Stochastic Markov Beats

February 20, 2021 by Matthew Carlson 7 Comments

[Attoparsec] has been building intriguing musical projects on his YouTube channel for a while and his latest is no exception. Dubbed simply as “Node Module”, it is a rack-mounted hardware-based Markov chain beat sequencer. Traditionally Markov chains are software state machines that transition between states with given probabilities, often learned from a training corpus. That same principle has been applied to hardware beat sequencing.

Each Node Module has a trigger input, four outputs each with a potentiometer, and a trigger out. [Attoparsec] has a wonderful explanation of all the different parts and theories that make up the module at the start of his video, but the basic operation is that a trigger input comes in and the potentiometers are read to determine the probabilities of each output. One is randomly selected and fired. As you can imagine, there are loops and even dead-end nodes and for some musical pieces there is a certain number of beats expected, so a clever reset signal can be sent to pull the chain back to the initial starting state at a regular interval. The results are interesting to listen to and even better to imagine all the possibilities.

The module itself is an Arduino-based custom PCB that is laid out quite cleanly. The BOM, code, and KiCad files are available on GitHub if you want to make one yourself. This isn’t the first instrument we’ve seen [Attoparsec] make, and we’re confident it won’t be the last.

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12-Note Polyphony On An Arduino Synth

February 19, 2021 by Lewin Day 9 Comments

When synthesizers first hit the scene back in the mid-20th century, many were monophonic instruments, capable of producing just one pitch at a time. This was a major limitation, and over time polyphonic synthesizers began to flood into the scene, greatly expanding performance possibilities. [Kevin] decided to build his own polyphonic synthesizer, but far from taking the easy route, he built it around the Arduino Uno – not a platform particularly well known for its musical abilities!

[Kevin]’s build manages 12-note polyphony, an impressive feat for the ATmega328 at the heart of the Arduino Uno. It’s done by running an interrupt on a timer at a steady rate, and implementing 12 counters, one per note. When a counter overflows, a digital IO pin is flipped. This outputs a square wave at a certain pitch on the IO pin, producing the given note. The outputs of 12 digital IO pins are mixed together with a simple resistor arrangement, producing a basic square wave synth. Tuning isn’t perfect, but [Kevin] notes a few ways it could be improved down the line.

[Kevin] has added features along the way, expanding the simple synth to work over several octaves via MIDI, while also building a small tactile button keyboard, too. It’s a project that serves as a great gateway into basic synthesis and music electronics, and we’re sure [Kevin] learned a lot along the way. We’ve seen other microcontroller synths before too, like this tiny device that fits inside a MIDI plug. Video after the break.

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Continuous Excitation Piano Machine Looks Nervous, Sounds Grand

February 16, 2021 by Adam Zeloof 20 Comments

It’s not every day we see a grand piano with a Raspberry Pi inside, let alone one with 96 motors, but sometimes we get lucky. The contraption in question is one developed by [Konstantin Leonenko], as part of a collaboration with composer [Patricia Alessandrini] for a piece she created inspired by Ada Lovelace. Specifically, [Patricia] was inspired by Ada’s idea that an “analytical machine” would, someday, be able to create music on its own. [Konstantin] and [Patricia] worked together to make a machine that would learn from it’s human co-performers and create music with them.

Their creation, rather than just one tricked-out keyboard, is actually a portable attachment that can be easily fitted to any grand piano. Each of the device’s 96 motors drives a plastic “finger” that excites the piano’s strings. The result is a sound unlike any other — and you really need to experience it so click through that link at the top for the demo video.

Rather cleverly, the fingers are designed such that their dynamics help to mask the sound of the motor (a must for performances) while simultaneously enhancing the string’s timbre. Like any project, this one went through a number of iterations over the two-year design process, and even spun off into an entirely new, glove-based version.

We’ve seen some awesome music tech hacks, and this one fits right in with the rest. It’s always exciting to see an instrument as ubiquitous as the piano be used in new and refreshing ways. Be sure to check out the link at the top for a video of this incredible instrument in action!

Tiny Motors Enable Experimental Piano Performance

February 11, 2021 by Lewin Day 10 Comments

Just when you think you’ve seen every possible way to play the piano, [Alessandro Perini] came up with a new one. In this piece, written for the percussionist [Irene Bianco], hand-held motors become a tangible interface between composer, electronic music equipment, and the performer.

The performance involved ten small disc motors, held above the strings by a wooden frame. The motors are controlled by a Arduino Nano, which turns the motors on or off based on MIDI commands from a computer. However, the performance is not entirely automated. [Irene] wears a pair of contact microphones on her fingers, which she moves around inside the piano to capture the sounds of the strings vibrating in harmony with the motors themselves.

