Camcorder Viewfinder Converted To Diminutive Vector Display

January 14, 2020 by Dan Maloney 26 Comments

We generally cast a skeptical eye at projects that claim some kind of superlative. If you go on about the “World’s Smallest” widget, the chances are pretty good that someone will point to a yet smaller version of the same thing. But in the case of what’s touted as “The world’s smallest vector monitor”, we’re willing to take that chance.

If you’ve seen any of [Arcade Jason]’s projects before, you’ll no doubt have noticed his abiding affection for vector displays. We’re OK with that; after all, many of the best machines from the Golden Age of arcade games such as Asteroids and Tempest were based on vector graphics. None so small as the current work, though, based as it is on the CRT from an old camcorder’s viewfinder. The tube appears to be about 3/4″ (19 mm) in diameter, and while it still had some of its original circuitry, the deflection coils had to be removed. In their place, [Jason] used a ferrite toroid with two windings, one for vertical and one for horizontal. Those were driven directly by a two-channel push-pull audio amplifier to make patterns on the screen. Skip to 15:30 in the video below to see the display playing [Jerobeam Fenderson]’s “Oscilloscope Music”.

As much as we’d love to see a tiny game of Battlezone played on the diminutive display, there’s only so much it can do. Maybe an analog version of this adorable digital oscilloscope would be possible?

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Monochrome CRT And Liquid Crystal Shutter Team Up For Color Video

October 1, 2019 by Dan Maloney 21 Comments

If you were tasked with designing a color video monitor, it’s pretty clear how you’d go about it. But what if you’d been asked to do so 20 years ago? Would it have been a cut and dried from an engineering standpoint? Apparently not, as this hybrid LCD-CRT video monitor demonstrates.

We’d honestly never heard of this particular design, dubbed “LCCS”, or liquid crystal color shutter, until [Technology Connections]’ partial teardown of the JVC monitor and explanation of its operation. The idea is simple and hearkens back to the earliest days of color TV in the United States, when broadcasters were busy trying to bring color to a monochrome world in a way that would maximize profits. One scheme involved rotating a color wheel in front of the black-and-white CRT and synchronizing the two, which is essentially what’s happening in the LCCS system. The liquid crystal panel cycles between red, blue, and green tints in time with the CRT’s images behind it, creating a full-color picture. “But wait!” you cry. “Surely there were small color CRTs back in the year 2000!” Of course there were, but they kind of sucked. Just look at the comparison of a color CRT and the LCCS in the video below and you’ll see why this system carved out a niche in the pro video market, especially for video assist monitors in the days before digital cinematography. A similar system was used by Tektronix for color oscilloscopes, too.

As usual, [Technology Connections] has managed to dig up an interesting bit of the technological fossil record and present it in a fascinating way. From video on vinyl to 1980s copy protection to the innards of a toaster, we enjoy the look under the hood of forgotten tech.

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Retrotechtacular: History Of Sony Mini Doc Bursts With 1970s Style

May 10, 2019 by Drew Littrell 16 Comments

The 1970s, it was a time when cameras needed film, phones had cords, and televisions masqueraded as furniture. A time where hi-fi systems were judged by the volume knob feel, and thanks to YouTube user [nefesh22] we have a behind-the-scenes glimpse of what the era was like from the Sony corporate perspective in this mini documentary of the company’s history below. The film was originally created for internal use at Sony’s US manufacturing facilities in San Diego, however, now it now can be watched by anyone with an internet connection.

Sony’s corporate ethos of allowing its engineers to drive business innovation is on full display here. For instance how in 1950 Sony introduced the first magnetic tape recorder, the G-Type, in Japan and followed that up with the first portable television, the TV8-301, a decade later. Throughout the 1970s Sony became an innovator in the video space. In fact, the Sony Trinitron brand of color TVs garnered so much notoriety in the television industry that the company was awarded an Emmy in 1973. Though the most telling feature is the documentary’s focus on the 3/4-inch U-Matic videocassette format, a precursor to VHS and Sony’s own Betamax videotapes. Highlighting the “superiority” of those VTR systems of the day really does date the film as those hulking decks failed to penetrate the market beyond early adopters and media companies.

It’s interesting to see how hands-on quality assurance testing used to be. Whether it’s glancing at NPN transistors under a microscope, dialing in the focus on a Super 8 camera, or a quick wave of the degaussing wand before a tube leaves the line, each of the QA tasks were carried out by individual employees rather than the automated methods of today. On an unrelated note, the brief overview of the Sony’s on-site “fiefdom” for its young workforce is a reminder that some ideas may be better left in the past… Google’s Mountain View campus anyone? If anything is to be gleaned from this retrotechtacular retrospective is that we could all use a little more wood-grain in our electronics these days.

