[Ben] is a big fan of the build first method of working, and demonstrates why it works well. In this case, the first attempt involved a pneumatic design, where the user would bite down on an air bladder that actuated a remotely-located potentiometer via a tube and bellows. However, while this design worked, the tactile feedback was poor. This led to experimentation with mechanical designs, with an initial attempt involving a 3D printed mechanism and a rotary pot. This was better, but still had problems with damage from teeth and poor feel .The final design is essentially an analog button, built with fabric-impregnated silicone for wear resistance and using a linear pot for smooth feedback.
The final design is impressively tidy, and [Ben] notes that while it looks simple, it was only arrived at by trying plenty of worse solutions first. We’ve seen other work done in the gaming world too; recently, modular controllers have come into vogue to serve a wide variety of needs. Video after the break.
The art-music-technology collective “Electronicos Fantasticos!” (commonly known as Nicos) is the brain child of artist/musician [Ei Wada] in Japan. They revive old, retired and out-dated electrical appliances as new “electro-magnetic musical instruments” creating not just new ways to play music, but one that also involves the listener as a musician, gradually forming an interactive orchestra. They do this by creatively using the original functions of appliances like televisions and fans, hacking them in interesting ways to produce sound. The project started in the beginning of 2015, leading to the creation of a collaborative team — Nicos Orchest-Lab — around the end of that year. They have since appeared in concerts, including a performance at “Ars Electronica”, the world’s largest media arts festival in 2019.
For us hackers, the interesting bits can be found in the repository of their Work, describing sketchy but tantalising details of the musical instruments. Here are a few of the more interesting ones, but do check out their website for more amazing instruments and a lot of entertaining videos.
CRT-TV Gamelan – A percussion instrument made from old CRT monitors. Coloured stripes projected on the screen cause changes in static-electricity picked up by the players hands, which then propagates to an electrical coil attached to their foot. This signal is then patched to a guitar amplifier.
Electric Fan Harp – They take out the fan blade, and replace it with a “coded disk” containing punched holes. Then they shine a bulb from under the rotating disk, and the interrupted light is picked up by an optical receiver held by the player. Controlling the fan speed and the location of the receiver pickup, they can coax the fan to produce music – based on the idea “What if Jimi Hendrix, the god of electric guitars, played electric fans as instruments?”
Barcoder – This one is quite simple but produces amazing results, especially when you pair up with another Barcoder musician. The output of the barcode reader is pretty much directly converted to sound – just wave the wand over printed barcode sheets. And it works amazingly well when pointed at striped shirts too. Check out the very entertaining videos of this gizmo. This led to the creation of the Barcodress – a coded dress which creates an interactive music and dance performance.
The Striped Shirtsizer
Striped Shirtsizer – This one is a great hack and a synth with a twist. A camera picks up video signals, which is then fed to the “Audio” input of an amplifier directly. In the video on the project page, [Ei Wada] explains how he accidentally discovered this effect when he wrongly plugged the “yellow” video out connector to the audio input of his guitar amplifier. At an outdoor location, a bunch of people wearing striped shirts then become an interactive musician-audience performance.
The Kankisenthizer
Kankisenthizer a.k.a Exhaust Fancillator – This one consists of an array of industrial exhaust fans – although one could just as well use smaller instrument cooling fans. On one side is a bright light, and on the other a small solar cell. Light fluctuations picked up by the solar cell are then fed to the guitar amplifier. The array consists of fans with different numbers of blades. This, coupled with changing the fan speed, results in some amazing sound effects.
There’s a whole bunch more, and even though the “instructions” to replicate the instruments aren’t well documented, there’s enough for anyone who’s interested to start experimenting.
While the days of audio cassette tapes are long over for almost everyone, magnetic tape still enjoys extensive use in some other realms such as large-scale data backup. Those that are still using it to store their tunes are a special subset of audio enthusiasts. [Frank] still has a working tape deck, and enthusiasm for classic non-vinyl sound. His homage to audio tape? Building a working cassette made (almost) entirely of wood.
The cassette is modeled on the formerly popular Maxell XL-II and the first versions of this build were modeled in paper. Once the precise dimensions of the enclosure were determined, [Frank] got to work building the final version from wood in a decidedly 2D process. He used a plotter to cut layers out of a wood veneer and glued them together one-by-one. The impressive part of this build is that the tape reel bearings are also made from wood, using a small piece as a race that holds the reels without too much friction.
Once everything was pieced together and glued up, [Frank] had a perfect working cassette tape made entirely from wood with the exception of the magnetic tape and a few critical plastic parts that handle the tape directly. The build is an impressive piece of woodworking, not unlike the solid wood arcade cabinet from a few days ago.
