A man is looking at a volumetric display while using one finger to interact with it. Two roughly-spherical blue shapes are visible in the display, and he is moving his index finger toward one of them.

Elastic Bands Enable Touchable Volumetric Display

Amazing as volumetric displays are, they have one major drawback: interacting with them is complicated. A 3D mouse is nice, but unless you’ve done a lot of CAD work, it’s a bit unintuitive. Researchers from the Public University of Navarra, however, have developed a touchable volumetric display, bringing touchscreen-like interactions to the third dimension (preprint paper).

At the core, this is a swept-volume volumetric display: a light-diffusing screen oscillates along one axis, while from below a projector displays cross-sections of the scene in synchrony with the position of the screen. These researchers replaced the normal screen with six strips of elastic material. The finger of someone touching the display deforms one or more of the strips, allowing the touch to be detected, while also not damaging the display.

The actual hardware is surprisingly hacker-friendly: for the screen material, the researchers settled on elastic bands intended for clothing, and two modified subwoofers drove the screen’s oscillation. Indeed, some aspects of the design actually cite this Hackaday article. While the citation misattributes the design, we’re glad to see a hacker inspiring professional research.) The most exotic component is a very high-speed projector (on the order of 3,000 fps), but the previously-cited project deals with this by hacking a DLP projector, as does another project (also cited in this paper as source 24) which we’ve covered.

While interacting with the display does introduce some optical distortions, we think the video below speaks for itself. If you’re interested in other volumetric displays, check out this project, which displays images with a levitating styrofoam bead.

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A Cheap Yellow Display Makes A Video Walkie Talkie

The ESP32 series of microprocessors with their cheap high-power cores and built-in wireless networking have brought us a wide variety of impressive projects over the years. We’re not sure we’ve quite seen the like of [Jonathan R]’s video walkie talkie before though, a pair of units which as you might guess, deliver two-way video and audio communications.

The trick involves not one but two ESP32s: an ESP32-S3 based camera module, and a more traditional Tensilica ESP32 in a screen module. It’s an opportunity for an interesting comparison, as one device uses the Cheap Yellow Display board, and the other uses an Elecrow equivalent. The audio uses ESP-NOW, while the video uses WiFi, and since the on-board audio amplifiers aren’t great, there’s a small amp module.

The video below has a comprehensive run-down including the rationale behind the design choices, as well as a demonstration. There’s a small lag, but nothing too unacceptable for what is after all an extremely cheap device. Perhaps after all this time, the video phone has finally arrived!

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Gonzo Film Making With The Raspberry Pi

Gonzo journalism has been a hip thing since the 1970s or so, a way of covering a story in a compelling format with more subjectivity and less objectivity. The style has since been applied to all sorts of media, including film—and indeed, the makers of the Gonzo Pi.

The Gonzo Pi is a camera with an open source design, yes, but it’s also a lot more than that. It’s intended to be an entire platform for film-making, all in the one housing. Camera-wise, the design combines a Raspberry Pi with the requisite first-party High Quality Camera, and warps it up in a 3D printed housing. You can build it up with a viewfinder and whatever old-school C-mount or 8 mm film lenses you can lay your hands on.

Beyond that, there’s an editing platform baked in to the device. It’s not unlike the tools in so many social media apps these days. The idea of the Gonzo Pi is that rather than shooting a whole ton of footage and takes and poring over them in great detail later, instead, you run and gun with the device and edit as you go. You can shoot retakes as you need, and even dub in more audio as necessary as you compose your film on the hoof. It’s intended to change the way you make films by virtue of its unique compositional paradigm.

We’ve featured some neat homebrew cameras before, to be sure, but none that quite put the edit suite right in the box.

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Jeff Dunham next to a Philco Predicta TV

Jeff Dunham Finds A NOS 1958 Philco Predicta

When you see a ventriloquist like [Jeff Dunham], you probably expect to see him with a puppet. This time – spoilers ahead – you won’t. Besides his fame on stage, [Dunham] is also a collector of vintage tech and a die-hard television enthusiast. In the video below, [Dunham] has gotten his hands on a rarity: an unboxed 1958 Philco Predicta TV. The original tape was still on the box. We get to follow along on his adventure to restore this sleek, retro-futuristic relic!

[Dunham]’s fascination with the Predicta stems from its historical significance and bold design. At a time when television was making its way into American homes, the Predicta dared to be different with its swivel-mounted picture tube and early printed circuit boards. Despite its brave aesthetics, the Predicta’s ambition led to notorious reliability issues. Yet, finding one in pristine condition, sealed and untouched for over six decades, is like unearthing a technological time capsule.

What makes this story unique is [Dunham]’s connection to both broadcasting and his craft. As a ventriloquist inspired by Edgar Bergen — whose radio shows captivated America — [Dunham] delights in restoring a TV from the same brand that first brought his idol’s voice to airwaves. His love for storytelling seamlessly translates into this restoration adventure.