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Curve Tracing On Spray Painted CRTs

February 24, 2019 by Brian Benchoff 16 Comments

A Lissajous curve is formed when two sine waves plotted on their respective X and Y axes. You can see one using an oscilloscope and a couple of signal generators, if you play with one of those ‘pendulums tracing in the sand’ toys, or if you really need something sciencey for your home decor you can trace them out with a disassembled CRT. That’s what [Emily] did with the LissaJukebox. It traces curves. No, it’s not a curve tracer, that’s another tool altogether

If you’re going to put squigglies on a CRT, you obviously need a CRT, and it needs to look good. There are a few options out there, from old oscilloscope tubes, the CRTs found in old VHS camcorders, to tiny electrostatic tubes that are slightly easier to drive. For this build, [Emily] chose an old, bog-standard, black and white television. But the screen is green, right? Yeah, but if you carefully mask off a CRT and buy some stained glass spray paint, a CRT can be any color you want. Except for purple, the purple stained glass spray paint didn’t work for some reason.

To generate the various functions, [Emily] used an XR2206 function generator, sold in kit form on Amazon, eBay, and various other online retailers for a pittance. One of these function generators controls the X axis, another the Y, and both of these generators are fed into a 15 Watt stereo amplifier board to run the deflection coils in the CRT. If you’re following along at home, yes, this is dangerous. Don’t touch the CRT or it will stop your heart. Those of us whose hearts are as black as coal are safe.

There were a few modifications needed to turn the XR2206 function generator ‘kit’ into something a bit more useful for this project. The through-hole pots were replaced with panel-mount pots, and the range/amplitude setting is now controlled with a rotary switch.

Is it useful? Well, actually, if you’re building a set for a TV show and you need something that looks ‘sciencey’, a LissaJukebox should be right up your alley. Other than that it looks pretty, and we now know there’s a spray paint that will turn your old, boring black and white CRT into a glorious amber phosphor. Can’t beat that.

Sharpest Color CRT Display Is Monochrome Plus A Trick

January 17, 2019 by Ted Yapo 68 Comments

I recently came across the most peculiar way to make a color CRT monitor. More than a few oscilloscopes have found their way on to my bench over the years, but I was particularly struck with a find from eBay. A quick look at the display reveals something a little alien. The sharpness is fantastic: each pixel is a perfect, uniform-colored little dot, a feat unequaled even by today’s best LCDs. The designers seem to have chosen a somewhat odd set of pastels for the UI though, and if you move your head just right, you can catch flashes of pure red, green, and blue. It turns out, this Tektronix TDS-754D sports a very peculiar display technology called NuColor — an evolutionary dead-end that was once touted as a superior alternative to traditional color CRTs.

Join me for a look inside to figure out what’s different from those old, heavy TVs that have gone the way of the dodo.

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Freeforming The Atari Punk Console

December 29, 2018 by Roger Cheng 20 Comments

This stunning piece of art is [Emily Velasco’s] take on the Atari Punk Console. It’s a freeform circuit that synthesizes sound using 555 timers. The circuit has been around for a long time, but her fabrication is completely new and simply incredible!

This isn’t [Emily’s] first rodeo. She previously built the mini CRT sculpture project seen to the left in the image above. Its centerpiece is a tiny CRT from an old video camera viewfinder, and it is fairly common for the driver circuit to understand composite video. And unlike CRTs, small video cameras with composite video output are easily available today for not much money. Together they bring a piece of 1980s-era video equipment into the modern selfie age. The cubic frame holding everything together is also the ground plane, but its main purpose is to give us an unimpeded view. We can admire the detail on this CRT and its accompanying circuitry representing 1982 state of the art in miniaturized consumer electronics. (And yes, high voltage components are safely insulated. Just don’t poke your finger under anything.)

With the experience gained from building that electrically simple brass frame, [Emily] then stepped up the difficulty for her follow-up project. It started with a sound synthesizer circuit built around a pair of 555 timers, popularized in the 1980s and nicknamed the Atari Punk Console. Since APC is a popular circuit found in several other Hackaday-featured projects, [Emily] decided she needed to add something else to stand out. Thus in addition to building her circuit in three-dimensional brass, two photocells were incorporated to give it rudimentary vision into its environment. Stimulus for this now light-sensitive APC were provided in the form of a RGB LED. One with a self-contained circuit to cycle through various colors and blinking patterns.

These two projects neatly bookend the range of roles brass rods can take in your own creations. From a simple frame that stays out of the way to being the central nervous system. While our Circuit Sculpture Contest judges may put emphasis the latter, both are equally valid ways to present something that is aesthetic in addition to being functional. Brass, copper, and wood are a refreshing change of pace from our standard materials of 3D-printed plastic and FR4 PCB. Go forth and explore what you can do!

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Daphne Oram And The Birth Of Electronic Music

December 4, 2018 by Dan Maloney 10 Comments

For most of human history, musical instruments were strictly mechanical devices. The musician either plucked something, blew into or across something, or banged on something to produce the sounds the occasion called for. All musical instruments, the human voice included, worked by vibrating air more or less directly as a result of these mechanical manipulations.

But if one thing can be said of musicians at any point in history, it’s that they’ll use anything and everything to create just the right sound. The dawn of the electronic age presented opportunities galore for musicians by giving them new tools to create sounds that nobody had ever dreamed of before. No longer would musicians be constrained by the limitations of traditional instruments; sounds could now be synthesized, recorded, modified, filtered, and amplified to create something completely new.

Few composers took to the new opportunities offered by electronics like Daphne Oram. From earliest days, Daphne lived at the intersection of music and electronics, and her passion for pursuing “the sound” lead to one of the earliest and hackiest synthesizers, and a totally unique way of making music.