Hackaday Prize 2022: Hedge Watcher Aims To Save Precious Bird Life

Hedges aren’t just a pretty garden decoration. They’re also a major habitat for many species of insects, birds, and other wildlife. In some areas, a lot of hedge trimming goes during the time that local birds are raising their fledglings, which causes harm at a crucial time. Thus, [Johann Elias Stoetzer] and fellow students were inspired to create Hedge Watcher.

Birds can easily blend in with their surroundings, but thermal cameras are a great way to spot them.

The concept is simple – using thermal vision to spot birds inside a hedge when they may not otherwise be easily visible. Many species blend in with their surroundings in a visual manner, so thermal imaging is a great way to get around this. It can help to avoid destroying nests or otherwise harming birds when trimming back hedges. The idea was sourced from large-scale agricultural operations, which regularly use thermal cameras mounted on drones to look for wildlife before harvesting a field.

However, staring at a thermal camera readout every few seconds while trimming hedges isn’t exactly practical. Instead, the students created an augmented reality (AR) monocular to allow the user to trim hedges at the same time as keeping an eye on the thermal camera feed. Further work involved testing a binocular AR headset, as well as a VR headset. The AR setups proved most useful as they allowed for better situational awareness while working.

It’s a creative solution to protecting the local birdlife, and is to be applauded. There’s plenty of hubris around potential uses for augmented reality, but this is a great example of a real and practical one. And, if you’re keen to experiment with AR yourself, note that it doesn’t have to break the bank either!

 

An Automated Digitizer For 35mm Slides

Slides make for great old-timey fun, but it’s awesome to have a digital backup of your old photos, too. An automatic digitizer can make quick work of your collection, and this build from [rbwood53] will do just that.

The digitizizer is based on a Kodak carousel slide projector. It’s fitted with LED strips instead of the original light source, which are used to illuminate the slides themselves. An Arduino Nano is used to command a camera to take photos, via a hacked-up shutter release remote. The camera is set up with a zoom lens and relies on auto-focus to get crisp, clear images of the slides. The Arduino is also charged with telling the carousel system to advance to the next slide as required. It keeps count as the slides go by, so it stops when the entire carousel has been imaged.

Overall, it’s a straightforward build that automatically imaged over 40 boxes of slides for [rbwood53] without issue. If you’ve got a smaller collection to digitize, you might find this simple 3D-printed adapter to be useful, too!

Hackaday Prize 2022: An Old (and Distinguished) Camera Learns New Tricks

In the 1950s the major Hollywood studios needed impressive cinematic technologies for their epic movies, to both see off the threat from television, and to differentiate themselves from their competitors. For most of them this meant larger screens and thus larger frame film, and for Paramount, this meant VistaVision. [Steve Switaj] is working on one of the original VistaVision cameras made for the studio in the 1950s, and shares with us some of the history and the work required to update its electronics for the 2020s.

VistaVision itself had a relatively short life, but the cameras were retrieved from storage in the 1980s because their properties made them suitable for special effects work. This mostly analog upgrade hardware on this one had died, so he set to and designed a PIC based replacement. Unexpectedly it uses through-hole components for ease of replacement using sockets, and it replaces a mechanical brake fitted to the 1980s upgrade with an electronic pull back on the appropriate reel motor.

The whole thing makes for an interesting delve into some movie history, and also a chance to see some tech most of us will never encounter even if we have a thing for movie cameras.

A Solar-Powered Point-and-Shoot, Circa 1961

Try to put yourself in the place of an engineer tasked with building a camera in 1961. Your specs include making it easy to operate, giving it automatic exposure control, and, oh yeah — you can’t use batteries. How on Earth do you accomplish that? With a very clever mechanism powered by light, as it turns out.

This one comes to us from [Alec Watson] over at Technology Connections on YouTube, which is a channel you really need to check out if you enjoy diving into the minutiae of the mundane. The camera in question is an Olympus Pen EES-2, which was the Japanese company’s attempt at making a mass-market 35-mm camera. To say that the camera is “solar-powered” is a bit of a stretch, as [Alec] admits — the film advance and shutter mechanism are strictly mechanical, relying on springs and things to power them. It’s all pretty standard camera stuff.