After unboxing, [Dunham’s] team faces several challenges: navigating fragile components, securing the original shipping brace, and cautiously ramping up voltage to breathe life into the Predicta. The suspense peaks in the satisfying crackle of static, and the flicker of a 65-year-old screen finally awakened from slumber.

Have you ever come across an opportunity like this? Tell us about your favorite new old stock find in the comments. Buying these can be a risk, since components have a shelf life. We appreciate when these old TVs play period-appropriate shows. Who wants to watch Game of Thrones on a Predicta?

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The 1987 Videonics Editing System

Videonics: The Dawn Of Home Video Editing, Revisited

Here’s a slice of history that will make any retro-tech fan grin: before TikTok and iMovie, there was a beast called the Videonics DirectED Plus. This early attempt at democratizing video editing saved enthusiasts from six-figure pro setups—but only barely. Popular Science recently brought this retro marvel back to life in a video made using the very system that inspired it. Picture it: 1987, VHS at its peak, where editing your kid’s jazz recital video required not just love but the patience of a saint, eight VCRs, three Videonics units, two camcorders, and enough remotes to operate a space shuttle.

The Videonics DirectED Plus held promise with a twist. It offered a way to bypass monstrous editing rigs, yet mastering its panel of buttons felt like deciphering hieroglyphs. The ‘Getting Started’ tape was the analog era’s lifeline, often missing and leaving owners hunting through second-hand stores, forgotten basements, and enthusiast forums. Fast forward to today, and recreating this rig isn’t just retro fever—it’s a scavenger hunt.

The 1987 Videonics Editing SystemOnce assembled, the system resembled a spaghetti junction of cables and clunky commands. One wrong button press could erase precious minutes of hard-won footage. Still, the determination of DIY pioneers drove the machine’s success, setting the stage for the plug-and-play ease we now take for granted.

These adventures into retro tech remind us of the grit behind today’s seamless content creation. Curious for more? Watch the full journey by Popular Science here.

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Building A DIY Nipkow Disk Display

Before flat screen technologies took over, we associate TV with the CRT. But there were other display technologies that worked, they just weren’t as practical. One scheme was the Nipkow disk, and [Bitluni] decided to build a working demonstration of how such a system works.

Essentially, there’s a spinning disk with a spiral pattern of holes in it. As the disk spins, a light behind it turns on or off. If you time everything right, you get an image that can move. This particular model uses stepper motors, which is a bit of a modern concession.

The result was actually much better than you might guess, but a far cry from a modern display device, of course. The screen material needed a little tweaking, but even the initial results were very impressive. If this were trying to be practical, it would probably require a bit more work on the light source and screen.

Interestingly, the Nipkow disk arrangement was just as suitable for scanning as displaying. Instead of a light behind the wheel, you simply used a light sensor. Of course, in practice, getting everything synchronized and mass-producing high-resolution sets would have been a tremendous challenge a century ago.

Not that people didn’t try. There were even color systems using mechanical wheels. In the 1930s, people were sure your TV would contain spinning disks.

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Capturing Light In A Vacuum: The Magic Of Tube Video Cameras

Cameras are a funny rabbit hole to fall down as a hacker, because we have well over a century of items to pick and choose from, a lot of which can be had for relative pennies. In my case I have more of them than I’d care to mention, mostly film cameras and 8mm movie cameras, but there are one or two that are entirely different. My first interest in electronics came through PAL televisions, so it’s hardly surprising that along the way I’ve also acquired more than one chunky old tube-based video camera. These devices are now long ago supplanted by their solid state replacements, but they retain a fascination for me as the mirror of the CRT-based TV sets I know so well. It’s time for a fascinating descent into the world of analogue video.

Electrons chasing light, chasing electrons

The zig-zag line pattern of a TV scan.
A raster scan pattern. Ian Harvey, Public domain.

The basic mode of operation behind all but some of the very earliest electronic camera tubes is that an electron gun paints its raster of electrons onto a light-sensitive target, and the current flowing through the electron beam varies in proportion to the light at each particular point on the target. This can be used to create a voltage, which when combined with the various sync pulses makes a video signal that would be understood by a monitor. The various different types of tubes have names such as Iconoscope, Emitron, or Vidicon, and while the main differences between those various types of tube lie in the combination of materials and design of their targets. Successive generations of tube made improvements to sensitivity and noise performance, first combining photoemissive layers with electron multiplying layers to amplify the video signal in much the same way as a photomultiplier tube does, and then using photoconductive targets to vary the conductivity of the target depending on the light at a particular point. Continue reading “Capturing Light In A Vacuum: The Magic Of Tube Video Cameras”