[Alessandro] has been kind enough to share a tutorial on how to recreate the hardware and software behind the performance for those keen to create similar work of their own. As with any musical endeavour, MIDI can always make it better. Video after the break.

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Tonewheels Warble In This Organ-Inspired Musical Instrument

February 10, 2021 by Dan Maloney 9 Comments

Younger readers may not recall the days when every mall had a music store — not the kind where tapes and LPs were sold, but the kind where you could buy instruments. These places inevitably had an employee belting out mall-music to all and sundry on an electric organ. And more often than not, the organist was playing a Hammond organ, with the distinct sound of these instruments generated by something similar to this tonewheel organ robot.

Tonewheels are toothed ferromagnetic wheels that are rotated near a pickup coil. This induces a current that can be amplified; alter the tooth profile or change the speed of rotation, and you’ve got control over the sounds produced. While a Hammond organ uses this technique to produce a wide range of sounds, [The Mixed Signal]’s effort is considerably more modest but nonetheless interesting. A stepper motor and a 1:8 ratio 3D-printed gearbox power a pair of shafts which each carry three different tonewheels. The tonewheels themselves are laser-cut from mild steel and range from what look like spur gears to wheels with but a few large lobes. This is a step up from the previous version of this instrument, which used tonewheels 3D-printed from magnetic filament.

Each tonewheel has its own pickup, wound using a coil winder that [TheMixed Signal] previously built. Each coil has a soft iron core, allowing for the addition of one or more neodymium bias magnets, which dramatically alters the tone. The video below shows the build and a demo; skip ahead to 16:10 or so if you just want to hear the instrument play. It’s — interesting. But it’s clearly a work in progress, and we’re eager to see where it goes. Continue reading “Tonewheels Warble In This Organ-Inspired Musical Instrument” →

Simple Slide Whistle Gets A MIDI Makeover

February 10, 2021 by Dan Maloney 7 Comments

On today’s episode of “Will it MIDI?” we have the common slide whistle. Spoiler alert: yes, it will, and the results are just on the edge of charming and — well, a little weird.

As maker [mitxela] points out, for all its simplicity, the slide whistle is a difficult instrument to play. Or, at least a difficult one to hit a note repeatably. It’s a bit like a tiny plastic trombone, in that both lack keys or stops that limit the vibrating column of air to a specific length. Actually, the beginning of the video below shows a clever fix for that problem on the slide whistle using magnets, but that’s mainly a side project.

[mitxela]’s MIDI-fication of the slide whistle required a bit more than a few magnets. To move the slide to defined positions, a pair of high-precision servos was connected by a laser-cut plywood scissors linkage. The lung-power of the musician is replaced by a small electric blower, mounted away from the whistle and supplying air through a long hose. The fan’s speed, and therefore the speed of the airflow, can be varied; this prevents low notes from shifting up in register from over-blowing, if that’s the right term. Another servo controls a damper that shuts off the flow of air from the mouth of the whistle to control notes without having to turn off the fan completely. The main article goes into detail about the control electronics and the calibration process.

The video has a few ~~YouTube copyright strikes~~ demo songs, and we have to say we’re impressed with the responsiveness of the mechanism. Some will object to the excess servo noise, but we found it nice — almost like guitar string-squeak. We like the tunes where [mitxela]’s servo-plucked music box joined in, too.

Super Mario Original Sound Tracks Get High Quality Remaster Thanks To Gigaleak

February 6, 2021 by Lewin Day 3 Comments

2020 saw many gigabytes of internal Nintendo data leaked on the broader internet. Known as the “Gigaleak”, it contained source codes and assets from many games. Using data from this leak, a group of enthusiasts has put together high-quality renditions of the SNES Super Mario World Original Sound Tracks (OST).

The work was made possible when source code from the Gameboy Advance remake of Super Mario World was found in the leaked data. The source code included the names of the samples, which were the same as were used in the original SNES game. This allowed the team to find the original samples amongst the gigabytes of leaked files.

We wondered what would be done with all that code, speculating that it would be a poison pill for the emulator scene. This type of hack wasn’t even on our radar and we’re delighted to see the project come to light. The reproduced songs have an altogether different quality than the original SNES soundtrack. This is largely due to the samples not having to be compressed or cut down to fit on a cartridge and work with the console’s sound chip. Other variances in the sound also come from the fact that unlike in the game, the samples in these renditions don’t match the play lengths in the original game.

Regardless of the changes, it’s interesting to hear a more full, rounded sound of these classic video game tunes. It reminds us somewhat of the later CD console era, when sound designers were able to break free of the limitations of earlier hardware. Of course, we still bow at the alter of chiptune, though — and this MIDI Gameboy mod is a great place to start if you’re curious. Video after the break.

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