elements that make this project work: the LED matrix and a gyro sensor. [Turi] built a 5×5 button matrix for inputs and paired each to one of the diodes, which eliminates the problem of false inputs. The gyro sensor is used for detuning, which varies the pitch of any generated sound by a set amount according to the orientation of the device. It also includes a passive low-pass filter to make the sound more pleasant to the ear, especially for younger players of the machine. He’s released the source code on his GitHub page for anyone interested in recreating it.

While this was a one-off project for [Turi], he notes that using MicroPython to program it instead of C led to a lot of unnecessary complications, and the greater control allowed by C would enable some extra features with less hassle. Still, it’s a fun project that really showcases the unique features of this board, much like this tiny Sumo robot we covered over the summer.

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DIY Square Guitar Is Anything But

One of the greatest things about this place is how y’all constantly feed off of each other. And while this isn’t exactly an example of that, it’s pretty darn close — we feature a square guitar build one day, and get a tip about another way different and perhaps more functional one the next.

[Craig Lindley] had no idea of his luthier powers until an email from StewMac inspired him to build his own guitar. Rather than strip a perfectly good axe or two for all the parts, he bought the hardware and a pre-made neck, and built the body himself. The Bo Diddley-inspired boxy body is an ice cream sandwich of sapele, inlaid with white ash around the perimeter which is quite the classy look. Speaking of looks, [Craig] worried that all-gold hardware would be too flashy, but we think it looks great.

Not hard-mode enough for you? Well, here’s a guitar made from scratch, (more or less). If you’d rather have more of a teaching guitar, behold this LED-laden axe.