Ever heard of a handpan? If not, imagine a steel drum turned inside out, and in case that doesn’t help either, just think of a big metal pan you play music with by tapping your hands on its differently pitched tone fields. But as with pretty much any musical instrument, the people around you may not appreciate your enthusiasm to practice playing it at any time of the day, and being an acoustic instrument, it gets difficult to just plug in your headphones. Good news for the aspiring practitioners of Caribbean music though, as [Deepsoul77] created a MIDI version of this rather young and exotic instrument.
Using the foam salvaged from an old mattress as the core of the handpan, [Deepsoul77] cut a couple of plywood pads as tone fields that will be attached to the foam. Each plywood tone field will then have a piezo element mounted in between to pick up the hand tapping. Picking up the tapping itself and turning it into MIDI signals is then handled by an Alesis trigger interface, which is something you would usually find in electronic drums. From here on forward, it all becomes just a simple USB MIDI device, with all the perks that brings along — like headphone usage or changing MIDI instruments to make anything sound like a trumpet.
Anyone who has through the process of learning to play a musical instrument for the first time, or listening to someone attempting to do so will know that it can be a rather painful and frustrating experience. [Alessandro Perini] apparently couldn’t get enough of the sound of a first-time musician, so he created a robot to play the melodica badly for hours on end, as demonstrated in the video after the break.
The project is appropriately named “AI’ve just started to learn to play”, and attempts to copy every melody it hears in real-time. The robot consists of the cartridge carriage from an old printer, mounted on a wooden frame to hold the melodica. The original carriage used a DC motor with an encoder for accurate movement, but since position accuracy was not desirable, [Alessandro] ditched the encoder. Two small trolley wheels are mounted on the cartridge holder to push down on the melodica’s key. A bistable solenoid valve controls airflow to the melodica from an air compressor. The DC motor and solenoid valve is controlled by an Arduino via a pair of LM298 motor drivers.
A host computer running software written in Cycling ’74 MAX listens to the melody it’s trying to imitate, and send serial commands to the Arduino to move the carriage and open the solenoid to try and match the notes. Of course, it keeps hitting a series of wrong notes in the process. The Arduino code and build instructions have been published, but the main Max software is only described briefly. [Alessandro] demonstrated the robot at a local festival, where it played YouTube tutorial snippets and jammed with a local band for a full 24 hours. You have to respect that level of endurance.
It works like this: either shine some light on the photocells, cover them up, or find some middle ground between the two. No matter what you do, you’re going to get cool sounds out of this thing.
The photocells behave like potentiometers that are set up in a voltage divider. An Arduino UNO takes readings in from the photocells, does some MIDI math, and sends the serial data to a program called Hairless MIDI, which in turn sends it to Ableton live.
[knaylor1] is using a plugin called TAL Noisemaker on top of that to produce the dulcet acid house tones that you can hear in the video after the break.
If you’ve never played with light-dependent resistors before, do yourself a favor and spend a little bit of that Christmas cash on a variety pack of these things. You don’t even need an Arduino to make noise, you can use them as the pots in an Atari Punk console or make farty square waves with a hex inverting oscillator chip like the CD40106. Our own [Elliot Williams] once devoted an entire column to making chiptunes.
Inspired by the creative genius of Martin Molin of Wintergatan fame, [iSax] set out to create a robotic MIDI-controlled trombone. It takes years for humans to develop the control and technique required to play the trombone well as the tone produced into the mouthpiece (embouchure) is a tricky combination of air pressure, lip tension, airflow, resonance in the mouth, and other sources of complex pressure.
[iSax] gives a thorough walkthrough of the machine, which is powered by two separate sources of air, one for the position of the slide and the other for producing sound. A potentiometer provides feedback on the position of the slide and a servo controls the flow rate into the silicone resonance chamber. The chamber can be tuned via a stepper motor that applies pressure, slightly altering the chamber’s frequency and pressure. An Arduino with Firmata allows the device to controlled easily from any host computer. A detailed writeup in PDF form is on the Hackday.io project page.
As you can imagine, simulating a human mouth is a daunting task and the number of variables meant that [iSax] ended up with something only vaguely trombone-like. While ultimately it didn’t turn out to be the astounding music machine that [iSax] hoped, it did end up being a fun feat of engineering we can appreciate and admire. Progress towards automatic brass instruments seems to be coming slowly as we saw similar results with this robotic trumpet. Maybe someday we’ll have robot brass sections, but not today.
