Some readers will no doubt remember attaching a playing card to the front fork of their bicycle so that the spokes flapped the card as the wheel rotated. It was supposed to sound like a motorcycle, which it didn’t, but it was good, clean fun with the bonus of making us even more annoying to the neighborhood retirees than the normal baseline, which was already pretty high.
[Garett Morrison]’s “Click Wheel Organ” works on much the same principle as a card in the spokes, only with far more wheels, and with much more musicality. The organ consists of a separate toothed wheel for each note, all turning on a common shaft. Each wheel is laser-cut from thin plywood, with a series of fine teeth on its outer circumference. The number of teeth, as calculated by a Python script, determines the pitch of the sound made when a thin reed is pressed against the spinning wheel. Since the ratio of teeth between the wheels is fixed, all the notes stay in tune relative to each other, as long as the speed of the wheels stays constant.
The proof-of-concept in the video below shows that speed control isn’t quite there yet — playing multiple notes at the same time seems to increase drag enough to slow the wheels down and lower the pitch for all the notes. There appears to be a photointerrupter on the wheel shaft to monitor speed, so we’d imagine a PID loop to control motor speed might help. That and a bigger motor that won’t bog down as easily. As for the sound, we’ll just say that it certainly is unique — and, that it seems like something [Nicolas Bras] would really dig.
Even with fancy smartphone apps and custom-built tuners, tuning a guitar can be a tedious process, especially for the beginner. Pluck a string, figure out if the note is sharp or flat, tighten or loosen accordingly, repeat. Then do the same thing for all six strings. It’s no wonder some people never get very far with the guitar.
Luckily, technology can come to the rescue in the form of this handy open-source automatic guitar tuner by [Guyrandy Jean-Gilles]. The tuner has a Raspberry Pi Pico inside, with a microphone attached to the ADC. The program running on the Pico listens for the sound of a plucked string and determines whether the note is sharp or flat. The Pico then drives a small DC gear motor in the appropriate direction, which turns the peg the right way to bring the string into tune. The tuner makes ample use of 3D-printed parts, STLs for which are included in the project repo. [Guyrandy] has also made some updates to the project to make the tuner a little easier to use.
While there’s an affordable commercial version of this — upon which [Guyrandy] based his design — we really like the fact that he rolled his own here, and made the design freely accessible to everyone. We also like the idea that guitarists who can’t use tuners requiring visual feedback can use this, too — just like this one.
We all know that light and sound are wave phenomena, but of very different kinds. Light is electromechanical in nature, while sound is mechanical. Light can travel through a vacuum, while sound needs some sort of medium to transmit it. So it would seem that it might be difficult to use sound to modify light, but with the right equipment, it’s actually pretty easy.
Easy, perhaps, if you’re used to slinging lasers around and terms like “acousto-optic tunable filter” fall trippingly from your tongue, as is the case for [Les Wright]. An AOTF is a device that takes a radio frequency input and applies it to a piezoelectric transducer that’s bonded to a crystal of tellurium oxide. The RF signal excites the transducer, which vibrates the TeO2 crystal and sets up a standing wave within it. The alternating bands of compressed and expanded material within the crystal act like a diffraction grating. Change the excitation frequency, and the filter’s frequency changes too.
To explore the way sound can bend light, [Les] picked up a commercial AOTF from the surplus market. Sadly, it didn’t come with the RF driver, but no matter — a few quick eBay purchases put the needed RF generator and power amplifier on his bench. The modules went into an enclosure to make the driver more of an instrument and less of a one-off, with a nice multi-turn pot and vernier knob for precise filter adjustment. It’s really kind of cool to watch the output beam change colors at the twist of a knob, and cooler still to realize how it all works.
On today’s episode of “Will it MIDI?” we have the common slide whistle. Spoiler alert: yes, it will, and the results are just on the edge of charming and — well, a little weird.
As maker [mitxela] points out, for all its simplicity, the slide whistle is a difficult instrument to play. Or, at least a difficult one to hit a note repeatably. It’s a bit like a tiny plastic trombone, in that both lack keys or stops that limit the vibrating column of air to a specific length. Actually, the beginning of the video below shows a clever fix for that problem on the slide whistle using magnets, but that’s mainly a side project.
[mitxela]’s MIDI-fication of the slide whistle required a bit more than a few magnets. To move the slide to defined positions, a pair of high-precision servos was connected by a laser-cut plywood scissors linkage. The lung-power of the musician is replaced by a small electric blower, mounted away from the whistle and supplying air through a long hose. The fan’s speed, and therefore the speed of the airflow, can be varied; this prevents low notes from shifting up in register from over-blowing, if that’s the right term. Another servo controls a damper that shuts off the flow of air from the mouth of the whistle to control notes without having to turn off the fan completely. The main article goes into detail about the control electronics and the calibration process.
The video has a few YouTube copyright strikes demo songs, and we have to say we’re impressed with the responsiveness of the mechanism. Some will object to the excess servo noise, but we found it nice — almost like guitar string-squeak. We like the tunes where [mitxela]’s servo-plucked music box joined in, too.
We wager you haven’t you heard the latest from ultrasonics. Sorry. [Lindsay Wilson] is a Hackaday reader who wants to share his knowledge of transducer tuning to make tools. The bare unit he uses to demonstrate might attach to the bottom of an ultrasonic cleaner tank, which have a different construction than the ones used for distance sensing. The first demonstration shows the technique for finding a transducer’s resonant frequency and this technique is used throughout the video. On the YouTube page, his demonstrations are indexed by title and time for convenience.
For us, the most exciting part is when a tuned transducer is squeezed by hand. As the pressure increases, the current drops and goes out of phase in proportion to the grip. We see a transducer used as a pressure sensor. He later shows how temperature can affect the current level and phase.
Sizing horns is a science, but it has some basic rules which are well covered. The basic premise is to make it half of a wavelength long and be mindful of any tools which will go in the end. Nodes and antinodes are explained and their effects demonstrated with feedback on the oscilloscope.
Digitally stored music is just data. But not long ago, music was analog and required machines with moving parts. If you have never owned a record player, you at least know what they look like, now that there’s a(nother) vinyl revival. What you may not be aware of is that the player’s stylus needs to be aligned. It makes sense, that hypersensitive needle can’t be expected to perform well if it’s tearing across a record like a drift racer.
There are professional tools for ensuring alignment, but it’s not something you’ll need each day. [Ali Naci Erdem] shows us his trick for combining a printable template with a mirror to get the same results without the professional tool costs. Instead of ordinary printer paper, he prints the template on a piece of clear plastic and lays it across a small mirror. These are both items which can be picked up at a hobby store, which is not something we can say about a record player mirror protractor.
We last covered the project when he had, unfortunately, wrecked the thing in a remote-controlled test flight. He later discovered that the motor’s crankshaft bearings had, well, exploded. The resulting shrapnel destroyed the motor and crashed the drone. He described this failure mode as “concerning”.
Also concerning is the act of stepping into the seat once all the propellers are started up. He tags this as “watch your step or die”. Regardless, he also describes flying in the thing as so incredibly fun that it’s hard to stay out of it; like a mechanical drug. It explains why his channel has been lately dominated by videos of him testing the multicopter. Those videos are found after the break.
The device drinks 0.65-0.7 liters per minute of gasoline, and he’s been going through reserves working out all the bugs. This means everything from just figuring out how to fly it to discovering that the dust from the ground effect tends to clog up the air filters; which causes them to run lean, subsequently burning up sparkplugs. Dangerous, but cool.