But the exposure controls are where this camera gets interesting. The lens is surrounded by a ring-shaped selenium photocell, the voltage output of which depends on the amount of light in the scene you’re photographing. That voltage drives a moving-coil meter, which waggles a needle back and forth. A series of levers and cams reads the position of the needle, which determines how far the lens aperture is allowed to open. A clever two-step cam allows the camera to use two different shutter speeds, and there’s even a mechanism to prevent exposure if there’s just not enough light. And what about that cool split-frame exposure system?

For a camera with no electronics per se, it does an impressive job of automating nearly everything. And [Alec] does a great job of making it interesting, too, as he has in the past with a deep-dive into toasters, copy protection circa 1980, and his take on jukebox heroics.

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Hackaday Prize 2022: A Spring-Driven Digital Movie Camera

These days, most of us are carrying capable smartphones with high-quality cameras. It makes shooting video so easy as to take all the fun out of it. [AIRPOCKET] decided to bring that back, by converting an old spring-driven 8mm film camera to shoot digital video.

The camera in question is a magazine-fed Bell & Howell Model 172 from the 1950s. In its original spring-driven form, it could shoot for approximately 35 seconds at a (jerky) frame rate 16 fps.

In this build, though, the film is replaced with a digital imaging system designed to fit in the same space as the original magazine. A Raspberry Pi Zero 2 was pressed into service, along with a rechargeable battery and Pi camera module. The camera is timed to synchronise with the shutter mechanism via a photosensor.

Since it uses the original optics and shutter speed, the resulting video is actually very reminiscent of the Super 8 cameras of the past. It’s an impressive way to get a retro film effect straight into a digital output format. The alternative is to just shoot on film and scan it afterwards, of course! Video after the break.

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A Hacky Automatic Camera Slider Using No Motors

Camera sliders are a great way to get smooth, continuous panning shots. You can buy off the shelf or build yourself a motorized model pretty easily these days. However, [Shivam Dehinwal] came up with a hack that’s even simpler again.

The design uses a 3D-printed base which mounts the camera on top. Four wheels are installed underneath to allow the base to roll on smooth surfaces.

Inside the base, there’s a slot to install a Komelon Touch Lock measuring tape, with the tape’s auto-retract mechanism used to create the sliding function. Pressing the center disc on the measuring tape brakes the tape retract mechanism. The harder you press, the more it slows down.

In the slider, this is achieved with a screw-in puck that contacts the tape measure’s brake. Tighten the puck down, and the tape measure retracts very slowly, moving the slider at a crawl. Leave the puck loose, and the tape measure retracts more quickly for faster panning shots.

It’s a neat way to build a camera slider, of which we’ve seen many before in the past. It never needs batteries and adjustment is as easy as turning a screw. Sometimes the simple ways have their charms. Video after the break.

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Sputtering Daguerreotypes, Batman!

The Daguerreotype was among the earliest photographic processes, long before glass plates or film, that relied on sensitizing a thin layer of silver on top of a copper plate. The earliest Daguerreotype plates were made physically, by rolling a copper-silver plate thinner and thinner until the silver layer was just right. Good luck finding a source of Daguerreotype plates made this way in 2022. (There are electroplating methods, but they all end up with chemically contaminated silver.)

On the other hand, magnetron sputtering is a process of depositing pure metal in thin layers using plasma, high voltages, and serious magnets, and [Koji Tokura] is making his own sputtered Daguerreotype plates this way, giving him the best of both worlds: the surreal almost-holographic quality of the Daguerreotype with the most difficult film preparation procedure imaginable.

The star of the show is [Koji]’s sputtering rig, which consists of a Tupperware glass sandwich box as a vacuum chamber and a microwave oven transformer as the high voltage source. In use, he pumps the chamber down, introduces a small amount of argon, and then lights up the plasma. The high voltage accelerates the plasma ions into a sheet of silver, and the silver particles that get knocked free coat the copper plate. A strong magnet creates a local plasma, which accelerates the coating procedure, but since [Koji] only had a relatively small magnet, he scans the plate with the magnet, using a scavenged 2D pen plotter mechanism.

Check out his video on the Hackaday.io page, and his Daguerreotype gallery as well. (We don’t think that they were all made with this procedure.)

The result is a chemically pure Daguerreotype plate produced in a seriously modern way, and we’d love to see the images in person. In these days of disposable images made by the AIs in your cell phone, it’s nice to see some people taking photography in strange directions. For instance, maybe you’d like to make your own ultra-large collodion plates. Or something else? If you do, show us!